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1552 Münster Map of the World

Typus Orbis Universalis. - Main View

1552 Münster Map of the World


Discovery Era World Revealed.


Typus Orbis Universalis.
  1550 (undated)     10.5 x 14.75 in (26.67 x 37.465 cm)     1 : 120000000


This is Sebastian Münster's 1550 Typus Orbis Universalis, one of the most distinctive world maps produced during the Age of Discovery. In the mid-sixteenth century, it was the best generally available summation of the rapidly expanding known world. The map was included in Münster’s magnum opus, Cosmographia Universalis, which for over 40 years was the go-to volume for the literate European seeking knowledge of the world. Consequently, this map had a disproportionate impact, providing a broad audience their first image of the post-Magellanic world. It was not challenged until the 1570 publication of Ortelius' Theatrum Orbis Terrarum. As important as its geographical revelations were, the map is also rich in the imagery of its era: it is bordered with billowing clouds and wind-heads marking the cardinal directions, puffing their breezes over the waters. The oceans are prowled by eight sea monsters and a sailing ship is shown crossing the Pacific and proudly firing its cannons.
An Impressive Array of Firsts
Along with Münster's map of America, this is the first map to name the Pacific Ocean and the Straits of Magellan. It ranks among the earliest acquirable maps to show and name Japan (Zipangri, here just off the American coast.). In conjunction with Munster's concurrently-published map of Asia, this is the first map to show Asia in a form shorn of Ptolemaic elements: there is no 'Dragon's Tail' or other element retained from Ptolemy's land bridge connecting Africa and China, and it is the first generally acquirable world map to hint at the existence of the East Indies. As distinct from the Ptolemaic maps of the late 15th and early 16th century, the island 'Taprobana' is shown not as Sri Lanka, but as Sumatra.
Likewise, this is one of the earliest acquirable world maps to show the continent of Africa in recognizable form. Madagascar appears in roughly the correct location. Oddly, Zanzibar appears as an island much farther out from land than is accurate - perhaps underscoring its rising significance. Africa's interior nonetheless retains the Ptolemaic geography for the course of the Nile, and its sources in the Mountains of the Moon.
A Circumnavigable Globe
More to the point, this is the first generally accessible world map to show an entirely circumnavigable globe. This map presents a world fully accessible to mariners, via the Straits of Magellan, the optimistically-sized Pacific Ocean, and the unobstructed Indian Ocean. This notion would have been new to Münster's readers, even thirty years after Magellan sailed.
Speculative Geography in America
There being vast gaps in European scholars’ knowledge of the Americas, Münster and any other geographers of his era had to fill in with speculation - leading to a wealth of unusual features. The wedge-like bay bisecting North America was derived from interpretations of Verrazano’s observations during his 1524 voyage. This so-called 'Sea of Verrazano' would also appear on Münster’s map of America. The northern parts of the world betray gaps in European knowledge: the part of Europe associated with Scandinavia extends far to the west, absorbing Greenland. In North America, the Florida peninsula is just recognizable, although the entire region west of Verrazano's Sea is identified as 'Terra Florida.' The northeastern coast is marked only with an island named 'Corterati', probably a reference to Newfoundland after the Corte Reals. The Caribbean is represented by the two principal islands of Cuba and Hispaniola.
Publication History and Census
The first iteration of this map appeared in Münster’s 1540 edition of Ptolemy's Geographia, appearing in all but the 1552 editions of that work as well as the first, German editions of Münster's Cosmographia. In 1550, the woodblock for the map was re-cut by formschneider David Kandel (his monogram DK appears in the lower left), introducing compositional improvements but leaving most of the geographical features unchanged. This second block appeared first in the German edition of 1550 and remained in use until 1578. The subsequent editions of Cosmographia employed entirely new woodcuts, based on the then-state-of-the-art maps of Ortelius. This specific example corresponds typographically to those appearing in the 1552 Latin edition of the book, one of the last to see print prior to Münster's death from the plague that year. While this map and various editions of Cosmographia are well represented in institutional collections, only two examples of this edition of the map are separately cataloged in OCLC, appearing at the National Library of Israel and the Newberry Library.


