1782 Crome Map of Europe: First Economic Map of Europe
EuropeEconomical-crome-1782
Title
1782 (dated) 21 x 28 in (53.34 x 71.12 cm) 1 : 12000000
Description
A Closer Look
Coverage embraces Europe in full. An array of 56 symbols, keyed at the bottom of the page, indicate the production of commodities and goods ranging from gold and copper to wine, salt, silk, hemp, horses, and more. The products of each country are listed to the left and right of the main map with a novel system of underlining to distinguish between domestic and export products.Unique Record of the Map's Production
Unlike most maps, Crome's production of this piece is well documented due to the work of scholar Hans Harms, published in Cartographica Helvetica. It began, as such things do, with an idea. Through his relationship with his uncle, the Berlin geographer Anton Friedrich Büsching, Crome was well acquainted with the newest innovations in cartography. Inspired by geological maps, Chome conceptualized a comprehensive way to illustrate production, processing, consumption, and export. Shortly after conceiving of the map, Crome began advertising for subscriptions in academic circles. This advertisement, in the Oldenburgische wöchentliche Anzeigen is preserved:Oldenburgische wöchentliche Anzeigen Nro 15. Montag, den 8. April 1782. Die Produktenkarte von Europa des Herrn Crome wird mit Ausgang der Leipziger Jubilatenmesse an die Pränumeranten abgeliefert werden.This and other advertisements were wildly successful, likely due to the map's novelty, achieving an impressive 3000 subscriptions.
Oldenburgische wöchentliche Anzeigen Nro 15. Montag, den 8. April 1782. Die Produktenkarte von Europa des Herrn Crome wird mit Ausgang der Leipziger Jubilatenmesse an die Pränumeranten abgeliefert werden.
Crome proceeded to draw the map in pencil over a stereographic grid, which was then inked by his students: Winterfeld, Müller, and von Mengden. A friend recommended the Leipzig engraver Thomas Pingeling, who quoted Crome 20 Louis d'Or (about 11,000 USD) for the work, which Crome promptly offered to double if an exceptionally beautiful engraving could be produced. The subsequent engraving process, on the best English-made copper, took over 5 months. He ordered the finest obtainable Dutch paper from the Hague. Several thousand impressions were run (we don't know exactly how many), each receiving hand-color by Minna Stock Körner, mother of the poet Carl Theodor Körner.
The work was met with immediate success and praise throughout German and general European intellectual circles and has been credited with influencing numerous subsequent thematic mapmakers, including luminaries on the order of Alexander von Humboldt and Charles Dupin.
Publication History and Census
This separate-issue map was designed and published in Dessau in 1782 by the economist and statistician August Friedrich Wilhelm Crome. The cartouche was drawn by the well-known German artist, and confident of Goethe, Adam Friedrich Oeser. The cartouche was engraved by Oeser's son-in-law, Christian Gottlieb Geyser. The map was engraved and printed in Hamburg by Thomas Pingeling. There were two printings in 1782, and a third in 1785. We are aware of no changes to the plate. In 1787, F. A. Schraembl published a authorized reduced edition without the decorative engraving. A Dutch edition was released in 1783 by Benjamin Bosma,also without the decorative vignette-cartouche. Today, all of the original Crome examples of this map are very rare, both institutionally and on the market. OCLC cites 6 examples in institutional collections, but these likely represent multiple later editions. Most examples that have appeared on the market are the Schraembl edition.CartographerS
August Friedrich Wilhelm Crome (June 8, 1753 - July 11, 1833) was a German economist and statistician. Crome was born in Sengwarden, Germany, where he received his initial schooling under his father, Johann Friedrich Crome (1724 - 1802), a local headmaster, pastor, and politician. With financial assistance from his uncle, the geographer and theologian Anton Friedrich Büsching (1724 - 1793), Crome studied theology at the University of Halle from 1772 - 1774. He afterward became a private tutor in Berlin and Brandenburg. From 1779, he took a position teaching history and geography at the Philanthropinum in Dessau. Then, in 1787, Crome accepted a professorship at the University of Giessen. During this time, he published several maps and diagrams, the most significant of which is the Neue Carte von Europa, considered the first European thematic and economic map. His cartography proved influential, inspiring subsequent thematic and comparative works by figures such as Alexander von Humboldt (1769 - 1859) and Charles Dupin (1784 - 1873). During the Napoleonic Wars (1803 - 1815), he became a supporter of the Confederation of the Rhine and French Empire - which he considered a force for pan-European free trade and economic stability. This view proved unpopular, and as a 'scoundrel' and 'infamous Bonapartist,' he became the subject of severe intellectual attacks from the populist editors. In 1822, he received the title of Privy Councillor. Crome retired in 1831 and spent the last years of his life in Rödelheim near Frankfurt, where he died. More by this mapmaker...
Thomas Albrecht Pingeling (August 19, 1727 - July 16, 1803) was a German engraver based in Hamburg. He trained under his father Gottfried Christian Pingeling (1688 - 1769), who had learned the craft from Martin Bernigeroth (1670 - 1733)/ Pingeling the elder moved from his native Saxony to Hamburg with a fellow engraver Christian Fritzsch (1695 - 1769) around 1720 and remained there afterwards. The father-son Pingeling excelled at engraving and their workshop was among the most celebrated in Hamburg in the mid-late 18th century (even working for clients as far away as London and St. Petersburg). They engraved maps, plates, illustrations, and other works for a wide variety of publications at the height of the Enlightenment. After his father's death and operating the firm alone for a time, Thomas Albrecht Pingeling took on Johann Thomas Hagemann (1771 - 1853) as an apprentice and then business partner. Learn More...
Adam Friedrich Oeser (February 17, 1717 - March 18, 1799) was a German painter, sculptor, and illustrator active in Dresden and Leipzig. Oeser was bornin Pressburg, today's Hungary, and apprenticed there under E. F. Kamauf (1696 - 1749). He moved to Vienna in 1730 to study further under Jacob van Schuppen (1670 - 1751) and Raphael Donner (1693 - 1741). In 1764, Oeser became director of the Leipzig Academy of Art, a position he held until his death, some 35 years later. His students included the polymath Johann Wolfgang Goethe )1749 - 1832) and his son-in-law Christian Gottlieb Geyser (1742 - 1803). He was a member of the Leipzig Masonic Lodge Minerva zu den drei Palmen. Oeser died in Leipzig at 82. Learn More...
Christian Gottlieb Geyser (August 20, 1742 - March 24, 1803) was a German engraver and painter. Geyser was bornin Görlitz, the son local theologian and deacon Gottfried Geyser (1699 - 1764). He initially studied law at the University of Leipzig, but at the same time, began developing his interest in art under Adam Friedrich Oeser (1717 - 1799). He later married Oeser's daughter, Wilhelmine (1755 - 1813). In 1764, Oeser became director of the Leipzig Academy of Art, and Geyer followed his father-in-law to this institution, forsaking law entirely. In 1780, he joined the Oberlausitzischen Gesellschaft der Wissenschaften (Upper Lusatian Society of Sciences). Through Oeser, he became friends with Johann Wolfgang Goethe (1749 - 1832) and illustrated the first edition of many of that author's works. Geyser died of stroke in while going for a walk in 1803. Learn More...