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1861 Prang Bird's Eye View of Washington D.C. and the Chesapeake Bay (Civil War)


1861 Prang Bird's Eye View of Washington D.C. and the Chesapeake Bay (Civil War)

Birds Eye View of The Seat of War. Arranged after the latest Surveys, showing views of Washington, Baltimore, Harpers Ferry, Richmond, Manassas Junction, Ft. Monroe, Norfolk Harbor and c. Their Connections, and The General Surface of the Country in Maryland, Dist. of Columbia, and Virginia.

Outbreak of the Civil War.


1861 (dated)
16.5 x 20.5 in (41.91 x 52.07 cm)
ChesapeakeCiviWar-prang-1861

$3,400.00

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Outbreak of the Civil War.

This is a rare 1861 bird's-eye view of the vicinity of Washington, D.C., including Richmond, the mouth of the Chesapeake Bay, and the Potomac River in the early days of the American Civil War (1861 - 1865). The work was compiled by Boston's most talented lithographer, Louis Prang. It is novel in that it is anticipatory, a tool for Prang's audience to understand a conflict that was universally expected, but which had not yet developed.
A Closer Look
This view looks south over the theater of the Civil War from a high point roughly contiguous with the Mason-Dixon Line. It is centered on the District of Columbia, which appears prominently, but embraces most of the Chesapeake Bay, Central Maryland, and Eastern Virginia. Just southeast of Washington, D.C., the Confederate capital at Richmond is also clear. The view emphasizes roads, rail lines, and terrain that would soon prove critical to military movement, but it predates the mapping of specific engagements.

The view is essentially a news map and is anticipatory in nature, a product of Prang's foresight and innovation - he knew war was coming, and where, but not when, so wanted his audience to have a visual tool for understanding and evaluating upcoming events. It was most likely produced in late spring 1861, in the brief interval following the outbreak of the Civil War, but before sustained campaigning reached the Virginia-Maryland corridor. The Confederate States were formally organized in early February 1861, and although conflict was widely expected, its precise point of ignition remained uncertain.

That uncertainty ended with the bombardment of Fort Sumter in Charleston Harbor (April 12 - 14, 1861). In the weeks that followed, both sides entered a tense and transitional phase. The Confederacy prepared for defense, while the Union, despite its advantages in manpower and industry, hesitated to act decisively. Many in the North assumed that when fighting did come, it would be swift and conclusive.

Full-scale fighting in this theater began shortly thereafter with the First Battle of Bull Run (First Manassas) on July 21, 1861. On that day, civilians from Washington famously gathered on nearby heights expecting an easy Union victory, only to witness a chaotic reversal as Confederate forces broke the lines and drove both soldiers and spectators into a panicked retreat.
Publication History and Census
This view was engraved and lithographed by Louis Prang in Boston and sold by John Haven. Rare. We see about six examples in OCLC and limited market history.
Cartographers

Louis Prang (March 12, 1824 - September 14, 1909) was a Boston-based publisher of lithographs and chromolithographs active in the latter half of the 19th century. Prang was born in Breslau, Germany, where he studied printmaking and engraving from his father, a noted master of the calico process. Around 1850, Prang immigrated to the United States, fearing political persecution in Germany after the failed Springtime of the Peoples Revolution, making him a 48er. In the United States, Prang partnered with another German Printmaker, Julius Mayer, establishing the short-lived Prang & Mayer firm. Ten years later, in 1860, Prang started his own chromolithography firm, L. Prang & Co. Prang quickly established himself as a publisher of postcards and other small prints, which were popular as gifts and collectibles. He was especially successful with mass-produced overviews of major battles in the U.S. Civil War, and his 'War Telegram Marking Map' was memorable for being sold with colored pencils, allowing buyers to track the movement of armies over time. Many consider him to be the "Father of the American Christmas Card". Prang also issued larger format chromolithographs of popular art and even printed his own magazine, Prang's Chromo: A Journal of Popular Art. Through his magazines and limited edition printings, Prang was influential in establishing the popularity of the chromolithographic process in America.   Further Details...

John Haven (fl. c. 1846 – 1850) was a New York and Boston-based publisher known for bombastic broadsides advocating American patriotism and Manifest Destiny. He appears to have lived in New York and relocated to Boston between 1848 and 1850. Little else is known of Haven beyond his three major 1846 broadsheet maps promoting Manifest Destiny, all published in New York, and his 1850 broadsheet world map, published in Boston. At least some of his maps were published in concert with one, 'Emerson,' of which no further information is known. Haven's New York offices were located at 3 Broad Street. His Boston offices were at 86 State Street.   Further Details...

Condition

Good. Some older tears, repaired and stabilized on verso. Minor margin fill, lower right. Some old discoloration. Slight surface scuffing.

References

LC Civil War Maps (2nd ed.), #14.9. Library of Congress, #G3791.S5 1861 .L6. OCLC 43788024.

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