Sebastian Münster (January 20, 1488 - May 26, 1552), was a German cartographer, cosmographer, Hebrew scholar and humanist. He was born at Ingelheim near Mainz, the son of Andreas Munster. He completed his studies at the Eberhard-Karls-Universität Tübingen in 1518, after which he was appointed to the University of Basel in 1527. As Professor of Hebrew, he edited the Hebrew Bible, accompanied by a Latin translation. In 1540 he published a Latin edition of Ptolemy's Geographia, which presented the ancient cartographer's 2nd century geographical data supplemented systematically with maps of the modern world. This was followed by what can be considered his principal work, the Cosmographia. First issued in 1544, this was the earliest German description of the modern world. It would become the go-to book for any literate layperson who wished to know about anywhere that was further than a day's journey from home. In preparation for his work on Cosmographia, Münster reached out to humanists around Europe and especially within the Holy Roman Empire, enlisting colleagues to provide him with up-to-date maps and views of their countries and cities, with the result that the book contains a disproportionate number of maps providing the first modern depictions of the areas they depict. Münster, as a religious man, was not producing a travel guide. Just as his work in ancient languages was intended to provide his students with as direct a connection as possible to scriptural revelation, his object in producing Cosmographia was to provide the reader with a description of all of creation: a further means of gaining revelation. The book, unsurprisingly, proved popular and was reissued in numerous editions and languages including Latin, French, Italian, and Czech. The last German edition was published in 1628, long after Münster's death of the plague in 1552. Cosmographia was one of the most successful and popular books of the 16th century, passing through 24 editions between 1544 and 1628. This success was due in part to its fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). Münster's work was highly influential in reviving classical geography in 16th century Europe, and providing the intellectual foundations for the production of later compilations of cartographic work, such as Ortelius' Theatrum Orbis Terrarum Münster's output includes a small format 1536 map of Europe; the 1532 Grynaeus map of the world is also attributed to him. His non-geographical output includes Dictionarium trilingue in Latin, Greek, and Hebrew, and his 1537 Hebrew Gospel of Matthew. Most of Munster's work was published by his stepson, Heinrich Petri (Henricus Petrus), and his son Sebastian Henric Petri. Learn More...

Heinrich Petri (1508 - 1579) and his son Sebastian Henric Petri (1545 – 1627) were printers based in Basel, Switzerland. Heinrich was the son of the printer Adam Petri and Anna Selber. After Adam died in 1527, Anna married the humanist and geographer Sebastian Münster - one of Adam's collaborators. Sebastian contracted his stepson, Henricus Petri (Petrus), to print editions of his wildly popular Cosmographia. Later Petri, brought his son, Sebastian Henric Petri, into the family business. Their firm was known as the Officina Henricpetrina. In addition to the Cosmographia, they also published a number of other seminal works including the 1566 second edition of Nicolaus Copernicus's De Revolutionibus Orbium Coelestium and Georg Joachim Rheticus's Narratio. Learn More...

David Kandel (1520–1592) was a Renaissance artist, a pioneer of botanical and natural history illustration, and a prolific woodcut artist. His personal life is obscure. He is thought to have been born in Strasbourg, in 1520; He married in 1554 and 33 years later, in 1587, was recorded as "owner of a house". He died in 1592. His oeuvre was extremely broad, ranging from botanical illustrations to biblical events, largely as a product of his work as an illustrator. He produced about 550 of the superb woodcuts for Hieronymus Bock's 1546 Kreuterbuch (The Book of the Herbs). He produced many of the woodcuts appearing in Sebastian Münster's Cosmographia, including many of the maps and views, as well as his superb rendition of Dürer's sketch of a rhinoceros. Learn More...


Münster, Sebastian, Cosmographiae Uniuersalis, (Basel: Petri) 1552.    


Good. Right margin reinforced; left margin extended with virtually no loss to border. Mended split at centerfold. Else very good.


OCLC 930282763. Shirley, Rodney W., The Mapping of the World: Early Printed World Maps 1472-1700, #92.