Digital Image: 1878 Stoner / Ruger Chromolithograph Bird's-Eye View of Wiscasset, Maine

Wiscasset-stoner-1878_d
Bird's Eye View of the Village of Wiscasset, Lincoln Co. Maine 1878. - Main View
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Digital Image: 1878 Stoner / Ruger Chromolithograph Bird's-Eye View of Wiscasset, Maine

Wiscasset-stoner-1878_d

This is a downloadable product.
  • Bird's Eye View of the Village of Wiscasset, Lincoln Co. Maine 1878.
  • Added: Wed, 26 Mar 2025 13:03:00
The prettiest village in Maine.
$50.00

Title


Bird's Eye View of the Village of Wiscasset, Lincoln Co. Maine 1878.
  1878 (dated)     13 x 19 in (33.02 x 48.26 cm)

Description


FOR THE ORIGINAL ANTIQUE MAP, WITH HISTORICAL ANALYSIS, CLICK HERE.

Digital Map Information

Geographicus maintains an archive of high-resolution rare map scans. We scan our maps at 300 DPI or higher, with newer images being 600 DPI, (either TIFF or JPEG, depending on when the scan was done) which is most cases in suitable for enlargement and printing.

Delivery

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Credit and Scope of Use

You can use your digial image any way you want! Our digital images are unrestricted by copyright and can be used, modified, and published freely. The textual description that accompanies the original antique map is not included in the sale of digital images and remains protected by copyright. That said, we put significant care and effort into scanning and editing these maps, and we’d appreciate a credit when possible. Should you wish to credit us, please use the following credit line:

Courtesy of Geographicus Rare Antique Maps (https://www.geographicus.com).

How Large Can I Print?

In general, at 300 DPI, you should at least be able to double the size of the actual image, more so with our 600 DPI images. So, if the original was 10 x 12 inches, you can print at 20 x 24 inches, without quality loss. If your display requirements can accommodate some loss in image quality, you can make it even larger. That being said, no quality of scan will allow you to blow up at 10 x 12 inch map to wall size without significant quality loss. For more information, it is best consult a printer or reprographics specialist.

Refunds

If the high resolution image you ordered is unavailable, we will fully refund your purchase. Otherwise, digital images scans are a service, not a tangible product, and cannot be returned or refunded once the download link is used.

Cartographer S


Albert Ruger (August 29, 1828 - November 12, 1899) was an important Prussian-American viewmaker active in the mid to late 19th century. Ruger was born in Prussia and immigrated to America as a young man sometime before 1850. He lived for a time in Akron, Ohio, where he was an apprenticed stone mason. By 1860, he had his own journeyman and apprentice. Near the end of the American Civil War, Ruger enlisted with the 196 Ohio Infantry. His first views date to this period and illustrate Union camps and an 1865 view of Columbus, where he was stationed. Discovering a talent for viewmaking, Ruger abandoned his work as a stonemason to move to Battle Creek, Michigan, and pursue a new career. Like most view makers, Ruger's views were sold by subscription and most were self-published. Ruger worked with a variety of other view makers and publishers, among them Eli S. Glover, Thaddeus M. Fowler, Joseph J. Stoner (Ruger and Stoner), and Augustus Koch. Ruger's work is distinctive, presenting cities from an exceptionally altitudinous perspective, giving his views a notably maplike quality Moreover, Ruger is significant in the corpus of view making. He is considered the first American viewmaker to achieve commercial success. Moreover, he is noteworthy not only for the quantity of his views, about 175, but also for the subject matter, focusing on southern and western cities following the Civil War. Ruger died in Akron, Ohio, at 71. More by this mapmaker...


Joseph John Stoner (December 21, 1829 - May 1917) was a Madison, Wisconsin based publisher of bird's-eye city views active in the late 19th and early 20th centuries. Stoner was born in Highspire, Pennsylvania and apprenticed as a carver of ornamental chairs before turning to publishing. He partnered with the bookseller Ephraim T. Kellogg of Madison, Wisconsin, for whom he was a traveling agent. His career in views began around 1867 when he met and befriended the bird's-eye view artist Albert Ruger, who was sketching Madison that year. Ruger and Stoner partnered and began publishing city views under the imprint 'Ruger & Stoner.' The partners traveled extensively through the Midwest publishing some 11 city views under their joint imprint - although there may be as many as 62 others unattributed. The partnership partially dissolved in 1872 although they continued to work together on a contractual basis. Stoner subsequently traveled even more extensively, hiring young artists to sketch city views in such wide ranging destinations as Texas, Maine, and Oregon, among others. He produced a total of some 314 views with various artists including: Albert Ruger, Herman Brosius, Thaddeus M. Fowler, Augustus Koch, Albert F. Poole, Henry Wellge, Joseph Warner, and Camille N. Drie (Dry). Stoner died in Berkeley, California in 1917. Learn More...

References


Reps, John, Views and Viewmakers of Urban America (University of Missouri, Columbia, 1984), #1260. Library of Congress, G3734.W75A3 1878 R8. OCLC 51292593. University of Southern Maine, Osher Map Library, ML-1878-71.