Charte von Ireland Nach den Original-Charten von Kitchin, Jefferys, und Beaufort, und den neuesten Ortsbestimmungen entworfen.
1804 (dated) 23 x 19 in (58.42 x 48.26 cm)
An uncommon map of Ireland dating to 1804. Though published by the German Geographical Institute, this map references the earlier work of Thomas Kitchin, Thomas Jefferys, and Daniel Beaufort. Covers the entirety of Ireland with exceptional detail throughout. Color coded in outline form at the county level. An inset of Killarney appears in the upper left quadrant. Text in English and German.
The Geographischen Isntitutes Weimar (fl. 1804 - c. 1903) was a German map and globe publishing house and geographical research institute based in Weimar. The organization primarily focused on republishing and improving upon the works of earlier cartographers, including Kitchin, Jefferys, Carey, and others. In general, its publications are known for their fine engraving, attention to detail, historical accuracy, and overall high quality. The firm was founded in 1804 by Friedrich Justin Bertuch (???? - c. 1845) and, on his death, passed to his son Robert Froreip (???? - 1855), then to Louis Denicks of Luneberg, then in 1859 to Voigt & Günther, in 1883 to F. Arnd, from 1890 - 1893 to Julius Kettler, and in 1903 to Max Wedekind. During the institute's height in the early 19th century, most of its cartographic publication was overseen by Carl Ferdinand Weiland (1782 - 1847). The firm also employed the cartographers Franz Xaver von Zach, Adam Christian Gaspari, Heinrich Kiepert, Karl and Adolf Graef, Julius Kettler, Carl Riemer and Karl Christian Bruhns.
Thomas Jefferys (1695 - 1771) was one of the most prominent and prolific map publishers and engravers of his day. Our first records of Jefferys appear in the 1735 when he was apprenticed to Emmual Bowen. Later, in the 1740s he engraved several maps for the popular periodical The Gentlemans' Magazine. Around 1740 Jefferys was finally able to go into business for himself and in 1746 received an appointment as "Geographer to Fredrick, Prince of Wales", which shortly after translated to the position of "Royal Cartographer to King George III". While not specifically a cartographer, Jefferys specialized in compiling and re-engraving the works of earlier cartographers into coherent cartographic wholes. While not salaried position, Jefferys appointment as "Royal Cartographer" allowed him preferential access to the most up to date cartographic material available. He his best known for his maps of the America, particularly The American Atlas, which included some of the finest and most important late colonial ear maps of America ever published. Despite his prolific publishing history, royal appointments, and international publishing fame, Jefferys lived most of his life in dire economic straits. It is recorded that he had to be bailed out of bankruptcy by the Sayer firm during the publication of The American Atlas. In the end Jefferys died with very little. Nonetheless, his cartographic legacy survived him, even after his death in 1771, many of his important maps continued to be published and republished by Sayer and Bennet, Lotter, La Rouge, and others. Many attribute some of Jefferys best maps to the colorful and criminally inclined cartographic genius Braddock Mead, who is considered the "secret behind Jefferys". Jefferys was succeeded by his son, also Thomas, who had little success as a cartographer and eventually sold his stock to William Faden.
Thomas Kitchin (1718 - 1784) was a London based cartographic engraver and publisher. Kitchin was a very active engraver who produced a large corpus of work both in and out of the cartographic arena. He is responsible for numerous maps published in the London Magazine, and is known to have partnered, at various times, with Thomas Jefferys, Emmanuel Bowen and Laurie and Whittle. Many of Kitchin's maps continued to be updated and published well after his death in 1784.
Very good condition. At some point this map was framed and matted and a noticeable mat burn is apparent just outside the neat line (that is just outside the printed area). Blank on verso.