Archive for the ‘Map of the Week’ Category

One of a Kind Chromolithograph View of New York City

Monday, December 5th, 2011

View of Manhattan

1897 Colton Chromolithograph Map View of New York City: Manhattan Brooklyn Queens

A rare possibly unique find, this is G. W. and C. B. Colton’s magnificent 1897 panoramic birds-eye view of New York City. Presented in chromolithograph color this map reveals Manhattan, Brooklyn, and Queens as seen from high above Jersey City and Hoboken, which themselves appear in the lower left quadrant. The area covered runs from the Bronx to the Statue of Liberty and from Hoboken to Brooklyn and Governor’s Island.

The map is presented as if looking west from high above Hoboken and Jersey City – an unusual take on the city which deviates considerably from the more common south-north Manhattan views by Currier and Ives, and others. This might be explained by the development of Upper Manhattan, most notably the Upper West Side and Central Park, late in second half of the 19th century. The artist would have wanted to represent these newly affluent areas so that his view would appeal to the widest possible audience.

Several bridges are noted including the Brooklyn Bridge (completed in 1883), the Williamsburg Bridge (opened in 1903 but under construction as this view was being drawn), the Queensboro Bridge (proposed but, as this map was being drawn, as not as yet under construction), and a curious bridge that never materialized crossing the Hudson to Hoboken at 59th Street. Central Park is clearly visible, as are the Statue of Liberty in the lower right quadrant, St. John the Divine in the upper left, and Brooklyn’s Prospect Park in the upper right. New York’s signature grid system is clearly represented as are many individual buildings, many of which still stand today. The rivers, and harbor are teaming with life as countless ships of all shapes and sizes visit the many wharves on both size of the River. Smoke escapes many chimneys throughout, though especially in lower Manhattan and Jersey City, giving evidence to New York’s late 19th century industry.

This piece is exceedingly rare and we have been able to identify no record of it in any publication or major collection. It is not referenced by Stokes, it does not appear in the OCLC, has no auction records, and there are no examples in the catalogues of the Library of Congress, the New York Public Library, or the New York Historical Society. Since the Colton firm would have produced this map in the final days of operation, in fact it is the latest Colton publication we have come across, it is reasonable to speculate that this view may never reached the production stage and is merely a prototype. Such would account for its uncommon rarity – indeed, this may well be the only example in existence.

Links:
http://www.geographicus.com/P/AntiqueMap/NewYorkCityView-colton-1897

Map of the Week: 1893 Cane Map of the Columbian Exposition – the world’s first cane map.

Friday, September 23rd, 2011

The world's first cane map - a rare novelty from the 1893 Columbian Exposition showing Buffalo Bill's Wild West Show.

An extremely rare and unusual cane and map prepared in 1893 for the Chicago World’s Fair or, as it is better known, the 1893 Columbian Exposition. This is the earliest known example of a cane map. The genre was invented by the Columbian Novelty Company and, as the map itself notes, the patent was still pending when issued for the fair in 1893. All subsequent cane maps, most of which date to the first half of the 20th century, follow on model of this cane as patented by the Columbian Novelty Company.

The map extends from an internal spring loaded roller mechanism in the top of the cane. It is printed and hand colored on both sides. The primary side shows the grounds of the Columbian Exposition, now Jackson Park and the Field Museum, naming all important buildings walks, pavilions, markets, etc. Among the specific sites noted are “Buffalo Bill’s Wild West Show & Congress of Rough Riders”, the Chicago University Grounds, and the various pavilions established for manufacturing, mining, transportation, liberal arts, agriculture, machinery, etc. In the upper left quadrant there is a aerial view of the entire fair. A larger inset along the right hand side of the map focuses on the Midway from Stony Island to Cottage Grove.

The 1893 Columbian Exposition or Chicago World’s Fair was a pivotal moment in the history of the United States. Chicago won the right to host the World’s Fair over New York, Washington D.C., and St. Louis. During its six month run, nearly 27,000,000 people, roughly half the population of the United States at the time, attended the fair. Its numerous displays and exhibits established conventions for architecture, design, and decorative arts, in addition to initiating a new era of American industrial optimism.

The layout and design of the fair, as seen here, is the work of Daniel Burnham and Frederick Law Olmsted, the genius behind New York City’s Central Park and Brooklyn’s Prospect Park, among others. Most of the fair was designed in the Beaux Arts tradition, a popular movement in Paris that was quickly gaining global momentum. In the years following the fair, this influential architectural style redefined the cityscape of Chicago, Boston, New York, and many other prominent American cities.

Printed by August Gast of St. Louis for the Columbian Novelty Company of Chicago. Originally sold in the gift shops of the 1893 Columbian Exposition.

Links:
http://www.geographicus.com/P/AntiqueMap/ChicagoWorldsFair-columbiannovelty-1893

The 1606 Mercator / Hondius Map of the American Southeast

Tuesday, June 28th, 2011

Virginiae Item et Floridae

The most influential map of the American southeast to emerge in the 17th century.

