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Breton, Louis Le


Louis Le Breton (January 15, 1818 - August 30, 1866) was a French medical doctor and maritime painter active in the middle part of the 19th century. He was born in Douarnenez,, France to a long line of doctors. He studied medicine at the L'École de Médecine de la Marine de Brest (1837 - 1837), subsequently joining the navy as surgeon. Le Breton is notable for having taken part in the third Jules Dumont d'Urville (1790 - 1842) voyage (1837 - 1841). He initially joined the expedition on board the Astrolabe as a surgical assistant. Breton was distantly related to d'Urville and leveraged his family connections for a place on the prestigious circumnavigation. In the early days of the expedition, Le Breton befriended the expedition's official painter, Ernest Goupil (1814 - 1840), under whom he studied marine painting, quickly exhibiting a natural proficiency. In 1840, when Goupil died of dysentery in Hobart, Tasmania, Le Breton took over the artist's official duties. When the voyage returned to Paris, he was knighted as a Chevalier de la Légion d'Honneur and on D'Urville's recommendation worked in subsequent years compiling the Atlas du Voyage for D'Urville's official account. He returned to the sea in 1844 on board the Cradle, again as a surgeon, returning to Paris in 1846. From 1847, he dedicated himself fully to painting, formally resigning his naval commission in 1848. Afterwards, he worked as a draftsman and engraver, famously producing graphic illustrations of demons for Collin de Plancy's Dictionnaire Infernal. Le Breton died in Paris of cholera in 1866.
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San Francisco in the early days of the gold rush.

Vue de San Francisco.

1854 (undated)
9.5 x 14.5 in (24.13 x 36.83 cm)
VuedeSanFrancisco-lebreton-1854-2

$1,200.00

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Item Details
  • Digital Map Information
  • Suitable for large format printing
  • DPI: 600
  • File Size: 28.07 MB
  • File Type: ZIP / TIFF
  • ICC color profile embedded
  • Delivered instantly via download link
This is a rare c. 1854 Louis Le Breton view of San Francisco in its early days as an American city. It depicts the settlement in the immediate wake of the California Gold Rush, as its population was rapidly increasing, attracting migrants from throughout the United States and the across the world. (more details)

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