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1850 Mitchell Map of Palestine, Israel and the Holy Land

Palestine2-mitchell-1850
$75.00
Palestine and Adjacent Countries. - Main View
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1850 Mitchell Map of Palestine, Israel and the Holy Land

Palestine2-mitchell-1850

Detailed inset map of the environs of Jerusalem.

Title


Palestine and Adjacent Countries.
  1850 (undated)     15.75 x 13 in (40.005 x 33.02 cm)     1 : 2092147

Description


An extremely attractive example of Samuel Augustus Mitchell Sr.'s 1853 map of Palestine, Israel or the Holy Land. The map depicts the entire region in considerable detail from the Mediterranean to the Dead Sea and from Lebanon to Arabia. When this map was made Palestine or Israel was under the control of the Ottoman Empire, thus Ottoman provinces are color coded and numbered. An inset map in the upper left corner illustrates the environs of Jerusalem. Text in the lower right hand corner offers remarks on the Dead Sea and the River Jordan.

Prepared by S. A. Mitchell for issue in the 1850 edition of his New Universal Atlas.

Cartographer


Samuel Augustus Mitchell (March 20, 1792 - December 20, 1868) began his map publishing career in the early 1830s. Mitchell was born in Bristol, Connecticut. He relocated to Philadelphia in 1821. Having worked as a school teacher and a geographical writer, Mitchell was frustrated with the low quality and inaccuracy of school texts of the period. His first maps were an attempt to rectify this problem. In the next 20 years Mitchell would become the most prominent American map publisher of the mid-19th century. Mitchell worked with prominent engravers J. H. Young, H. S. Tanner, and H. N. Burroughs before attaining the full copyright on his maps in 1847. In 1849 Mitchell either partnered with or sold his plates to Thomas, Cowperthwait and Company who continued to publish the Mitchell's Universal Atlas. By about 1856 most of the Mitchell plates and copyrights were acquired by Charles Desilver who continued to publish the maps, many with modified borders and color schemes, until Mitchell's son, Samuel Augustus Mitchell Junior, entered the picture. In 1859, S.A. Mitchell Jr. purchased most of the plates back from Desilver and introduced his own floral motif border. From 1860 on, he published his own editions of the New General Atlas. The younger Mitchell became as prominent as his father, publishing maps and atlases until 1887, when most of the copyrights were again sold and the Mitchell firm closed its doors for the final time. More by this mapmaker...

Source


Mitchell, S. A., A New Universal Atlas, (S. A. Mitchell; Philadelphia) 1850.     The New Universal Atlas is one of the great American atlases of the mid-19th century. Samuel Augustus Mitchell first issued the atlas in 1846 when he acquired the map plates and copyright for Tanner's New Universal Atlas from its publisher, Carey and Hart. The first transitional 1846 edition was published jointly with Carey and Hart, but a second edition was published in the same year with the Tanner imprint erased. This edition of the atlas also introduced the signature S. A. Mitchell green and pink color scheme. Most of the maps from the early editions of the atlas were engraved by H. N. Burroughs or C. S. Williams, often bearing their copyright. Burroughs maps also tended to have what map collector David Rumsey refers to as the 'Cary and Hart' borders, which featured a narrow vine motif. These borders were replaced, along with the Burroughs imprint, with the more traditional Mitchell strap work border used in the atlases until 1856. Mitchell published editions until late in 1850, when he sold the rights to Thomas, Cowperthwait and Company of Philadelphia. Under Cowperthwait, the atlases continued to be published and bear the Mitchell name until 1856, when it the plates were again sold, this time to Charles Desilver. Desilver reworked the plates with new border art and a revised color scheme in the style of J. H. Colton. Desilver issued editions from 1857 to 1860, when the atlas was phased out in favor of Samuel Augustus Mitchell Jr.'s New General Atlas.

Condition


Very good. Even overall toning. Minor foxing. Blank on verso.

References


Rumsey 4835.088