Published in 1606 by the Mercator – Hondius firm, this is the most influential map of the southeastern part of North America to emerge in the 17th century and the first map to depict by Virginia and Florida. Entitled, “Virginiae Item et Floridae”, Hondius’ map covers from the Spanish colony of St. Augustine northwards, past the Outer Banks of the Carolinas, as far north as the entrada to the Chesapeake Bay. Cartographically Hondius’ map is a synthesis of the two landmark North American maps of the previous century, the 1591 Jacques Le Moyne map of Florida and the 1590 John White map of Virginia and Carolina, both of which were published by Theodore de Bry. The influence of this map, augmented by the gravity of the Mercator name, would dominate the cartographic perspective of the American southeast well into the 18th century, propagating in the process a number of errors that would appear on maps well into the 1700s.

Despite referencing both sources, Hondius’ map is a unique production, with a number of elements that would influence the cartographic perspective of this region well into the 18th century. The most notable of these deal with the lakes and rivers found in the southwestern quadrant of the map. This region was tenuously mapped by the French during their disastrous attempt to settle the Forida from 1552 to 1565, when they were finally driven out by the Spaniards of St. Augustine. Le Moyne was part of this expedition and, though the French settlers likely did very little actual mapping of the interior, good terms with the indigenous Floridians did enable them to produce an impressive and very accurate early map of the southeast. The Le Moyne – De Bry map, as it is known, identifies several major lakes in the interior of Florida, all of which are noted here, however, where Le Moyne was surprisingly accurate, Hondius’ interpretation is surprisingly erroneous.

The most significant deviation from Le Moyne’s map is Hondius’ placement of the River May and Lake Apalachy, here identified as the “Lacus Aquae Dulcis” (Sweet Water Lake). Where Le Moyne correctly mapped the River May (St. John’s River, Florida) in an inverted “V” form, first heading north, then south to meet with a large inland lake (in all likely hood Lake George or one of the other great inland lakes of Florida), Hondius maps the course of the May heading to the northwest, thus relocating the “Lacus Aquae Dulcis” far to the north. This error can be understood in terms of magnetic variation, temperature issues associated with isothermal lines, and navigational errors related to the confusion of the star Asfick with Polaris. While Le Moyne correctly located the mouth of the River May at 30 degrees of latitude, Hondius maps it between 31 and 32 degrees. This led to a misassociation of the River May with the Savannah River. Thus, while the River May dips southward, the Savannah River heads almost directly NW into the Appellation Mountains, forming the modern southern border of South Carolina. Hondius, no doubt taking his cue from navigators who rarely trekked inland, therefore rerouted the May River to flow from the northwest. Without an accurate picture if the interior, Hondius followed Le Moyne’s example and translocated the great freshwater lake to the north. Others have speculated that the Le Moyne’s River May is in fact the St. John’s River, and that the “Lacus Aquae Dulcis” is in fact the Okefenokee Swamp – however, this argument is against established convention. The influence of the Mercator-Hondius firm was so pronounced in Europe that most subsequent cartographers followed their lead. Lactus Aquae Dulces appeared in maps by Jansson, Laet, Janszoon, Blaeu, Allard, Ogilby, Speed, Homann and others well into the 18th century, becoming one of Hondius’ most tenacious legacies.

Another curious and striking element drawn directly from the Le Moyne map is another lake fed by an enormous waterfall. To our knowledge, there are but two maps that depict this lake, this being the second. Some believe this unusual lake may have been based on native legends of Niagara Falls. A note near the lake and falls reads that the natives of this land find grains of silver in this lake. The sources for this lake are, unfortunately, as unclear in this map as they were in Le Moyne’s, and will most likely remain a mystery. The third mysterious lake, Sarrope, appearing the southwestern quadrant, is most likely a mismapping of Lake Okeechobee, as Le Moyne places it much further to the south in roughly the correct position.

Like the Le Moyne map, this map is also one of the earliest maps to depict and name the Appellation Mountains, here identified as Apalatcy Montes. A note suggests that the Apalatcy, a term presumably derived from a once populous American Indian nation inhabiting the Pensacola region, are rich in gold and silver.

To the east and north of Port Royal, the former site of the failed 1552 French colony, Hondius draws most of his cartography from John White’s map of 1590. This map, which is the first to accurately detail the Grand Banks, was drawn by White following Sir Walter Raleigh’s mysterious and ill-fated attempt to colonize Roanoke Island in 1585. Hondius’ takes far fewer liberties with White’s work, following closely on the cartography of the older map, though he has included a few Spanish names including C. S. Romano Hispanis, Medano, and Hispanis. These names most are most likely derived from early Spanish forays up the North American coast from St. Augustine, though few of these expeditions yielded discoveries of any note.

Another noteworthy error is the jutting distorted horizontal projection of Virginia-Carolina, which erroneously places Carolina and the Outer Banks too far to the east. This error follows on earlier maps and relates to difficulties 16th century mariners experienced in calculating longitude and accounting for magnetic variance. It was not until the invention of the marine chronometer in 1714 that longitude cold be accurately measured at sea. Nonetheless, one can image the misrepresentation being problematic for earlier sailors short on supplies after a lengthy trans-Atlantic crossing. Fortunately, most ships navigating to this region would have stopped first in the West Indies then followed the coast northward rather than make directly for the colonies along the Grand Banks. This approach no doubt influenced the longevity of this cartographic error.

