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1565 Ramusio Map of Brazil
Brasil-ramusio-1565
Title
1565 (undated) 10.75 x 14.5 in (27.305 x 36.83 cm)
Description
The Map
This distinctive woodcut is oriented to the west, with north to the right. The cardinal directions are marked at the four quarters. Coastal place names are indicative of early Portuguese exploration and colonization, prior to the establishment of the Captaincies by which Portugal would eventually administer the region. The coastline offers placenames from the Rio de la Plata in the south, and the R. Sallec in the north, possibly the Orinoco. The Amazon river is shown as 'Marannon,' with its source in the 'Mullobamba', here marked with an exploding volcano.The Transition From Italian to Global Geography
The names used here for the cardinal directions - Tramontana, Ostro, Ponente, and Levante - were typical for 16th century Italian cartographers, but would soon be abandoned. These names were taken from the predominating winds in the Mediterranean: Tramontana, for example, referred specifically to the winds that came down across the Alps. While these had once been useful and communicative terms, their use far from Italian waters became increasingly nonsensical. 'Tramontana' would, by the end of the 16th century, be replaced by 'Septentrionale' - a term derived from astronomical observation of the seven stars of the Little Dipper, and of utility in any waters of the northern hemisphere.The Mapmakers
Ramusio, in the introduction to his Navigationi et Viaggi, wrote that he asked Giacomo Gastaldi to provide maps for his work. It is not known whether the great Venetian cartographer actually did so himself as an analog to this map does not appear in Gastaldi's 1548 Ptolemy (although the 1561 Ruscelli, otherwise copied from the Gastaldi, does have a Brazil map which shares the geographical detail of this one. The actual woodcut was executed by Matteo Pagano (1515 - 1588).Publication History and Census
This map was first cut by Matteo Pagano for inclusion in the 1556 third volume of Ramusio's Navigationi et Viaggi. The woodblocks for this, and indeed all of the maps of the 1556 edition burned in a 1557 warehouse fire. The blocks were all re-engraved, probably again by Pagano, for the 1565 edition of the Navigationi et Viaggi. The second block - the present example - is geographically identical to the first; the two blocks are most easily distinguishable by differences in the trees appearing behind the various buildings. This second block would be employed one more time in 1606, that edition easily identifiable by the small worm-shaped blank areas (woodworm appears to have similarly infested all blocks of the 1606 edition.) This work is rare. Seven examples of the 1565 Navigationi et Viaggi are listed in OCLC, while just twenty of the 1606 edition appear. Only four examples of this separate map are catalogued in OCLC in the 1565 edition.CartographerS
Giovanni Battista Ramusio (July 20, 1485 - July 10, 1557) was an Italian civil servant, humanist, scholar, historian, and geographer active in the middle part of the 16th century. Ramusio spent most of his life in the service of the Republic of Venice, first as part of that state's embassy to France, and later as a reporter on voyages and discoveries. He was born to an illustrious family in Treviso and moved to Vencie as a young man, where his father was a magistrate. He studied at the University of Padua but may not have received a full degree. He entered the civil service shortly after leaving the university and was immediately assigned to diplomatic service for his facility with languages, particularly French. His most significant contribution to cartography is his publication of Navigationi et Viaggi a collection of travel narratives he collected in his service to the state. The narratives include those of Marco Polo, Niccolò Da Conti, Magellan, Alvar Nuñez Cabeza de Vaca, Giosafat Barbaro, and Tomé Pires, among others. Some of the voyages appearing in the Navigationi et Viaggi are otherwise unknown, marking it as an exceptionally important volume. Ramusio died in Venice in 1557. More by this mapmaker...
Giocomo Gastaldi (c. 1500 - October, 1566) was an Italian astronomer, cartographer, and engineer active in the second half of the 16th century. Gastaldi (sometimes referred to as Jacopo or Iacobo) began his career as an engineer, serving the Venetian Republic in that capacity until the fourth decade of the sixteenth century. During this time he traveled extensively, building a large library relating to voyages and exploration. From about 1544 he turned his attention to mapmaking, working extensively with Giovanni Battista Ramusio, Nicolo Bascarini, and Giovanbattista Pedrezano, as well ask taking private commission for, among others, Venice's Council of Ten. He is credited with the fresco maps of Asia and Africa still extent in the map room of the Doge's Palace. Gastaldi was also one of the first cartographers to embrace copper plate over woodblock engraving, marking and important development in the history of cartography. His 1548 edition of Ptolemy's Geographia was the first to be printed in a vernacular; it was the first to be printed in copperplate. As with his Swiss/German contemporary Münster, Gastaldi;'s work contained many maps depicting newly discovered regions for the first time, including the first map to focus on the East Coast of North America, and the first modern map of the Indian Peninsula. His works provided the source for the vast majority of the Venetian and Roman map publishers of the 1560s and 70s, and would continue to provide an outsize influence on the early maps of Ortelius, De Jode, and Mercator. Giocomo Gastaldi's 1548 edition of Claudius Ptolemy's Geographia - that is, La Geografia - . This appeared in six Latin editions in 1540, 1541, 1542, 1545, 1551 and 1552. According to Karrow, Munster based the text on the Latin translation of Willibald Pirkheimer, but he carefully collated it with previous editions, adding notes of his own. The first three editions contained 48 maps, consisting of 27 based on Ptolemy's ancient geography, and 21 maps based on modern geographical knowledge. The latter three editions contained 54 maps, comprised of the same ancient works but with six of the modern maps discarded, and twelve new ones added. For the collector, the modern maps are of sharpest interest. Some were based on Waldseemuller's geography, but many were based on Munster's own surveys and those of other European geographers whose assistance Munster had been able to enlist. Most of these would be reprised in Munster's magnum opus, Cosmographia Universalis. A disproportionate number of Munster's modern maps show contemporary geographical knowledge of the their respective areas for the very first time: The first map to show the continents of the Western Hemisphere; the first map to focus on the continent of Asia; the first modern map to name the Pacific Ocean. Even in cases where earlier maps exist, Munster's works very often remain the earliest such acquirable by the collector. Learn More...
Matteo Pagano (1515-1588) was a Venetian woodcut artist and illustrator. While nothing is known about his early training, he was prolific and apparently successful. Among his more famous works is a 1556 eight-sheet woodcut of the procession of the Doge, in Venice. He produced a number of maps for various works, most notably the visually distinctive area maps appearing in Ramusio's Navigazioni et Viaggi. He is particularly noted for having published books of lace, needlework and embroidery designs, promoting needlework as an acceptable activity for virtuous women. Learn More...