南京-上海地方詳細圖 / [Detailed Map of the Nanjing-Shanghai Region].
15.5 x 21.5 in (39.37 x 54.61 cm)
1 : 1500000
This is a 1937 map of the Nanjing-Shanghai region in China, published in the Japanese magazine King at the height of the fighting in that area during the Second Sino-Japanese War. It served as a means of familiarizing the Japanese home front with the geography of the battlefield in China.
A Closer LookThe front (recto) shows the heart of the Jiangnan (江南) region, including Nanjing at top-left and Shanghai at right-center, along with other cities, towns, and villages. Some of these villages were the site of major battles within the wider campaign, such as Dachang (大場鎮), just north of Shanghai. The Japanese captured the village after nearly a month of fighting, threatening to encircle Chinese forces in the region and leading to the Chinese retreat from Shanghai.
Geographic features such as the Yangzi River and Lake Tai are shown, along with mountains, dikes, wharves, military ports, and bridges. The all-important rail lines, the Huning Railway (滬寧鐵路) between Shanghai and Nanjing (known then as the Hujing Railway 滬京鐵路) and the Huhang Railway (滬杭鐵路) between Shanghai and Hangzhou, are displayed prominently. An inset map at bottom-left shows the city of Nanjing, with the imperial-era walls drawn as a bold black line around the city.
The verso is a similar map, focused more closely on the hinterland of Shanghai (shaded in grey at bottom-right) where much of the fighting was taking place. The Japanese were careful not to attack too closely to the areas of the foreign concessions inhabited by Americans, British, and other foreigners, lest they shift international opinion in China's favor (nonetheless, dozens of foreigners were killed in the fighting and international opinion did gradually turn against Japan). There was, however, intense urban warfare in Hongkou (虹口), the Japanese neighborhood of the International Settlement, and in nearby neighborhoods, especially Zhabei (閘北), shown in an inset map at bottom-left. Even individual buildings were the site of repeated battles, such as the Sihang Warehouse (四行倉庫), when Chinese defenders beat back wave after wave of Japanese attacks; their heroism helped to rally Chinese morale during the retreat from Shanghai and has been commemorated in two films, a 1976 Taiwanese production and a 2020 mainland Chinese blockbuster.
The Battles for Shanghai and NanjingStarting with the Japanese invasion of Manchuria (the 'Mukden Incident') in September 1931, Chinese and Japanese troops fought on-again, off-again battles in northern China for several years. One of these many skirmishes took place on July 7, 1937, at the 'Marco Polo Bridge' (Lugouqiao), just to the southwest of Beijing, which spiraled into a battle for Beijing itself, setting off the long-expected war. Chiang Kai-Shek decided to dedicate the bulk of his forces to a battle for Shanghai, which raged in the closing months of 1937. Chinese-administered parts of the city, particularly Zhabei and Wusong to the north and east of the International Settlement, saw extensive bombardment and house-to-house fighting.
Even the foreign concessions were not spared, most notoriously in the 'Black Saturday' incident, when a Chinese aircraft attempting to bomb a Japanese battleship on the Huangpu released its payload early, right into the most heavily-populated part of the International Settlement, killing some 3,000 civilians.
Despite the valiant efforts of Chinese troops, Japanese forces had naval, air, and artillery superiority and were able to receive sufficient resupply and reinforcements. They held their ground against Chinese attacks until a counter-attack was prepared, which threatened to encircle the Chinese forces. With his forces severely weakened and with many units in disarray, Chiang retreated from Shanghai and arranged a hasty defense of Nanjing while planning to rally his forces in Chongqing, deep in the Chinese interior.
Although the Japanese had won the battle, it had taken longer and come at a higher cost than anticipated, setting a tone for the entire war, where Japan was able to win battlefield victories but unable to crush the will of the Chinese to resist. Facing demoralized and disorganized Chinese troops, the Japanese were able to take Nanjing in less than two weeks in early December 1937. In the course of the battle and soon afterwards, Chinese troops and civilians alike were shown no mercy, and it was assumed that Chinese men of fighting age were deserting Chinese soldiers or partisans. In the weeks after main combat operations ended, Japanese troops massacred tens of thousands of Chinese prisoners of war and civilians and raped thousands of women in one of the most notorious war crimes of the Second World War. Xiaguan (下關), along the Yangzi River at top-left of the inset map, was the site of some of the largest massacres. In the months that followed, a collaborationist Reform Government was established, and Japanese propagandists poured into Nanjing to tell the home front about the great victory there.