This map is further profusely illustrated with various decorative illustrative elements drawn from various early accounts of American Indians. These include a Floridian King and Queen, sailing ships, sea monsters, and an American Indian fishing canoe taken from De Bry. To the right and left of the title cartouche, upper left quadrant, are views of American Indian villages, illustrating the construction differences between Florida and Virginia villages.

This map remained the most important map of the North American southeast for nearly 70 years, until superseded by the 1672 publication of Ogilby-Moxon’s “Description of Carolina.” It was published in numerous editions in various languages, but there is only one state as the map remained unaltered in all subsequent publications. From the verso text, we can identify this example as being drawn from the 1628 French edition of Gerard Mercator and Jodocus Hondius’ Atlas. Mercator died in 1594 and though the maps and atlas bear his name, most of the individual maps were edited and updated by Hondius prior to the 1606 Atlas’s publication.

Links:
http://www.geographicus.com/P/AntiqueMap/VirginiaeItemetFloridae-mercator-1606

References:
Cumming, W., The Southeast in Early Maps, no. 26 and plate no. 2.
Boston Public Library, Leventhal Collection, G3870 1633 .H66.
Williams & Johnson #3.
Burden, P., The Mapping of North America, #151.
Koeman, C., Atlantes Neerlandici. Bibliography of Terrestrial, Maritime and Celestial Atlases and Pilot Books, Published in the Netherlands up to 1880, vol. 2, p. 282 no. 141.
Van der Krogt, P., Koeman’s Atlantes Neerlandici, 9400:1A.
Goss, J., The Mapping of North America: Three Centuries of Map-Making 1500-1860, no. 23.
Lowery, W., The Lowery Collection, 100.

The first map to depict Manhattan as an Island and depict a beaver

Thursday, June 9th, 2011
Blaeu's 1638 Nova Belgica et Anglia Nova was the first map to depict Manhattan as an Island and depict a beaver

The first map to name Manhattan.

A beautiful old color example of one of the most important maps in the history of America, Blaeu’s 1638 Nova Belgica et Anglia Nova. Oriented to the west, this map covers the American coast from Virginia, past New York and Long Island to Cape Code, New England, and Quebec. It is cartographically derived from data accumulated by Adriaen Bock and other Dutch fur traders active in the early 17th century. It is known for a number of important firsts, including the first full representation of Manhattan as an Island.

Burden, in his Mapping of North America, notes:

This important map was one of the most attractive of the Americas at the time. It is noted for the fact that its primary source is the first manuscript figurative map of Adriaen Block, 1614. Indeed it is the first full representation of it in print. It is one of the earliest to name Nieu Amsterdam. Block, a Dutch fur trader, explored the area between Cape Cod and Manhattan, examining the bays and rivers along the way. This helped to create an accurate picture of the longitudinal scale of the coastline. His manuscript map is the first document to delineate an insular Manhattan; it also provides the earliest appearance of Manhates and Niev Nederland.

It has been noted that the time difference between 1614, the date of the manuscript, and Blaeu’s map whose first appearance is in 1635, appears long for such an important advance. It would seem highly feasible that Blaeu, who published many separately issued maps, would have wanted to produce one like this sooner. However, evidence points to the fact that it could not have been made before 1630. The Stokes Collection in New York possesses an example of the map on thicker paper without text on the reverse which could well be a proof issue of some kind.

There are features on Blaeu’s map that differ from the Block chart. Some of these could be accounted for by the fact that the surviving figurative map is not the original, and that the copyist omitted some place names that are referred to in the text of de Laet’s work. Block drew on Champlain’s map of 1612 for the depiction of the lake named after him, but it is here called Lacus Irocoisiensis. … The lack of interrelation between the Dutch or English colonies and the French, led for some time to the eastward displacement of this lake when its true position would be north of the Hudson River.

Some nomenclature has its origins in Blaeu’s second Paskaert of c.1630, and others, such as Manatthans, in de Laet. The colony of Nieu Pleimonth is identified. This and other English names along that part of the coast are largely derived from Smith’s New England, 1616. Cape Cod is here improved over the Block manuscript by being reconnected to the mainland, the narrow strait having been removed. The coastline between here and Narragansett Bay, which can be clearly recognized, is not so accurate. Adriaen Blocx Eylandt leads us to the Versche Rivier, or Connecticut River, which Block ascended as far as was possible. ‘t Lange Eyland is named; however, it is incorrectly too far east, being applied to what is possibly Fishers Island. De Groote bay marks Long Island Sound. The Hudson River is still not named as such, but is littered with Dutch settlements, and the failed Fort Nassau is here depicted renamed as Fort Orange. He does, however, improve on the direction of its flow. Blaeu separates the sources of the Hudson and Delaware Rivers which had been causing some confusion. Nieu Amsterdam is correctly marked as a fort at the tip of an island separated on the east side by Hellegat, or the East River. The coastline south of Sandy Hook also shows signs of improvement.

