Posts Tagged ‘antique map’

Gog and Magog in Antique Maps

Thursday, April 1st, 2010

Gog and Magog in Sanson's Map of the World

Gog and Magog in Sanson's 1691 Map of the World

The appearance of the lands of Gog and Magog in many early maps is one the most interesting and enduring examples of Biblical lore being translated into the cartographic medium. The kingdoms of Gog and Magog appear in many early maps of Asia and the World produced between about 1200 to 1750. Generally these kingdoms are situated somewhere west of the Caspian Sea and, more frequently, to the north of China around Mongolia or Siberia. How did they get there?

The tale of Gog and Magog is, of course, Biblical in origins with elements in Jewish, Christian and Islamic traditions. They appear in Genesis and Ezekiel as cursed grandchildren of Noah and are set up early on as enemies of the righteous. The most alarming mention of Gog and Magog appears in Revelation 20:7-8:

… And when the thousand years are finished, Satan shall be loosed from his prison, and shall go out to seduce the nations which are in the four corners of the earth, Gog and Magog, and shall draw them to battle, whose number is as the sand of the sea…

But who exactly where Gog and Magog and where did this terrifying empire have its lands? The Biblical location “the four corners of the earth”, is not exceptionally helpful save that it puts these nations at the extreme edge of existence. The Jewish historian Josephus associates Magog with the Scythians. In antiquity Scythia was an empire to the north of Parthia or Persia that included much of central Asia as far east as India and Tibet.

Building Alexander's Walls

The Building of Alexander's Gates from an early Arabic manuscript.

The Alexander Romance, a c. 300 CE compendium of stories and myths associated with Alexander the Great, brings Gog and Magog into a historical context. Apparently when Alexander marched his army into the Caucuses he discovered a people beset and harassed by the empires of Gog and Magog to the north. Alexander responded to this threat by constructing an enormous wall of adamantine between two mountains known as the “Breasts of the World”. Today this is commonly associated with the Caspian Gates of Derbent. This mighty wall, reminiscent of the Great Wall of China, stretches some forty kilometers between the Caspian Sea and the nearby mountains, effectively blocking passage through the Caucuses. Though Alexander had nothing to do with this wall, it was actually constructed by the Sassanid Persians to defend against Gokturk invasions, it does once again place the lands of Gog and Magog somewhere to the north and west of the Caucuses.

Pliney too locates Gog and Magog behind a great set of gates in the Caucuses, describing a place where the mountains have been torn asunder and “gates have been placed, with iron covered beams, under the center of which flows a river emitting a horrible odor; and on this side of it on a rock stands the fortress called Cumania, erected for the purpose of barring the passage of the innumerable tribes.”

The Qur’an next takes up this story and adds its own more mythical element. The great hero Dhul Qarnayan (literally “two-horned one”, a reference to the ram horns Alexander wears on coins minted during his rule to indicate his descent from the Egyptian god Amun) is said to have walled the infernal armies of Gog and Magog behind a great gate where they will remain – until doomsday. At this point,

when Gog and Magog are let loose and they rush headlong down every height (or advantage). Then will the True Promise draw near. (Qur’an 21:96-97).

Al-Idrisi World Map

Al-Idrisi's World Map with Gog and Magog behind the wall and circled in red. Note, this map is oriented to the south so here Gog and Magog are in the proximity of China.

In the 9th century the Caliph Al-Wathik-Billa actually sent out an expedition, under one Sallam the Interpreter, to discover the Gates of Alexander. Sallam is said to have searched the Caucuses high and low without success before heading deeper into Asia where he discovered the mighty wall. Sallam’s report influenced a number of important Islamic geographies, most importantly for this story, the 12th century geographer Muhammed al-Idrisi, who was employed by the Sicilian monarch Roger II. Idrisi directly associates Alexander’s Gates, and consequently Gog and Magog, with the Great Wall of China. Idrisi’s work includes some of the most sophisticated and advanced cartographic work of pre-modern Europe and profoundly influenced European cartography for the next several hundred years. Though not widely distributed in his lifetime, nor solely responsible for the presence of Gog and Magog in later European maps, the influence of Idrisi’s map and geographical notations cannot be ignored in any consideration of how these Biblical kingdoms/figures entered the mainstream of later European cartography.

