Nova Europae descriptio Auct. F. de Wit.
17.25 x 21.75 in (43.815 x 55.245 cm)
1 : 10000000
This is a scarce 1660 Dutch carte á figures map of Europe, engraved by Frederick de Wit. This beautifully engraved work was one of a handful of maps that De Wit would have considered his showcase works as he struck out on his own as a mapmaker, after having worked for many years with the Blaeu family. Although in general terms the style of the map is reminiscent of his former teachers', it differs both from the corresponding map in Blaeu's atlases and those of Blaeu's primary competitors, Hondius and Jansson.
The East The map extends further into Russia than Blaeu's; it shows Isaac Massa's cartography of the Siberian coast as far as the Pechora Sea; the Volga is traced as far as Kazan. De Wit's map improves on the Ukraine and the Circassian regions as well. The focus of the map, overall, is shifted somewhat northwards and to the west as compared to the maps of Blaeu and Hondius; this both allows the inclusion of the newer Siberian detail, and also avoids the repetition of North African detail already covered on the Africa map of the series.
The West There is a fascinating notation in the North Atlantic - absent from other atlas maps of the period. A small, unnamed island about three degrees south of Iceland is shown, marked with the note 'Anno 1613 by de Biscayers beseylt.' This is a reference to Basque fishermen, and their astonishing reach - it is known now that they sailed as far as the Canadian Maritime Islands and Icelandic waters.
Carte-á-figures Surround The maps of Blaeu and Speed are generally best known for their decorative borders in this style, but other Dutch mapmakers - Hondius, Jansson, and van der Keere also produced such maps. Generally, this grand treatment was reserved for maps of the continents - these large-scale, general maps were showcases for the mapmaker's art. More often than not, such maps were separate issues or intended for larger, deluxe editions of their respective atlases: for Hondius' atlas, for instance, the borders tended to be absent in the continent maps to permit the use of smaller folio sheets, and waste less margin space throughout the rest of the book.
Similarly, de Wit's four continental maps of 1660 were separate productions, not intended for inclusion in a specific atlas (when he did produce an atlas, he included newly engraved and quite different continental maps.) It is worth noting that neither the city views along the top border, nor the figures in the left and right margins, are copies of earlier works, but appear to be unique to this map. The city views - Rome, Amsterdam, Paris, London, Seville and Prague - are panoramas, rather than the Braun and Hogenberg influenced insets on the Blaeu. The figures, rather than the 'ordinary' characters indicated on other cartes á figures, instead represent rulers: the Pope, the Holy Roman Emperor, the Grand Duke of Muscovy, and the Kings of Spain, Denmark, Sweden, France and Poland. The absence of a King of England is probably not a deliberate snub, but likely a general confusion: the restoration of Charles II would not occur until 1660 when this map was published, and the leadership of the kingdom might not have been readily apparent at the time.
Publication History and CensusThis map was printed in 1660 along with similarly - styled cartes á figures of the other continents, and a map of the world. These were separately issued - de Wit had not yet produced an atlas of his own - and consequently quite scarce. They do appear to have been included occasionally in composite atlases, and in Doncker's maritime atlas. The America and Africa maps are known in several states; however, only a single state of the Europe map has been catalogued. There are three separate examples in OCLC, at the Biblioteca Nacional de Espana, Bibliotheek Universiteit van Amsterdam, and the Universitatsbibliothek Tuebingen.
Frederik de Wit (1629 - 1706) was a Dutch Golden Age cartographer active in the second half of the 17th and the early 18th centuries. De Wit was born of middle class Protestant stock in the western Netherlandish town of Gouda. He relocated to Amsterdam sometime before 1648, where he worked under Willem Blaeu. His first attributed engraved map, a plan of Haarlem for Antonius Sanderus' Flandria Illustrata, was issued around this time. He struck out on his own in 1654. The first chart that De Wit personally both drew and engraved was most likely his 1659 map of Denmark, REGNI DANIÆ Accuratissima delineatio Perfeckte Kaerte van ‘t CONJNCKRYCK DENEMARCKEN. His great wall map of the world and most famous work, Nova Totius Terrarum Orbis Tabula appeared one year later. Following the publication of his wall map De Wit quickly rose in prominence as a both cartographer and engraver. He married Maria van der Way in 1661 and through her became a citizen of Amsterdam in 1662. Around this time he also published his first major atlas, a composite production ranging in size from 17 to over 150 maps and charts. Other atlases and individual maps followed. In 1689 De Wit was granted at 15 year Privilege by the Dutch States General. The Privilege was a kind of early copyright that protected his exclusive rights to print and publish his maps. He was recognized with the honorific 'Good Citizen' in 1694. De Wit died in 1706 after which his wife Maria continued publishing his maps until about 1710. Though De Wit did have a son, Franciscus, he had no interest in the map trade, being a prosperous stockfish merchant. Instead, on her own retirement, Maria sold most De Wit maps and plates at a public auction. Most were acquired by Pieter Mortier and laid the groundwork for the 1721 rise of Covens and Mortier, the largest Dutch cartographic publishing house of the 18th century.
Average condition. Reinforced mends at margins, mended split at centerfold with slight loss. Original color, refreshed.