The whole map is adorned by deer, foxes, bears, egrets, rabbits, cranes and turkeys. Beavers, polecats and otters appear on a printed map for the first time. The Mohawk Indian village top right is derived from the de Bry-White engravings.

It is of note that this map was issued in a number editions but only a single state. Editions are generally identified by the text appearing on the verso with twelve documented editions, three each in Dutch, Latin, German, and French. This example corresponds to the 1638 French edition and was included in Le Theatre du Monde.

The Viele Map of Manhattan’s Topography and Waterways

Tuesday, May 17th, 2011

Viele Map

The Viele Map - One of the most important and enduring maps of New York City ever published.

This is Egbert L. Viele’s 1865 topography and waterways map of Manhattan, one of the scarcest, most important and most enduring maps of New York City ever published. Covering the entirety of Manhattan Island, Viele’s map details the canals, swamps, rivers, ditches, ponds, meadows, and drainage basins of Manhattan as they existed prior to the city’s urban development. A version of the Viele map remains in use today by architects and contractors who need to be certain they are not building over underground rivers and swamps that may destabilize a new construction’s foundation.

Roughly translated “Manhattan” is an American Indian term meaning “Island of Hills”. The American Indians living in the region prior to the Dutch settlement of Manhattan treated the island as a huge hunting and fishing reserve full of trout streams, bass swamps, and sunfish ponds. Viele contended that as streets and buildings were constructed the city’s natural drainage retreated underground where, stagnating, it led to a “humid miasmic state of the atmosphere” conducive to yellow fever, malaria, plague, and other epidemic illnesses.

Viele dedicated nearly 20 years to researching and perfecting this masterpiece of cartography. The basic map and above ground topography of the Viele map is drawn from John Randel’s surveys of 1807 and the Commissioner’s Plan of 1811, which formally laid out New York City’s grid system. Viele then used early survey work, new survey work, and studies of older maps to recreate Manhattan’s water system as it must have existed when the first Dutch settlers built a fur trading post of the tip of the island. Viele presented an unfinished early state of his map, covering only lower Manhattan to the New York State Senate in 1859, claiming, “The Sanitary condition of any city or district or country is intimately connected with its proper drainage . . . that any inquiry into causes or remedies for sanitary evils . . . shall be based upon a thorough knowledge of the topography of the island”. It took another six years of meticulous study to produce the final product – this extraordinary achievement.

Though Viele may never have imaged his map’s most important legacy would be as a construction aid, architects, engineers, and contractors were quick to grasp the usefulness of the map. Paul Starett, who built the Empire State Building and Stuyvesant Town, used this map to prepare estimates of construction costs. Melvin Febish, part of the team constructing the Citicorp Center, “found that it’s accurate within feet”. The builders of our own apartment building, at 105th and Amsterdam, may not have consulted this map, for had they done so they may have noticed the underground river that has caused innumerable foundation problems in the 80 plus years since it was built.

Inscription

Inscribed by the Author to "Ches Davis"

This edition of Viele’s “Topographical Map of the City of New-York” was issued to accompany his manifesto calling for future city development to take natural waterways and drainage into account when planning expansion. It is the first complete state of Viele’s map and comes with its original green leatherette binder and text, which the author (Viele) has inscribed to a mysterious “Ches Davis”. Haskell, in his cartobibliography of Manhattan maps, for some reason identifies this map as being issued in 1864, but no known example exists from that date, nor are there any recorded copyrights on this map from 1864. The first complete edition is this, 1865.

In closing we would like to make a final comment on condition. This map was issued on two joined panels, printed on fine bank note paper, and folded for issue in various publications. Consequently most examples exhibit considerable wear and damage along the original fold lines as well as cropped or off-center borders, general wear, soiling, water damage, and color loss. This example, on the other hand, is in near pristine condition. We have had it professionally removed from its original binder and flatted with archival tissue added for backing and support. Its color is original and remarkably vivid with no signs of the degradation typical on maps from this period. If you hope to add an example of this map to your collection, this is a once in a lifetime opportunity.

http://www.geographicus.com/P/AntiqueMap/NewYorkWaterways-viele-1865

References: Rumsey 3723.000. Augustyn, R. T. and Cohen, P. E., Manhattan in Maps, p. 136 – 139. Haskell, Daniel, Manhattan Maps, A Co-operative List, 1132. Stokes, I. N. P., The Iconography of Manhattan Island, 1498-1909, Compiled from Original Sources and Illustrated by Photo-Intaglio Reproductions of Important Maps, Plans, Views and Documents in Public and Private Collections, vol 3, p.777-778.

Map of the Week: Satsuma Daimyo

Tuesday, October 12th, 2010

Satsuma Daimyo

A previously unknown manuscript map of Tokugawa era trade routes between Japan, Taiwan, and China.