In the rest of Europe, tales of Gog and Magog and the horrors associated with them were a constant element in mediaeval religious rhetoric, which preached of an imminent “end of days”. Saint Augustine in his 15th century religious classic “City of God” discourses at length on the duo suggesting that when “final judgment is imminent . . . the whole city of Christ being assailed by the whole city of the Devil, as each exists on earth . . . which he names Gog and Magog”. Augustine did not associate Gog and Magog with an actual place, but rather with an evil that existed all around us. Even so, this concept must have been too abstract for the medieval man who continued to look for the lands of Gog and Magog. History was about to oblige.

In 1241 CE the hoards of Ghengis Khan swept out of Asia destroying and conquering everything in their path. The brutal, efficient, and alien Mongols must surely have seemed to be the wrath of god unleashed – the prophesied end of days had come and with it, Gog and Magog. One Russian chronicler says: “In those times there came upon us for our sins unknown nations. No one could tell their origin, whence they came, what religion they professed. God alone knows who they were, God, and, perhaps, wise men learned in books.” The period of the Mongol invasions lasted roughly from 1241 to 1285 CE. Nonetheless, after devastating the Chinese Empire, sacking Baghdad, laying waste to Russia, and storming into Croatia, Hungary, Lithuania, and Poland, the invincible hoard simply vanished … or so it must have seemed in Europe. In fact, beset with internal political turmoil and the death of the Great Khan, the hoards retreated to Central Asia in order to reorganize. At this time Europe, who had yet to rediscover Ptolemy and truly develop a modern cartographic tradition, wasn’t actively making maps, but when it did, a place of origin Tartars or Mongols (Gog and Magog) would have to be identified.

1697 Rossi Map of Asia - Magog appears north of China.

1697 Rossi Map of Asia - Magog appears north of China.

Marco Polo, in his Travels, is possibly the first European literary figure to identify Gog and Magog with the Tartars. Polo, claimed to have lived in China from 1271 to 1298, where he became an important functionary in the court of Kublai Khan. Polo worked for years as an emissary of the Great Khan and traveled extensively throughout the vast empire. Much of the information about Asia appearing on early maps of the continent, including the Vinland Map and the Waldseemuler Map, can be directly linked to Polo’s narratives. Polo associates Gog and Magog with the lands of Tenduk, a province to the north of China ruled by Prester John. In Polo’s narrative Gog is translated as Ung and Magog is the home of the Tartars. Ibn Battuta, the great 14th century Moroccan traveler, referring to the tale of Dhul Qarnayan, supports Polo by himself connecting the Great Wall of China with the gates setup to restrain Gog and Magog, “Between it [the city] and the rampart of Yajuj and Majuj is sixty days’ travel.”

Zoom of of Magog in Rossi's 1697 Map of Asia.

Zoom of Magog in Rossi's 1697 Map of Asia.

Though many dispute the validity of Polo’s journals, his impact on the European conception of the world was profound. With the rediscovery of Ptolemy’s Geography by Italian humanists and the development of a sophisticated European cartographic tradition the need for more advanced and updated Ptolemaic maps emerged. Many of these maps referenced Polo and al-Idrisi in adding Gog and Magog in the unknown lands of east Asia, thus influencing the cartographic representation of this area for centuries to come.

Today Gog and Magog are considered by many scholars to be a Jungian representation of “the other”, “the frontier”, or both.

References: (partially researched by Lindsay McMullen)
Augustine, Saint, The City of God, (Translated by Marcus Dods), page 658.
The Bible
The Koran
Stoneman, Richard (editor and translator) (1991). The Greek Alexander Romance. New York: Penguin. ISBN 0-14-044560-9.
Boyle, J. A., “The Alexander Romance In The East And West”, Bulletin Of The John Rylands University Library Of Manchester, 60 (1977), pp. 19–20.
Yule, Henry; Cordier, Henri (1923), The Travels Of Marco Polo, Mineola: Dover Publications, ISBN 9780486275864.
Pliny, Natural History, (translated by H. Rackham).
Lester, Toby, The Fourth Part of the World: The Race to the Ends of the Earth, and the Making of History’s Greatest Map, pp. 45-64.
Anderson, A. R., Alexander’s Gate, Gog and Magog, and the Inclosed Nations, 1932.
The Chatauquan, Chautauqua Literary and Scientific Circle, Chautauqua Institution, vol 3, pp. 304.

