This item has been sold, but you can get on the Waitlist to be notified if another example becomes available, or purchase a digital scan.
1942 Anti-American Antisemetic 'Dollar Octopus' Propaganda Map of the United States
DiDollarpoliep-manche-1942
Title
1942 (dated) 33.5 x 23.75 in (85.09 x 60.325 cm)
Description
A Closer Look
The image focuses on a map of the Americas, including both North and South America, over which is superimposed an enormous octopus-like tentacle beast, representing American (and, according to the imagery, Jewish) economic world domination. Each tentacle features a date, representing an American imperialistic expansion:- 1849 - Mexican-American War: California, New Mexico, Texas
- 1876 - Purchase of Alaska
- 1898 - Acquisition of Hawaii
- 1898 - Spanish-American War: Philippines, Cuba, Puerto Rico
- 1940 - US Naval Base in Newfoundland
- 1941 - U.S. Assumes Defensive Responsibility for Iceland
- 1941 - Good Neighbor Policy: U.S. Defensive Presence in South America
Publication History and Census
This map was drawn by the Dutch illustrator Emile Louis Manche and published for the Propaganda Section, Department von Volkslichting en Kunsten of German-occupied Holland. We note there is an alternative issue of this image presented horizontally with additional text. Not in OCLC, but we note examples in a few museums and on the market from time to time.Cartographer
Emile Louis Manche (Lou Manche; December 4, 1908 - January 30, 1982) was a Dutch sculptor, illustrator, printmaker, ceramicist, and glazier. Manch was born in Amsterdam. He studied with August Falise and Piet Slager Jr. at the Koninklijke School voor Kunst, Techniek en Ambacht and then under Richard Roland Holst at the Amsterdamse Rijksakademie van beeldende kunsten. He became involved with the National Socialist Party (Nazi) in the 1930s and remained engaged throughout World War II (1939 - 1945) and the German occupation of the Netherlands, mainly illustrating propaganda posters. After the war, Manche went to a prosperous career as an artist but was plagued most of his life by his involvement with the Nazi party, leading him to be rejected for numerous work bids and contracts. His war period work is also conveniently overlooked in his 1975 overview catalog Lou Manche. Work, Veldhoven: Gallery The Three Gates. More by this mapmaker...