This extraordinary discovery is a previously unknown 1781 (Temmei 1 ) manuscript map of Taiwan and the Satsuma Daimyo. This rare map covers from the southern shores of Kyushu south along the Ryukyu Islands (including Okinawa) to Taiwan and the coastline of mainland China. The powerful Satsuma Daimyo, which flourished and enjoyed special privileges under the Tokugawa Shoguns, controlled much of the territory shown here. What is most remarkable about this piece is that knowledge of this region would have been very rare and restricted information during under the Tokugawa era Kaikin system of national isolation. Despite the isolationist policy, limited trade and information exchange did exist. One of the unique privileges associated with Satsuma control of the Ryukyu Islands was greater independence and freedom of foreign trade than most of Edo period daimyo were permitted. Consequently Satsuma trading vessels regularly traveled to Taiwan and mainland China thus acting as one of isolationist Japan’s few links to the outside world. This chart can be best understood in this context – as a rare glimpse of Satsuma’s nautical trade routes between Kyushu, Taiwan, and mainland China. Later in the Meiji period, the wealth, power, and international sophistication of the Satsuma Daimyo would have a significant influence on the Meiji Ishin or Meiji Restoration. A once in a lifetime find.

Antique Map of the Week: 1839 David Burr and Jedediah Smith Map of the United States

Tuesday, April 27th, 2010

Map of the United States Of North America With parts of the Adjacent Countries

Burr's extraordinary map of the United States.

Entitled “Map of the United States Of North America With parts of the Adjacent Countries”, this is David H. Burr’s all but unobtainable 1839 wall map of the United States. Burr’s map is an accomplishment of staggering significance and is considered the culmination of one of the most dramatic and romantic periods in the mapping of the American West. It is further one of the most significant maps in the opening of the American West to the Gold Rush that, in just a few years, would transform the nation. Between the expedition of Louis and Clark in 1804 – 1806 and the work of Fremont in the 1840s, the exploration of the Transmississippi experienced a kind of dark age. Nevertheless, while no official teams were pushing cartography westward, trappers and fur traders were slowly penetrating the region. Most of these figures were illiterate and did little to extend cartographic knowledge. The exception was Jedediah Smith, a trapper whose wanderings in the west and subsequent cartographic innovations the historian C. I. Wheat considers a “tour-de-force unprecedented and never equaled in the annals of Western exploration”. Smith spent roughly 9 years, between 1821 and 1830, exploring the Great Basin, the Sierra Nevada, the Rocky Mountains and the valleys of California, but sadly perished before his important work could be published. Smith’s now lost map was taken by his partner and friend, Missouri Congressman William H. Ashely, and eventually made its way into the hands of David H. Burr, who was then composing his own important map of the United States – offered here. Smith’s work must have seemed a revelation to Burr who struggled to reconcile conflicts between the mappings of Humboldt, Pike, Miera, and of course, Lewis and Clark. Burr, realizing the importance of Smith’s work, incorporated it throughout his map, thus redefining the cartographic representation of the region. Shortly after Burr published this seminal map, Smith’s original manuscript was lost, making Burr’s map the sole printed representation of Smith’s work. Curiously and somewhat inexplicably, this map never attained significant popularity in its day, leading to a very small publication run and, today, extreme rarity.

Our survey of Burr’s map must begin in the east. Burr, having just competed individual state plates for the 1835 issue of his New Universal Atlas had a relatively easy task of assembling the individual mappings into a cohesive whole. However, several elements do bear note. Burr identifies the nation’s fledgling rail network, which is strongest in the northeast, with bold blue and red lines. In the state of Maine both the disputed British boundary, roughly along the 47th parallel, and the far northern boundary claimed by the state of Maine are noted.

Heading west the territory becomes less settled and the character of the map changes. Particularly in Wisconsin and what would soon become Iowa, towns are few and far between, instead the map shifts its focus to notating American Indian Nations as well as the locations of forts, mills, lakes, portages, rapids, and waterfalls. Several land exchanges and treaties with various American Indian groups including the Sioux, the Sacs and Foxes, and the Chippewa are also identified.

When Burr drew this map, Missouri was the westernmost state and the jumping point for most significant journeys westward. Beyond the borders of Missouri the territory is dominated by the American Indian Nations recently relocated to western lands by the Indian Removal Act of 1830. These includes the Osages, Cherokee, Creek and Choctaw. Further north the territories of the Otoes, Kansas, and Shawnees are noted. The map also identifies important landmarks on the route westward including the fur trapping forts on the Arkansas River (Gant and Bent), various springs, Pikes Peak, James Peak, and the Spanish Peaks. Where known military routes through the region are sketched in, including Major Long’s Route and more importantly the Route of the Dragoons under Col. Dodge who, just a few years previous in 1834, initiated the first official contact between the U.S. Government and the Plains Indians.

