An extraordinary 1794 map of the Island and Kingdom of Corsica. Covers the entire island in extraordinary detail offering both topographical and political information. With its unique blend of dramatic mountains and stunning pristine beaches, Corsica is considered to be one of the world's most beautiful places. A note in the lower right hand quadrant discusses the geography and population of the island. Prepared by Thomas Jefferys and published by Laurie & Whittle in Kitchin's 1794 General Atlas.
Thomas Jefferys (1695 - November 20, 1771) was one of the most prominent and prolific map publishers and engravers of his day. Jefferys was born in Birmingham and was apprenticed to the engraver Emmanuel Bowen in 1735. Later, in the 1740s he engraved several maps for the popular periodical Gentleman's Magazine. Around 1740 Jefferys was finally able to go into business for himself and in 1746 received an appointment as 'Geographer to Fredrick, Prince of Wales,' which shortly after translated to the position of 'Royal Cartographer to King George III.' Jefferys initially specialized in compiling and re-engraving the works of earlier cartographers into more coherent cartographic wholes. Later, while not salaried position, Jefferys' appointment as 'Royal Cartographer' guaranteed preferential access to the most up to date cartographic material available, allowing him to produce new and updated charts of exceptional accuracy. He his best known for his maps of the Americas, particularly the posthumously published 1775 American Atlas, which included some of the finest and most important late colonial era maps of America ever made. Despite his prolific publishing history, royal appointments, and international publishing fame, Jefferys lived most of his life in dire economic straits. He was bailed out of bankruptcy by Robert Sayer during the production of the American Atlas. In the end, Jefferys died suddenly with very little to his name. Nonetheless, his cartographic legacy survived, and even after his death in 1771, many of his important maps continued to be published and republished by Sayer and Bennet, Conrad Lotter, Georges Louis Le Rouge, Laurie and Whittle, and others. Many attribute some of Jefferys best maps to the colorful and criminally inclined Irish cartographic genius Braddock Mead (John Green, c. 1688 - 1757), who is considered the 'secret behind Jefferys.' Jefferys was succeeded by his son, also Thomas, who had little success as a cartographer and eventually partnered with, then sold his stock and plates to William Faden - Jefferys' true heir.
Laurie and Whittle (fl. 1794 - 1858) were London, England, based map and atlas publishers active in the late 18th and early 19th century. Generally considered to be the successors to the Robert Sayer firm, Laurie and Whittle was founded by Robert Laurie (c. 1755 - 1836) and James Whittle (1757-1818). Robert Laurie was a skilled mezzotint engraver and is known to have worked with Robert Sayer on numerous projects. James Whittle was a well-known London socialite and print seller whose Fleet Street shop was a popular haunt for intellectual luminaries. The partnership began taking over the general management of Sayer's firm around 1787; however, they did not alter the Sayer imprint until after Sayer's death in 1794. Apparently Laurie did most of the work in managing the firm and hence his name appeared first in the "Laurie and Whittle" imprint. Together Laurie and Whittle published numerous maps and atlases, often bringing in other important cartographers of the day, including Kitchin, Faden, Jefferys and others to update and modify their existing Sayer plates. Robert Laurie retired in 1812, leaving the day to day management of the firm to his son, Richard Holmes Laurie (1777 - 1858). Under R. H. Laurie and James Whittle, the firm renamed itself "Whittle and Laurie". Whittle himself died six years later in 1818, and thereafter the firm continued under the imprint of "R. H. Laurie". After R. H. Laurie's death the publishing house and its printing stock came under control of Alexander George Findlay, who had long been associated with Laurie and Whittle. Since, Laurie and Whittle has passed through numerous permeations, with part of the firm still extant as an English publisher of maritime or nautical charts, 'Imray, Laurie, Norie and Wilson Ltd.' The firm remains the oldest surviving chart publisher in Europe.
Thomas Kitchin (August 4, 1718 – June 23, 1784) was a London based engraver, cartographer, and publisher. He was born in London to a hat-dyer of the same name. At 14, Kitchin apprenticed under Emanuel Bowen, under whom he mastered the art of engraving. He married Bowen daughter, Sarah Bowen, and later inherited much of his preceptor's prosperous business. Their son, Thomas Bowen Kitchin, also an engraver joined the family business, which thereafter published in Thomas Kitchin and Son. From 1858 or so Kitchin was the engraver to the Duke of York, and from about 1773 acquired the title, 'Royal Hydrographer to King George III.' He is responsible for numerous maps published in the The Star, Gentleman's Magazine, and London Magazine, as well as partnering with, at various times, with Thomas Jefferys, Emmanuel Bowen, Thomas Hinton, Issac Tayor, Andrew Dury, John Rocque, Louis de la Rochette, and Alexander Hogg, among others. Kitchin passed his business on to his son, Thomas Bowen Kitchin, who continued to republish many of his maps well after his death. Kitchin's apprentices included George Rollos, Bryant Lodge, Thomas Bowen Kitchin, Samuel Turner Sparrow, John Page, and Francis Vivares.
Kitchin, Thomas, Kitchin's General Atlas, describing the Whole Universe: being a complete collection of the most approved maps extant; corrected with the greatest care, and augmented from the last edition of D'Anville and Robert with many improvements by other eminent geographers, engraved on Sixty-Two plates, comprising Thirty Seven maps., Laurie & Whittle, London, 1797.
Very good condition. Original centerfold. Light offsetting. Else fine.
Rumsey, 2310.035. OCLC 7160203. Phillips (Atlases) 699. National Maritime Museum, 375 (3rd ed. 1801).