This is a beautiful, original color example of Abraham Ortelius' 1570 map of Europe. It represents the first plate, first state of the map: thus it is the first map of Europe to appear in an atlas.
Presenting Modern Europe
The map depicts Europe in the context of its surrounding lands. In the extreme north, this includes Greenland, Iceland, and (north of Tartaria) the island of Nova Zembla. A portion of North America appears at the far west as part of the Labrador coastline. To the south is the Mediterranean Sea (including its north African shores). The map extends east into Asia to include Muscovy.
Sources
Ortelius credited a broad array of sources, including Apianus, Vopell, Waldseemüller, and Zell, among others. His treatment of Scandinavia drew on the 1539 cartography of Olaus Magnus. Although he avoids the phantom lands of Frisland, Drogeo, and Estotiland, Ortelius includes Greenland details from Nicolo Zeno's fraudulent mapping of the north, including the imaginary monastery of St. Thomas. Details of Russia come from the 1562 Jenkinson map. But overall, his primary source was the 1554 Gerard Mercator map of Europe. In execution, the two differ most sharply in that Ortelius' does not use Mercator's famous projection. This resulted in a distortion of Iberia, but avoided the drastic exaggeration of the extreme north typical of the Mercator Projection.
An Attractive Engraving
Ortelius' map is elegant, incorporating an understated compass rose in the upper right. A Tartar encampment threatens at Moscovia's borders, and an attractive galleon sails the Atlantic. With the plinth-styled cartouche, the classicist Ortelius alludes to Ovid's description of Zeus' seduction of Europa, the continent's namesake. A scantily clad Europa sits sidesaddle upon the back of the insatiable Zeus in the guise of a bull galloping into the sea.
Fear filled her heart as, gazing back, she saw
The fast receding sands. Her right hand grasped
A horn, the other leaned upon his back
Her fluttering tunic floated in the breeze.
Publication History and Census
This map was engraved for inclusion in Ortelius'
Theatrum Orbis Terrarum in 1570; this plate remained in the atlas until a new plate was engraved in 1584. The first plate is most easily distinguished from the second by the Roman capitals 'AFRICAE PARS' labeling North Africa here (the second plate used Italics instead.) The typography of the verso text conforms to the 1571 Latin edition of the atlas. Separate examples of the map are well represented in institutional collections, and it appears on the market from time to time. However, attractive original color examples are scarce.
Cartographer
Abraham Ortelius (April 14, 1527 - June 28, 1598) also known as Ortels, was a cartographer, geographer, and cosmographer of Brabant, active in Antwerp. He was the creator of the first modern atlas, Theatrum Orbis Terrarum and is a seminal figure in the history of cartography. Along with Gerard Mercator and Gemma Frisius, he was a founder of the Netherlandish school of cartography. His connections with Spain - culminating in his 1575 appointment as Royal Cartographer to King Phillip II of Spain - gave him unmatched access to Spanish geographical knowledge during a crucial period of the Age of Discovery. Ortelius was born in 1527 in Antwerp. In 1547 he entered the Antwerp Guild of Saint Luke as an illuminator of maps. He began trading in books, prints, and maps, traveling regularly to the Frankfurt book and print fair, where in 1554 he met Mercator. He accompanied Mercator on journeys throughout France in 1560 and it was at this time, under Mercator's influence, that he appears to have chosen his career as a scientific geographer. His first published geographic work appeared in 1564, an eight-sheet cordiform world map. A handful of other maps preceded the 1570 publication of the first edition of the Theatrum Orbis Terrarum, which would prove to be his life work. Appearing with but 53 maps in its first edition, Ortelius' work expanded with new maps added regularly. By 1592, it had 134 maps. Many of Ortelius' maps remained the standard for nearly a century. He traveled extensively, but his genius was as a compiler, locating the best informed maps on which to base his own. His contacts throughout Europe and extending even (via the Portuguese) to the Far East were formidable. Moreover, many of his maps were based on his own scholarship, particularly his historical works. His theories of geography were particularly ahead of his time with respect to the notion of continental drift, the possibility of which he mused on as early as 1596, and which would be proven correct centuries later.
In a sense his greatest achievement was his successful navigation of the religious and political violence endemic to his city throughout his adult life: The Dutch Revolt, or Eighty Years' War (1568 - 1648), fully embroiled Antwerp. Although outwardly and officially recognized as Catholic (Arias Montanus vouched for Ortelius' Catholic orthodoxy prior to his appointment as Royal Geographer), Ortelius was able to separate himself from the religious furor which characterized the war in the low countries. Ortelius showed a glimpse of himself in a letter to a friend, regarding humanist Justus Lipsius: 'I do not know whether he is an adherent of the Pope or a Calvinist, but if he has ears to hear, he will neither be one nor the other, for sins are committed on both sides'. Ortelius' own explorations of Biblical history in his maps, and the Christogram contained in his own motto, suggest him to be a religious man, but his abjuration of political religious authorities mark him as an individualist. His tombstone at St Michael's Præmonstratensian Abbey in Antwerp bears the inscription, Quietis cultor sine lite, uxore, prole. ('served quietly, without accusation, wife, and offspring.') More by this mapmaker...
Source
Ortelius, A., Theatrum Orbis Terrarum, (Antwerp: Diesth) 1571.
Abraham Ortelius' magnum opus, Theatrum Orbis Terrarum, was the world's first regularly produced atlas, which 'set the standards for later atlases . . . It was the first undertaking of its kind to reduce the best available maps to an uniform format.' (Koeman) A modestly-sized work of fifty-three maps in its first edition of May 1570, it was an immediate success: there were three further editions that year, and the work remained in print for a total of 32 editions, the last of which was 1641, well after its author's 1598 death. Ortelius added to his atlas constantly, and by 1595 the Theatrum contained 147 maps. Ortelius is renowned generally as an editor, and indeed much of the Theatrum is compiled from a variety of sources: in such cases, Ortelius was scrupulous in naming his sources. But Ortelius was also a mapmaker in his own right: many of his maps are a distillation of various sources into his own work, and there were many maps - particularly in his atlas of Biblical and ancient history Parergon - which were entirely Ortelius' work. In his role as an editor, Ortelius followed in the footsteps of Munster, whose Cosmographia was, until Ortelius, the best window on the world for the curious European reader. In terms of the artistry of his maps, Ortelius oversaw the first great flourishing of copperplate engraving in the service of cartography to occur in Northern Europe. Ortelius' work provided the model for the atlases of Mercator, Hondius, Blaeu and all their progeny in the 17th century - many of whom were to produce faithful editions of Ortelius' maps in their own productions.
Very good. Mended centerfold split at bottom with no loss. Few marginal mends outside printed image and marginal soiling, else a very attractive example with superb original color.
OCLC 634049633. Rumsey 10000.019 (1570). van den Broecke, M., Ortelius Atlas Maps, Ort 4.