As Burr took up the pen to draw this map, Texas was in the process of declaring its 1836 independence from Mexico. Years earlier the Mexican government offered significant land grants to those with the means and interest to settle Texas – which in accordance to Humboldt, many considered to be a wasteland. Nonetheless, many citizens felt that the United States had been cheated of Texas, which according to some treaties should have been included in the lands acquired under the Louisiana Purchase. Burr notes this border, along the Rio Grande or Rio del Norte, as the “Ancient Boundary of Louisiana as possessed by the French.” Consequently, when Mexico began offering grants, land hungry adventurers from north of the border seized the opportunity. The result is etched upon the Texan landscape to this day – Austin, Dewitt, McGloin, Burnett, Williams, McMullen, Wilson, Padilla, Chambers, and Cameron received grants to large swathes of territory that they were eager to develop. Many of these grants Burr notes with care, perhaps predicting the Mexican American War and the annexation of Texas that, as more expansionist Americans flooded into the newly independent region, seemed inevitable. Himself uncertain of the outcome of the Texas independence movement, Burr offers a curious compromise. On the Texas – U.S. border, Burr pens a distinct line with color coding that suggests a separate nation distinct from both Mexico and the United States. The Mexican border with Texas is, on the other hand, noted only as the aforementioned ancient Louisiana border. Ever the cartographic diplomat, Burr is thus able to appease both the U.S. recognition of an independent Texas and the Mexican denial of the same.

To the north and west of Texas from the Rocky Mountains to the Columbia River to the modern Mexican border, Jedediah Smith’s cartographic work comes to the fore. Clearly composing this map with Ashley’s copy of the Smith map in hand, Burr delineates Jedediah’s nine years of wandering throughout the region. Most of the copious notations and commentary are drawn directly from Smith’s map, as are the corrected courses of many of the region’s river systems. It was Smith’s significant study of this vast area that ultimately united the discoveries of the 18th century Escalante-Miera map to the more contemporary mappings of Louis and Clark – finally brining the entire region into context. Smith also accomplished the first successful crossing of the Great Basin and the Sierra Nevada range. In the Sierra Nevadas he identifies Mount Rogers (likely Mt. Shasta) and, just to the South, Mt. Joseph. This map, via Smith, is the only published period example of Smith’s trailblazing work in this region, the extent of which is far too broad and significant to fully embrace in this simple medium, but which ultimately played a significant role in the American expansion westward. (With regard to further research on Smith’s cartographic significance we refer you to Wheat’s classic study, Mapping the Transmississippi West where an unprecedented entire chapter is dedicated to Smith’s travels) In 1849, when settlers and prospectors flooded into the region in response to the Gold Rush, they traveled along passages that “Old Jed” Smith had trail-blazed years before as a trapper and fur trader.

In the northwestern quadrant of the map Burr leaves the Oregon border open to the north, extending well into modern British Columbia. The British believed this territory fell into the land controlled by the Hudson Bay Company, while expansionist Americans asserted a claim to the region as far north as Russian America (Alaska). Five years following the Burr’s construction of this map this conflict would escalate into the 54°40′ dispute. The turmoil ultimately gave rise to slogans like “Fifty-four Forty or Fight!” and the catchphrase “Manifest Destiny”. However, exhausted with war following the Mexican-American conflict, the two sides finally signed the 1846 Oregon Treaty, settling the border along the current 49th parallel.

Wheat considers this map “in every respect a towering example especially in the Far West” and an essential chapter in the cartographic history of America. Burr composed this map in preparation for inclusion in his impossibly rare 1839 American Atlas. Most of the maps in the American Atlas were dissected and mounted linen – a common procedure at the time. This map, however, though clearly issued from the same printing plate, was a contemporaneous, but entirely independent issue. Though a few lucky libraries and museums, including the Library of Congress, the New York Public Library, and the David Rumsey Collection, do possess examples of this map from the American Atlas, none possess a wall map issue. We have been able to identify no other examples of this map in wall map format in any collection, public or private, nor, as far as our records indicate, has it ever been offered at auction or in any dealer catalog. This is a once in a lifetime collecting opportunity.

Links:
http://www.geographicus.com/P/AntiqueMap/UnitedStates-burr-1839

Antique Map of the Week: 1710 Nansenbushu Map of the World

Monday, March 1st, 2010

First Printed Japanese Map to Show Europe, Africa, and America

First Printed Japanese Map to Show Europe, Africa, and America

Entitled, Nansenbushu Bankoku Shoka No Zu or “Outline Map of All Countries of the Universe”, this is considered to be the first Japanese printed map to depict the world, including Europe and America, from a Buddhist cosmographical perspective. Printed by woodblock in 1710 (Hoei 7), this map was composed by the Buddhist monk Rokashi Hotan. Inspired by the 1653 publication of Si-yu-ki, a pilgrimage narrative of the Chinese monk Hsuang-Tsang’s (602-604) travels to India in search of sacred Sanskrit writings, Rokashi Hotan’s map attempts to update Buddhist mythological cartography, as exemplified in the 1634 manuscript map Gotenjikuzu (Map of the Five Regions of India), to correspond with the Si-yu-ki, as well as with contemporary and ancient religious texts, Chinese annals, travel narratives, and even some European maps. Rokashi Hotan lists these texts, 102 in all, at the top of the map. The consequent product of Rokashi Hotan’s work is this magnificent amalgam of disparate ideas and traditions.

