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1877 Ruger / Stoner View of Portsmouth, New Hampshire
PortsmouthNewHampshire-stoner-1877Some print connoisseurs believe that it was only with the advent of the full-blown city-view lithograph that American printmaking reached its first plateau of originality, making a historical contribution to the graphic arts. They cite the differences between the European city-view prints and the expansive American version that reflects a new land and a new attitude toward the land.The vogue for bird's-eye city views lasted from about 1845 to 1920, during which period some 2,400 city were thus portrayed, some multiple times. Although views were produced in many urban centers, the nexus of view production in the United States was Milwaukee, Wisconsin. The major American viewmakers were Stoner, Wellge, Bailey, Fowler, Hill Ruger, Koch, Burleigh, Norris, and Morse, among others.
Albert Ruger (August 29, 1828 - November 12, 1899) was an important Prussian-American viewmaker active in the mid to late 19th century. Ruger was born in Prussia and immigrated to America as a young man sometime before 1850. He lived for a time in Akron, Ohio, where he was an apprenticed stone mason. By 1860, he had his own journeyman and apprentice. Near the end of the American Civil War, Ruger enlisted with the 196 Ohio Infantry. His first views date to this period and illustrate Union camps and an 1865 view of Columbus, where he was stationed. Discovering a talent for viewmaking, Ruger abandoned his work as a stonemason to move to Battle Creek, Michigan, and pursue a new career. Like most view makers, Ruger's views were sold by subscription and most were self-published. Ruger worked with a variety of other view makers and publishers, among them Eli S. Glover, Thaddeus M. Fowler, Joseph J. Stoner (Ruger and Stoner), and Augustus Koch. Ruger's work is distinctive, presenting cities from an exceptionally altitudinous perspective, giving his views a notably maplike quality Moreover, Ruger is significant in the corpus of view making. He is considered the first American viewmaker to achieve commercial success. Moreover, he is noteworthy not only for the quantity of his views, about 175, but also for the subject matter, focusing on southern and western cities following the Civil War. Ruger died in Akron, Ohio, at 71. More by this mapmaker...
Joseph John Stoner (December 21, 1829 - May 1917) was a Madison, Wisconsin based publisher of bird's-eye city views active in the late 19th and early 20th centuries. Stoner was born in Highspire, Pennsylvania and apprenticed as a carver of ornamental chairs before turning to publishing. He partnered with the bookseller Ephraim T. Kellogg of Madison, Wisconsin, for whom he was a traveling agent. His career in views began around 1867 when he met and befriended the bird's-eye view artist Albert Ruger, who was sketching Madison that year. Ruger and Stoner partnered and began publishing city views under the imprint 'Ruger & Stoner.' The partners traveled extensively through the Midwest publishing some 11 city views under their joint imprint - although there may be as many as 62 others unattributed. The partnership partially dissolved in 1872 although they continued to work together on a contractual basis. Stoner subsequently traveled even more extensively, hiring young artists to sketch city views in such wide ranging destinations as Texas, Maine, and Oregon, among others. He produced a total of some 314 views with various artists including: Albert Ruger, Herman Brosius, Thaddeus M. Fowler, Augustus Koch, Albert F. Poole, Henry Wellge, Joseph Warner, and Camille N. Drie (Dry). Stoner died in Berkeley, California in 1917. Learn More...
D. Bremner (fl. c. 1870 - 1890) was an American lithographer based in Milwaukee, Wisconsin in the middle to late 19th century. Bremner printed views for a number of important 19h century American viewmakers, including Albert Rugers and Joseph J. Stoner. Learn More...
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This copy is copyright protected.
Copyright © 2024 Geographicus Rare Antique Maps