Antique Map of the Week: 1710 Nansenbushu Map of the World

Monday, March 1st, 2010

First Printed Japanese Map to Show Europe, Africa, and America

First Printed Japanese Map to Show Europe, Africa, and America

Entitled, Nansenbushu Bankoku Shoka No Zu or “Outline Map of All Countries of the Universe”, this is considered to be the first Japanese printed map to depict the world, including Europe and America, from a Buddhist cosmographical perspective. Printed by woodblock in 1710 (Hoei 7), this map was composed by the Buddhist monk Rokashi Hotan. Inspired by the 1653 publication of Si-yu-ki, a pilgrimage narrative of the Chinese monk Hsuang-Tsang’s (602-604) travels to India in search of sacred Sanskrit writings, Rokashi Hotan’s map attempts to update Buddhist mythological cartography, as exemplified in the 1634 manuscript map Gotenjikuzu (Map of the Five Regions of India), to correspond with the Si-yu-ki, as well as with contemporary and ancient religious texts, Chinese annals, travel narratives, and even some European maps. Rokashi Hotan lists these texts, 102 in all, at the top of the map. The consequent product of Rokashi Hotan’s work is this magnificent amalgam of disparate ideas and traditions.

In essence this is a traditional Buddhist world view in the Gotenjikuzu mold centered on the world spanning continent of Jambu-Dvipa. At its center is Lake Anavatapta, a whirlpool-like quadruple helix lake believed to be the center of the universe. This lake, which is commonly associated with Lake Manasarovar in northern India, is believed in Buddhist mythology to be the legendary site where Queen Maya conceived the Buddha. From the quadrouple beast headed helix (heads of a horse, a lion, an elephant, and an ox) of Manasarovar or Lake Anavatapta radiate the four sacred rivers of the region: the Indus, the Ganges, the Bramaputra, and the Sutlej.

South of Jambu-Dvipa, India is recognizable for in its peninsular form. Japan itself appears as a series of Islands in the upper right and, like India, is one of the few recognizable elements – at least from a cartographic perspective. China and Korea appear to the west of Japan and are vaguely identifiable geographically, which itself represents a significant advancement over the Gotenjikuzu map. Southeast Asia also makes one of its first appearances in a Japanese Buddhist map as an island cluster to the east of India.

On the opposite side of the map a series of islands is intended to represent Europe, which had no place at all in earlier Buddhist world maps, making this one of the first Japanese maps to depict Europe. Umukari (Hungary), Oranda, Baratan, Komo (Holland or the country of the red hair), Arubaniya (Albania?), Itarya (Italy), Suransa (France) and Inkeresu (England) are all named. Africa appears as a small island in the western sea identified as the “Land of Western Women.”

Of special note is Rokashi Hotan’s mapping of the Americas. Prior to this map America had rarely if ever been depicted on Japanese maps, so Rokashi Hotan turned to the Chinese map Daimin Kyuhen Zu (Map of China under the Ming Dynasty and its surrounding Countries), from which he copied both the small island-like form of South America (just south of Japan), and the curious land bridge (the Aelutian Islands?) connecting Asia to what the Japanese historians Nobuo Muroga and Kazutaka Unno conclude “must undoubtedly be a reflection of North America” (page 63). Whether this represents ancient knowledge from early Chinese navigations in this region, for which there is some literary if not historical evidence, or merely a printing error, we can only speculate.

While this map represents a significant step forward in the Japanese attempt to combine religious and contemporary geographic knowledge it remains in essence a Buddhist map. It is likely that Rokashi Hotan was aware important European style maps circulating in China at the time. The Mateo Ricci Map is one such example and copies were known to have reached Japan in the 17th century. It is curious that Rokashi Hotan chose to ignore it and other Eurocentric data in exchange for a religious world view, while at the same time attempting to reconcile Buddhist and modern geography. Ultimately, this map makes a lot more sense when one understands that Rokashi Hotan scaled his world map not by distance but rather by religious importance. India, the birthplace of the Buddha, is the central locale in the Jabmu-Dvipa conception and on this map. Other countries, including China, Japan itself, and even more so the distant continents of Africa, Europe and the Americas, Rokashi Hotan considered “but mote-like countries in the Jambu-Dvipa” and “as small as a millet-grain”.