In essence this is a traditional Buddhist world view in the Gotenjikuzu mold centered on the world spanning continent of Jambu-Dvipa. At its center is Lake Anavatapta, a whirlpool-like quadruple helix lake believed to be the center of the universe. This lake, which is commonly associated with Lake Manasarovar in northern India, is believed in Buddhist mythology to be the legendary site where Queen Maya conceived the Buddha. From the quadrouple beast headed helix (heads of a horse, a lion, an elephant, and an ox) of Manasarovar or Lake Anavatapta radiate the four sacred rivers of the region: the Indus, the Ganges, the Bramaputra, and the Sutlej.

South of Jambu-Dvipa, India is recognizable for in its peninsular form. Japan itself appears as a series of Islands in the upper right and, like India, is one of the few recognizable elements – at least from a cartographic perspective. China and Korea appear to the west of Japan and are vaguely identifiable geographically, which itself represents a significant advancement over the Gotenjikuzu map. Southeast Asia also makes one of its first appearances in a Japanese Buddhist map as an island cluster to the east of India.

On the opposite side of the map a series of islands is intended to represent Europe, which had no place at all in earlier Buddhist world maps, making this one of the first Japanese maps to depict Europe. Umukari (Hungary), Oranda, Baratan, Komo (Holland or the country of the red hair), Arubaniya (Albania?), Itarya (Italy), Suransa (France) and Inkeresu (England) are all named. Africa appears as a small island in the western sea identified as the “Land of Western Women.”

Of special note is Rokashi Hotan’s mapping of the Americas. Prior to this map America had rarely if ever been depicted on Japanese maps, so Rokashi Hotan turned to the Chinese map Daimin Kyuhen Zu (Map of China under the Ming Dynasty and its surrounding Countries), from which he copied both the small island-like form of South America (just south of Japan), and the curious land bridge (the Aelutian Islands?) connecting Asia to what the Japanese historians Nobuo Muroga and Kazutaka Unno conclude “must undoubtedly be a reflection of North America” (page 63). Whether this represents ancient knowledge from early Chinese navigations in this region, for which there is some literary if not historical evidence, or merely a printing error, we can only speculate.

While this map represents a significant step forward in the Japanese attempt to combine religious and contemporary geographic knowledge it remains in essence a Buddhist map. It is likely that Rokashi Hotan was aware important European style maps circulating in China at the time. The Mateo Ricci Map is one such example and copies were known to have reached Japan in the 17th century. It is curious that Rokashi Hotan chose to ignore it and other Eurocentric data in exchange for a religious world view, while at the same time attempting to reconcile Buddhist and modern geography. Ultimately, this map makes a lot more sense when one understands that Rokashi Hotan scaled his world map not by distance but rather by religious importance. India, the birthplace of the Buddha, is the central locale in the Jabmu-Dvipa conception and on this map. Other countries, including China, Japan itself, and even more so the distant continents of Africa, Europe and the Americas, Rokashi Hotan considered “but mote-like countries in the Jambu-Dvipa” and “as small as a millet-grain”.

Rokashi Hotan’s map became the model on which all future Japanese Buddhist world maps were drawn well into the 19th century. The confused cosmological view upon which his map is based, referencing at once religious, secular, and non-Buddhist teachings, matched the growing religio-secular conflict that would emerge in Japan during the coming centuries. Ultimately this is one of the most important, beautiful, and influential printed maps ever to emerge in Japan.

Two identical versions of this woodblock map appeared in 1710. The more common was published by Chobei Nagata of Kyoto. A less common example was published by the bookseller Bundaiken Uhei and corresponds to this example. Bundaiken Uhei’s mark and name appear in the lower left quadrant. In most examples coloration varies. A strong crisp image suggests that this is one of the first examples that Bundaiken Uhei printed, as wooden plates tend to wear quickly and many other examples show signs that the woodblock was more heavily worn.

A must for any serious collection of Japanese cartography.

Links:
http://www.geographicus.com/P/AntiqueMap/Nansenbushu-rokashihotan-1710

Antique Map of the Week: The Turgot-Bretez Plan of Paris

Monday, February 8th, 2010

The Magnificent Turgot & Bretez Map of Paris

The Magnificent Turgot & Bretez Map of Paris - click on map for gallery listing.

This is the c. 1900 Taride edition of Louis Bretez and Michel-Etienne Turgot’s monumental 1739 map of Paris. Turgot’s map of Paris is possibly the most ambitious urban mapping ever undertaken. Shows the whole of 18th century Paris and offers a wonderful perspective on the city prior to Baron Georges Eugène Haussmann’s 19th-century redesign. Turgot, who held the mayor-like office of Prévôt des Marchands de Paris , commissioned Louis Bretez and Claude Lucas to produce this
The Turgot Plan

A dramatic contemporary presentation of the Turgot Plan.

map in 1734. Oriented to the east on an axonometrical projection, this map is best understood as an aerial view where in every building, window, tree, shadow and park is shown. It took the team nearly five years of exhaustive sketching and surveying to assemble this masterpiece. In order to produce the thousands of sketches and surveys required to complete this map, Bretez was issued a permit to enter every building in Paris. The completed map which consists of twenty individual sheets, can be assembled into a massive and striking display roughly 8 feet by 10 feet. Twenty-one loose sheets embraced in a marbled folio, this is Alphonse Taride’s c. 1900 issue of Bretez’s Plan de Paris.

