A Combined View of the Principal Mountains and Rivers in the World with Tables showing their relative Heights and Lengths.
1852 (dated) 21 x 29.5 in (53.34 x 74.93 cm)
The first 1852 separate-issue edition of Colton's Mountains and Rivers chart. This is the earliest known iteration of Colton's iconic comparative infographic chart illustrating relative sizes of great mountains and rivers. The chart was subsequently reduced in 1855 and reissued in multiple editions for Colton's popular n his 1855 Atlas of the World and later in in Johnson's 1860 New Family Atlas. The map is surrounded by decorative embellishments and several layers of border. To the right and left of the map there is a table identifying the individual mountains via a numerical cross reference system.
This is the finest American Mountains and Rivers chart of the mid-19th century. It depicts the relative distances of the world's great rivers and the relative heights of the world's great mountains. Included are a multitude of details regarding the heights of important cities, glaciers, volcanoes, and tree lines. Also shows Niagara Falls, the Great Pyramid, St. Peter's Basilica in Rome and St. Paul's in London. The chart notes curiosities that would have been relevant at the time, such as 'The Greatest Altitude of the Growth of Peruvian Bark', 'The Glacier of Maladetts', the 'Table Land of Pamar', and the 'Greatest Altitude attained by Humboldt 19400 ft'. Replete with additional geographical errors and misconceptions common to the period.
The Comparative ChartThe convention of the comparative geographical chart represents 19th century scientific idealism at its best. Comparative charts of relative mountain heights began appearing in the early 19th century, following on the influential 1809 South American mountain profiles issued by the Prussian naturalist Alexander von Humboldt. Around the same time, comparative river length charts also began to be issued. The convention initially involved separate charts, but design ingenuity soon began synthesizing mountain and river diagrams into a single dynamic chart - as here. The present chart follows the model established in 1824 by English map publisher William Darton and in 1826 map by Frenchman Francois Bulla.
The MountainsThe comparative mountains section, occupying the lower right half of this chart, details the principle mountains of the world. Ranges are color coded to show different types of vegetation and numerically reference tables surrounding the map. The elevations of several important cities including Paris, Rome, London, Geneva, Mexico, Bogota, and Quito, among others, are noted. There are also extensive notations on vegetation, volcanic activity, and lichen, much of which is no doubt influenced by Humboldt. The Himalayan peak Dhaulagiri is identified as the world's greatest mountain at 26,862 ft.
The RiversThe upper left portion of this chart is dominated by the world's greatest rivers. Colton attempts not only to express the lengths of the various rivers, but also details regarding their course and sources. All along each river important lakes, cities, directions, and distance measurements are noted. Here the Mississippi is identified as the world's greatest river at some 4490 miles, followed by the Amazon at 3795 miles. The Nile comes up a sad fifth at just 3200 miles, although admittedly its full length had yet to be explored. This is a deviation from earlier comparative charts published in Europe which typically place the Amazon first, as the world's longest river - no doubt Colton's American pride coming out!
Publication History and CensusThe map was drawn by J. H. Colton's son, George Woolworth Colton. The engraving is the work of John Atwood. The chart was first published in 1849 from Colton's 86 Cedar Street address in New York City. The present example is an 1852 edition, but we have discerned no alternations to the plate beyond the date. The first major revision of this map was for Colton's 1855 Atlas of the World. At that time, Atwood's plate was stripped of the decorative surround and textual borders to accommodate the smaller atlas format. The chart continued to be published, unrevised, in all subsequent editions of Colton's atlas through the late 19th century. When Colton partnered with A. J. Johnson in 1859, Johnson transferred Atwood's plate to lithographic stone, and published his own variant in the New Family Atlas until 1864, when he issued a completely different mountains and rivers chart.
Early separate issue examples of Colton's mountains and rivers charts are rare. The OCLC identifies only two examples, one at the University of Texas at Arlington, and another at Texas A and M. There is also an example in the David Rumsey Collection. We are aware of no other examples of the present 1852 issue.