Rokashi Hotan’s map became the model on which all future Japanese Buddhist world maps were drawn well into the 19th century. The confused cosmological view upon which his map is based, referencing at once religious, secular, and non-Buddhist teachings, matched the growing religio-secular conflict that would emerge in Japan during the coming centuries. Ultimately this is one of the most important, beautiful, and influential printed maps ever to emerge in Japan.

Two identical versions of this woodblock map appeared in 1710. The more common was published by Chobei Nagata of Kyoto. A less common example was published by the bookseller Bundaiken Uhei and corresponds to this example. Bundaiken Uhei’s mark and name appear in the lower left quadrant. In most examples coloration varies. A strong crisp image suggests that this is one of the first examples that Bundaiken Uhei printed, as wooden plates tend to wear quickly and many other examples show signs that the woodblock was more heavily worn.

A must for any serious collection of Japanese cartography.

Links:
http://www.geographicus.com/P/AntiqueMap/Nansenbushu-rokashihotan-1710

Antique Map of the Week: The Turgot-Bretez Plan of Paris

Monday, February 8th, 2010

The Magnificent Turgot & Bretez Map of Paris

The Magnificent Turgot & Bretez Map of Paris - click on map for gallery listing.

This is the c. 1900 Taride edition of Louis Bretez and Michel-Etienne Turgot’s monumental 1739 map of Paris. Turgot’s map of Paris is possibly the most ambitious urban mapping ever undertaken. Shows the whole of 18th century Paris and offers a wonderful perspective on the city prior to Baron Georges Eugène Haussmann’s 19th-century redesign. Turgot, who held the mayor-like office of Prévôt des Marchands de Paris , commissioned Louis Bretez and Claude Lucas to produce this
The Turgot Plan

A dramatic contemporary presentation of the Turgot Plan.

map in 1734. Oriented to the east on an axonometrical projection, this map is best understood as an aerial view where in every building, window, tree, shadow and park is shown. It took the team nearly five years of exhaustive sketching and surveying to assemble this masterpiece. In order to produce the thousands of sketches and surveys required to complete this map, Bretez was issued a permit to enter every building in Paris. The completed map which consists of twenty individual sheets, can be assembled into a massive and striking display roughly 8 feet by 10 feet. Twenty-one loose sheets embraced in a marbled folio, this is Alphonse Taride’s c. 1900 issue of Bretez’s Plan de Paris.

For more information: http://www.geographicus.com/P/AntiqueMap/Paris-turgot-1900

Decorating with Rare and Antique Maps

Wednesday, June 24th, 2009

Decorator Anthony Todd's Use of the Turgot Map

Decorator Anthony Todd's Use of the Turgot Map

Decorating with maps is a tradition that dates back to ancient Rome where elaborate regional maps and city plans were laid in mosaic tile. Hundreds of years later, during the Renaissance and the great age of exploration, maps were hotly contested national secrets and were often hidden away. Yet, even then, the decorative value of maps was appreciated. Wealthy Dutch merchants commissioned elaborate wall maps not only to plan their trading exploits, but as decorative symbols of their wealth and power. By the late 19th and early 19th centuries it was common to frame and display maps in homes and offices. Though the collecting of maps diminished significantly in the early 20th century, once again collectors and decorators are appreciating their beautify and craftsmanship. Today the decorative qualities of fine maps are widely recognized by interior designers who appreciate their beauty and design flexibility. Depending on the individual map, presentation, and context, a rare or antique map can be modern, traditional, abstract, figurative, serious or whimsical.

