Mt. Fuji and the Five Lakes.
1927 (dated) 7 x 30 in (17.78 x 76.2 cm)
This is an attractive 1927 (Showa 2) Japanese Panoramic View Map of Mt. Fuji, Japan and the Five Lakes at its base. At 3, 775 Meters, Mount Fuji is the highest mountain in Japan and is considered to be one of the archipelago's Three Holy Mountains. Mount Fuji's exceptionally symmetrical cone is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers. This uncommon type of map evolved from the exposure of traditional Japanese view-style cartography to western technology. Views like this began to appear in Japan, Taiwan, and Korea in the early 20th century. Generally speaking such maps coincided with the development of railroad lines throughout the once vast Dai Nippon Teikoku or Japanese empire. It is a distinctive style full of artistic flourish that at the same time performs a practical function. This particular example is both relatively early and exceptionally beautiful. It was printed via a multi-color chromolithographic process with delicately shaded tones and an easily comprehensible intuitive design. essentially a transportation map, it shows the major and minor rail lines around Mt. Fuji and the Five Lakes region, Japan.
Japanese cartography appears as early as the 1600s. Japanese maps are known for their exceptional beauty and high quality of workmanship. Early Japanese cartography has its own very distinctive projection and layout system. Japanese maps made prior to the appearance of Commodore Perry and the opening of Japan in the mid to late 1850s often have no firm directional orientation, incorporate views into the map proper, and tend to be hand colored woodblock prints. This era, from the 1600s to the c. 1855, which roughly coincides with the Tokugawa or Edo Period (1603-1886), some consider the Golden Age of Japanese Cartography. Most maps from this period, which followed isolationist ideology, predictably focus on Japan. The greatest cartographer of the period, whose work redefined all subsequent cartography, was Ino Tadataka (1745 -1818). Ino's maps of Japan were so detailed that, when the European cartographers arrived they had no need, even with their far more sophisticated survey equipment, to remap the region. Later Japanese maps, produced in the late Edo and throughout the Meiji period, draw heavily upon western maps as models in both their content and overall cartographic style. While many of these later maps maintain elements of traditional Japanese cartography such as the use of rice paper, woodblock printing, and delicate hand color, they also incorporate western directional orientation, projection systems, and structural norms. Even so, Japan's isolationist policy kept most western maps from reaching Japan so even 19th century maps appear extremely out of date. The early Japanese maps copy the great 1602 Chinese world map of the friar Matto Ricci. After Shiba Kokan's 1792 map, most Japanese cartographers used Covens and Mortier's 1730 copy of Jaillot's 1689 double hemisphere work as their base world-view. In 1862 Seiyo Sato based a new world map on Dutch sources dating to 1857, thus introducing the Mercator projection to Japan. By the late Meiji Era, western maps became far more common in Asia and Japanese maps began to follow modern conventions.
Very good condition. Minor wear on original fold lines. Some light soiling.