Joseph Hutchins Colton (July 5, 1800 - July 29, 1893), often publishing as J. H. Colton, was an important American map and atlas publisher active from 1833 to 1897. Colton's firm arose from humble beginnings when he moved to New York in 1831 and befriended the established engraver Samuel Stiles. He worked under Stiles as the 'Co.' in Stiles and Co. from 1833 to 1836. Colton quickly recognized an emerging market in railroad maps and immigrant guides. Not a cartographer or engraver himself, Colton's initial business practice mostly involved purchasing the copyrights of other cartographers, most notably David H. Burr, and reissuing them with updated engraving and border work. His first maps, produced in 1833, were based on earlier Burr maps and depicted New York State and New York City. Between 1833 and 1855 Colton would proceed to publish a large corpus of guidebooks and railroad maps which proved popular. In the early 1850s Colton brought his two sons, George Woolworth Colton (1827 - 1901) and Charles B. Colton (1832 - 1916), into the map business. G. W. Colton, trained as a cartographer and engraver, was particularly inspired by the idea of creating a large and detailed world atlas to compete established European firms for the U.S. market. In 1855, G.W. Colton issued volume one the impressive two volume Colton's Atlas of the World. Volume two followed a year later. Possibly because of the expense of purchasing a two-volume atlas set, the sales of the Atlas of the World did not meet Colton's expectations and so, in 1856, the firm also issued the atlas as a single volume. The maps contained in this superb work were all original engravings and most bear an 1855 copyright. All of the maps were surrounded by an attractive spiral motif border that would become a hallmark of Colton's atlas maps well into the 1880s. In 1857, the slightly smaller Colton's General Atlas replaced the Atlas of the World, which lacked the border. Most early editions of the General Atlas published from 1857 to 1859 do not have the trademark Colton spiral border, which was removed to allow the maps to fit into a smaller format volume. Their customers must have missed the border because it was reinstated in 1860 and remained in all subsequent publications of the atlas. There were also darker times ahead, in 1858 Colton was commissioned at sum of 25,000 USD by the government of Bolivia to produce and deliver 10,000 copies a large format map of that country. Although Colton completed the contract in good faith, delivering the maps at his own expense, he was never paid by Bolivia, which was at the time in the midst of a series national revolutions. Colton would spend the remainder of his days fighting with the Bolivian and Peruvian governments over this payment and in the end, after a congressional intervention, received as much as 100,000 USD in compensation. Nonetheless, at the time it must have been a disastrous blow. J. H. Colton and Company is listed as one of New York's failed companies in the postal record of 1859. It must have been this that led Colton into the arms of Alvin Jewett Johnson and Ross C. Browning. The 1859 edition of Colton's General Atlas lists Johnson and Browning as the 'Successor's to J. H. Colton' suggesting an outright buyout, but given that both companies continued to publish separately, the reality is likely more complex. Whatever the case may have been, this arrangement gave Johnson and Browning access to many of Colton's map plates and gave birth to Johnson's New Illustrated (Steel Plate) Family Atlas. The Johnson's Atlas was published parallel to Colton's atlas well in to the 1880s. The Colton firm itself subsequently published several other atlases including an Atlas of America, the Illustrated Cabinet Atlas, the Octavo Atlas of the Union, and Colton's Quarto Atlas of the World. They also published a large corpus of wall maps, pocket maps, and guides. The last known publications of the Colton firm date to 1897 and include a map and a view, both issued in association with the Merchant's Association of New York. In 1898, the Colton firm merged with the Ohman Firm and continued to publish as Colton, Ohman & Co. until 1901.
John M. Atwood (1818 - c. 1880) was an American engraver based in Philadelphia and New York City during the middle part of the 19th century. Atwood was born in Washington D.C. Little is known of Atwood's life but most of his work was completed in conjunction with the publishing firms of Horace Thayer and J. H. Colton. A review of Atwood's work suggests that he was a highly accomplished, stylistically distinct, and detail oriented engraver. Colton seems to have turned to Atwood to engrave some of his most important as well as decorative maps. His most influential map is most likely the 1856 De. Cordova pocket map of Texas, however, he also engraved the Colton's well known and highly decorative Thirty Three Miles Around New York and Colton's important 1849 Map of the United States.
Good. Blank on verso. Even overall toning. Original fold lines exhibit some wear and damage. Slight residue for old tape repairs, professionaly removed.
OCLC 39213913. Rumsey 11453.000.