Unlike painting and other pictures, maps rarely leap off the page, instead, they draw the viewer into themselves. Maps tend to lay flat on the page and be rich in detail. While it is easy to admire a decorative map from a distance, most maps will bear significant intimate perusal and it is up close that a map truly reveals its secrets. Possibly because of this fact, maps have long been most keenly appreciated by the introspective and detail oriented. As subtle objects, a rare map used decoratively conveys a sense of seriousness and gravitas. Consequently, rare maps have historically been a favorite of lawyers, doctors, and business people who appreciate not only an antique map’s individual message, but also its aura of refinement.

Thought those who love rare maps for these very aspects are some of the map industry’s most serious and ardent collectors, maps themselves can offer much more. Many who associate maps with seriousness and gravitas do not realize that an antique map can also be a whimsical or supremely modern. Though maps can indeed be ancient objects, they are also abstractions and have many qualities in common with modern and contemporary art. Maps, much like Cubist painting, attempt to reveal not just the world we see but the world as it really is. Over the years, countless cartographers have struggled with the idea of representing something inconceivably large and complex on a simple piece of paper in a practical and comprehensible manner. While some have some have succeeded magnificently and others failed disastrously, all have produced a fascinating and artistically valuable pieces of work.

A contemporary use of the Turgot Plan.

A contemporary use of the Turgot Plan.

Depending on the context in which a map is displayed, it can evoke and emphasize any of its many aspects. Take for example the dualistic contemporary look accomplished with a multi-paneled Turgot Map of Paris by the Kansas City agency TMB Travel. The designer who imagined this created a sleek modern look using a very antique map. He does this successfully by framing each map individually with no matting and the narrowest possible margins. They are then displayed in a clean high contrast minimal setting. The perfectly placed lighting, like the map itself, is a balance of old world complexity and the clean lines of modern design. http://www.apartmenttherapy.com/chicago/look/look-maps-maps-and-more-maps-062431

The Fry Jefferson Map in a Virginia Colonial Home

The Fry Jefferson Map in a Virginia Colonial Home

At right we have a more classic example of how an antique map can be used decoratively. The entryway to this beautiful Virginia colonial home employs the Le Rouge edition of the Jefferson-Fry map of Virginia and Maryland. Here the detail of the map compliments both the home’s colonial history and the delicate slim lines of the furniture shown. Placed at the entrance of the home, this map offers visitors an immediate and fascinating topic of conversation while setting a historic tone for the home as a whole. Moreover, though the map is large and prominently displayed it blends perfectly into the overall design scheme. Historically, foyers, lobbies, and entryways have been popular places to place antique and rare maps because most collectors are eager to show off their prized maps to everyone who visits them! http://antiquesandfineart.com/articles/article.cfm?request=896

The Turgot Plan goes Shabby Chic.

The Turgot Plan goes Shabby Chic.

This is a charming usage of a reduced version of the Turgot Plan (probably from the 19th century) in a shabby chic style antique shop. Here the map blends into an appealing clutter of interesting Frenchish objects. The decorator has framed the plan in a series of simple distressed white frames. While the map itself is somewhat overwhelmed by the tone of the frames and recedes into the background – that is exactly what this design aesthetic calls for. You may not know where to look, but wherever you do look you are certain to find a treasure that draws you in. http://peacockparkdesign.blogspot.com/2009/02/there-is-no-place-like-home.html

While the antique maps below are reproductions (I hope!), we find the idea of using rare maps as ceiling panels fascinating. Of course, there is no reason why a collection of authentic rare maps could not be displayed in a similar fashion – though without putting holes in them for lights! The ceiling is an often neglected decorative space where much of interest can be accomplished if the decorator has a clever imagination. Here, one might not even notice the maps until, looking up, the viewer is

Rare Map Display on the Ceiling

Rare Map Display on the Ceiling

treated to a smorgasbord of visual and intellectual delights. The effect is both creative and classic, evoking a historic feel in an innovative and novel way. http://www.pretorius-art.com/Murals.html

Though these are just a few examples, the potential use of maps as decorative elements is both extraordinary and diverse. Properly framed, lit, and displayed antique maps can be a part of almost any successful design scheme. We have worked with designers who have incorporated our rare map finds into hotel and building lobbies, contemporary homes, yachts, beach homes, professional offices, window displays, and corporate complexes. Each usage has its own challenges and has brought something special and unique to the space.