For more information: http://www.geographicus.com/P/AntiqueMap/Paris-turgot-1900

Fou-Sang or Fusang, a 5th Century Chinese Colony in Western America?

Friday, June 5th, 2009

1776 Zatta Map of the Pacific Northwest Showing Fusang

1776 Zatta Map of the Pacific Northwest Showing Fusang

East of the Eastern Ocean lie
The shores of the Land of Fusang.
If, after landing there, you travel
East for 10,000 li
You will come to another ocean, blue,
Vast, huge, boundless.

This ancient poem, written by a 3rd century Chinese poet, describes a place that is often referred to in Chinese folklore as the “Birthplace of the Sun”. It was a place well known in ancient China. It appears frequently in poetry and around the 2nd century BC, one Han emperor is said to have sent an expedition to colonize this land. Where was the legendary land of Fusang? Eighteenth century mapmakers placed it in North America, usually near what is today Washington or Vancouver. These cartographers, most notably De L’Isle and Zatta, mapped Fusang based on a popular essay written by the French orientalist historian Josepth de Guignes in his 1761 article “Le Fou-Sang des Chinois est-il l’Amérique? ” De Guignes was a dubious historian at best, but with this he may have been on to something. Fusang is most fully described on by the 6th century itinerant monk Hui Shen.

Hui Shen is said to have been a mendicant Gondaran monk and to have appeared in the court of the Emperor Wu Ti at Jingzhou in Southern Qi in 499 AD. His adventures, which are described by Yao Sialian in the 7th century Book of Liang, describes his voyage in both known and unknown lands. Starting around 455 AD, he traveled to the coast of China, to Japan, Korea, to the Kamchatka Peninsula, then to Fusang. Fusang, he reports is some 20,000 Chinese Li (about 9,000 km) east of Kamchatka. This would place it somewhere around what is today British Columbia, roughly where Zatta and De L’Isle map the colony of Fusang.

While it is a subject of ferocious debate, numerous scholars and historians have embraced the idea that the Chinese not only visited the New World but maintained regular contact with it. We have long known that, given the advanced stated of shipbuilding and navigation in ancient China, the Chinese were capable of launching expeditions across the Pacific. The real question is, did they? The story of Hui Shen is one of the few actual documents that describe such an voyage. Hui Shen’s tale, which offers anthropological and geographic commentary consistent with Pacific Coast of America, describes Fusang in considerable detail. Over the past 200 years numerous scholars, both eastern and western, have broken down the Hui Shen text. Some have declared it a fabrication, but most have embraced the idea that the Chinese did in fact not only visit America, but maintained a minor but active back and forth communication.

1772 Vaugondy Map of the Pacific Northwest showing Fou-Sang

1772 Vaugondy Map of the Pacific Northwest showing Fou-Sang

Though many scholars agree that the Fusang tale does have some element of truth, few agree on where it may have been. Some point to Peru (Hui Shen describes the leader of Fusang as the “Inki”), others to Mexico (Fusang = Maguey), and still others to British Columbia (most likely arrival point sailing east from Kamchatka with the easterly North Pacific Current). The name Fusang itself is derived from Chinese mythology where it is a land or tree in the east from which the Sun is born. This kind of plant, or something similar, is described as common in the Land of Fusang. Fusang is billed as a kind of all purpose plant which can be eaten, made into clothing and made into paper, etc. There is considerable debate as to what Fusang may have been, with some identifying it with the Maguay of Mexico, others with various types of Cactus, and still others ancient varieties of corn (which were common along the Pacific Coast of North America).

There is some, but not significant, historical evidence to support the idea that the Chinese were active in Ancient America. Ancient Chinese coins, ship anchors (James R. Moriarty of the University of San Diego), and other relics have been discovered along the American coast – some dating back as much as 2,000 years! Also, Hui Shen’s descriptions do correspond somewhat with what we know of the New World around 450 AD. It is far too much for this short blog post to breakdown the details of Hui Shen’s narrative, especially when it has been done so well and so well by others, however, our list of references below can offer significant further reading.

RELATED MAPS:
http://www.geographicus.com/P/AntiqueMap/NouvellesDecouvertes-vaugondy-1772
http://www.geographicus.com/P/AntiqueMap/AmericaWest-zatta-1776

REF:
San Francisco Chronicle, November 25, 1979.
Guignes, Jospeh, de, “Le Fou-Sang des Chinois est-il l’Amérique?”, Mémoires de l’Académie des Inscriptions et Belles Lettres, tome 28, Paris, 1761
Mertz, Henriette, Columbus Was Last, Hyperion 1992.
Wei Chu-Hsien, China and America -Volume One, Shuo Wen Shu Dian Bookstore, 1982.