An attractive c. 1588 edition of Sebastian Henric Petri's Americae Sive Novi Orbis published in the 1628 edition of Sebastian Munster's Cosmographia. This map covers all of north and South America from a mysterious inland lake (Conibas?) to Tierra del Fuego, and from New Guiana to beyond the easternmost coast of Brazil. This map is Petri's major revision of Sebastian Munster's original 1540 map of America and is based almost entirely on Ortelius' 1570 map of the same region. The map features many of the cartographic anomalies and false suppositions common to the period. Teirra de Fuego remains connected to the mysterious southern continent - suggesting that information from Drake's voyages had not yet filtered into central Europe. The large bulge on the western coast of South America, near Chile, also remains. A collection of islands in the pacific, situated suspiciously close to the western coast of the Pacific is identified as the 'Archipeago di San Lazao,' a term that Magellan gave the Ladrones, which are in fact located much further west. New Guinea is oversized and apparently connected to the unknown southern continent. IN North America a great bay in inland lake or bay extends into the heart of the continent from the map's border. This is most likely a remnant of Verazanno's Sea and the precursor of the legendary Lake Conibas. On the west coast of North America Quivara, Anian, and Tolm, possibly terms derived from Marco Polo, appear prominently. This map was engraved in woodcut c. 1588 and published in Basel by Sebastian Petri. After 1588, this map was only issued in posthumous German editions of Sebastian Munster's Cosmographia issued in 1592, 1598, 1614, and 1628, and is thus rare. The present example most likely hails from the 1628 edition.
Sebastian Münster (January 20, 1488 - May 26 1552), was a German cartographer, cosmographer, Hebrew scholar and humanist. He was born at Ingelheim near Mainz, the son of Andreas Munster. He completed his studies at the Eberhard-Karls-Universität Tübingen in 1518, after which he was appointed to the University of Basel in 1527. As Professor of Hebrew, he edited the Hebrew Bible, accompanied by a Latin translation. In 1540 he published a Latin edition of Ptolemy's Geographia, which presented the ancient cartographer's 2nd century geographical data supplemented systematically with maps of the modern world. This was followed by what can be considered his principal work, the Cosmographia. First issued in 1544, this was the earliest German description of the modern world. It would become the go-to book for any literate layperson who wished to know about anywhere that was further than a day's journey from home. In preparation for his work on Cosmographia, Münster reached out to humanists around Europe and especially within the Holy Roman Empire, enlisting colleagues to provide him with up-to-date maps and views of their countries and cities, with the result that the book contains a disproportionate number of maps providing the first modern depictions of the areas they depict. The book, unsurprisingly, proved popular and was reissued in numerous editions and languages including Latin, French, Italian, English, and Czech. The last German edition was published in 1628, long after Münster's death of the plague in 1552. Cosmographia was one of the most successful and popular books of the 16th century, passing through 24 editions between 1544 and 1628. This success was due in part to its fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). Münster's work was highly influential in reviving classical geography in 16th century Europe, and providing the intellectual foundations for the production of later compilations of cartographic work, such as Ortelius' Theatrum Orbis Terrsrum Münster's output includes a large format 1536 map of Europe; the 1532 Grynaeus map of the world is also attributed to him. His non-geographical output includes Dictionarium trilingue in Latin, Greek, and Hebrew, and his 1537 Hebrew Gospel of Matthew. Most of Munster's work was published by his son-in-Law, Heinrich Petri (Henricus Petrus), and his son Sebastian Henric Petri.
Heinrich Petri (1508 - 1579) and his son Sebastian Henric Petri (1545 – 1627) were printers based in Basel, Switzerland. Heinrich was the son of the printer Adam Petri and Anna Selber. After Adam died in 1527, Anna married the humanist and geographer Sebastian Munster - one of Adam's collaborators. Sebastian contracted his son-in-law, Henricus Petri (Petrus), to print editions of his wildly popular Cosmographia. Later Petri, brought his son, Sebastian Henric Petri, into the family business. Their firm was known as the Officina Henricpetrina. In addition to the Cosmographia, they also published a number of other seminal works including the 1566 second edition of Nicolaus Copernicus's De Revolutionibus Orbium Coelestium and Georg Joachim Rheticus's Narratio.
Munster, S., Cosmographica, (Sebastain Petri, Basel) 1588.
The Cosmographia Universalis, one of the greatest geographical and historical works of the 16th century, 'taught nearly three generations of laymen most of what they knew about the world beyond their native places' (Strauss). Filled with maps, views, and rich descriptions of places throughout Europe and beyond, it was the best general source of geographical information until the advent of Ortelius' Theatrum. It was first issued by Sebastian Munster (1488 - 1552) in its 1544 German edition, and stayed in print long after its author's death in thirty five editions, and in five languages. (Of these, the 1550 and 1552 editions are widely regarded as the most complete and truest to the author's intentions: thereafter, later editors continued to add to the work's text; editions from 1588 onwards employed an entirely different set of maps produced on Ortelius' model.) Munster's goal, initially, was to rally his homeland's humanists and scholars to produce a new map of Germany in order to 'see what kind of a land our ancestors conquered for their home... bring honor to our country and place its beauties in the clear light of day.' Munster's project quickly expanded to cover the known world in its scope to produce a 'sufficiently large volume, in which I touch upon the foundation of all nations and kingdoms, their peculiarities, rivers, mountains, customs of men, royal successions, origins of the more important cities, succinct histories, religions, characteristics and fertility of lands... in Germany, however, I tarry a little longer.'.
Munster's methodology in Cosmographia is notable in particular for his dedication to providing his readers with direct access to firsthand reports of his subjects wherever possible. Many of the maps were the result of his own surveys; others, the fruit of an indefatigable letter writing campaign to scholars, churchmen and princes throughout Europe, amicably badgering them for maps, views, and detailed descriptions of their lands. For lands further afield than his letters could reach, Munster relied on the best that the authorities of northern European scholarship could offer: he was well familiar with the work of Waldseemuller and other geographers of the early 16th century, and was well connected with the best geographers of his own generation. A disproportionate number of the maps of Cosmographia show contemporary geographical knowledge of the their respective areas for the very first time: The first map to show the continents of the Western Hemisphere; the first map to focus on the continent of Asia; the first modern map to name the Pacific Ocean; the first map to use a key; the first modern map of the British Isles and so on. Even in cases where earlier maps exist, Munster's works very often remain the earliest such acquirable by the collector.
Very good. Minor centerfold wear. Pinhole in upper margin, well away from printed area. Minor reinforcement lower centerfold margin - well outside printed area. German text on verso.
OCLC 234201672, 43414807. Burden, P., The Mapping of North America, #67. Wheat, C. I., Mapping of the Transmississippi West, 1540 – 1861, v.1, no. 20.