A beautiful example of the legendary American map publisher Samuel Augustus Mitchell Jr.'s 1874 map of New Hampshire and Vermont. Centered on the Connecticut River, which forms the border between New Hampshire and Vermont, this map covers both states as well as adjacent parts of Massachusetts, Maine, New York and Canada. Identifies Killington Peak and Camel's Hump in Vermont, now popular ski resorts. This map also identifies various cities, towns, rivers and an assortment of additional topographical details. Map is color coded according to political boundaries with elevation rendered by hachure. One of the most attractive American atlas maps of this region to appear in the mid-19th century. Features the vine motif border typical of Mitchell maps issued between 1866 and 1882. Prepared by S.A. Mitchell for inclusion as plate nos. 13 in the 1874 issue of Mitchell's New General Atlas. Dated and copyrighted, 'entered according to Act of Congress in the Year 1874 by S. Augustus Mitchell in the Office of the Librarian of Congress at Washington.'
Samuel Augustus Mitchell (March 20, 1792 - December 20, 1868) began his map publishing career in the early 1830s. Having worked as a school teacher, Mitchell was frustrated with the low quality and inaccuracy of school texts of the period. His first maps were an attempt to rectify this problem. In the next 20 years Mitchell would become the most prominent American map publisher of the mid-19th century. Mitchell worked with prominent engravers J. H. Young, H. S. Tanner, and H. N. Burroughs before attaining the full copyright on his maps in 1847. In 1849 Mitchell either partnered with or sold his plates to Thomas, Cowperthwait and Company who continued to publish the Mitchell's Universal Atlas. By about 1856 most of the Mitchell plates and copyrights were acquired by Charles Desilver who continued to publish the maps, many with modified borders and color schemes, until Mitchell's son, Samuel Augustus Mitchell Junior, entered the picture. In 1859, S.A. Mitchell Jr. purchased most of the plates back from Desilver and introduced his own floral motif border. From 1860 on, he published his own editions of the New General Atlas. The younger Mitchell became as prominent as his father, publishing maps and atlases until 1887, when most of the copyrights were again sold and the Mitchell firm closed its doors for the final time.
Very good. Minor overall toning. Blank on verso.
Rumsey 2483.010 (1870 edition).