King Magazine and KōdanshaKing (キング) was a monthly general interest magazine published from 1924 – 1957 by Dai Nippon Yūbenkai Kōdansha (大日本雄辯會講談社, now known simply as Kōdansha). It was one of the most important magazines in Japan in this period, and its wide range of material combined with a readership that cut across typical class and geographical divisions meant that King was an important contributor to the birth of mass culture in Japan. Along with King, Kōdansha published a number of other magazines including Women's Club (婦人倶樂部) and Boy's Club (少年倶樂部) and had become a major shaper of Japanese culture and public opinion by the 1930s, controlling 70% of the magazine market.
Founded by the dynamic Noma Seiji (野間淸治), Kōdansha suffered difficulties during the war period, due to both intense censorship and the death of both Noma Seiji and his son, Noma Hasashi (野間恒), within weeks of each other in 1938. Still, the company survived the wartime era and, after a period of difficulties during the U.S. Occupation due to Kōdansha's endorsement of militarism, benefitted from a postwar publishing revival. Although King and other magazines ceased publication in the postwar period, Kōdansha branched into other areas, including manga and music recording, and is now the largest publisher in Japan.
Publication History and CensusThis map was printed on November 3, 1937 (Showa 12) and published on December 1, just as the battle was moving from Shanghai to Nanjing, as an addendum to King, Vol. 13, No. 14. It is only known to be held by the National Museum of Japanese History and it is scarce to the market.
Fuchida Tadayoshi (淵田忠良; Fl. c. 1928 - 1940) was a Japanese editor and writer with Dai Nippon Yūbenkai Kōdansha (大日本雄辯會講談社), a major magazine publisher of the era. He was responsible for overseeing a series of maps of China, Manchuria, Mongolia, and other regions that were published as special addendums to Kodansha publications, especially King (キング) magazine. Learn More...
Kodansha (式会社講談社, 1909 - Present), also known as Dai Nippon Odankai Kodansha, is a Japanese publishing house founded in 1909 by Seiji Noma (野間淸治). Seiji founded Kodansha as a spin-off from the Dai-Nippon Yūbenkai (Greater Japan Oratorical Society) and produced the literary magazine Yūben as its first publication. The name Kodansha, a derivative of the defunct magazine Kōdan Club (Storytelling Club), in 1911, which it merged with the Dai-Nippon Yūbenkai. In 1925, Kodansha launched King (キング) , the first magazine to sell 1,000,000 copies in its first printing. Kōdansha published several other magazines including Women's Club (婦人倶樂部) and Boy's Club (少年倶樂部) and had become a major shaper of Japanese culture and public opinion by the 1930s, controlling 70% of the magazine market. Kōdansha suffered difficulties during the war period, due to both intense censorship and the 1938 death of both Noma Seiji and his son, Noma Hasashi (野間恒), within weeks of one another. Still, the company survived the wartime era and, after a period of difficulties during the U.S. Occupation due to Kōdansha's endorsement of militarism, benefitted from a postwar publishing revival. Although King and other magazines ceased publication in the postwar period, Kōdansha branched into other areas, including manga and music recording, and is now the largest publisher in Japan. Learn More...
Dai Nippon Printing (大日本印刷株式會社; 1876 - present) is a Tokyo-based printing company with roots dating back to the Meiji era with the publisher Shūeisha (秀英舎), which developed a reputation for embracing new technologies and mechanization over traditional woodblock methods. In 1935, Shūeisha merged with Nisshin Printing (日清印刷), a publisher related to Waseda University, to form Dai Nippon Printing. In the postwar period, the company expanded further and was listed on the Tokyo Stock Exchange in 1949. In the mid-1950s, Dai Nippon was involved in printing the first editions of the Kōjien (広辞苑) dictionary, akin to Merriam-Websters in the United States or the Oxford English Dictionary in Britain, as well as Shukan Shincho (週刊新潮), long one of the most popular weekly news magazines in Japan. In subsequent years, the company branched out internationally and into other industries, including bottling Coca-Cola, but, like the publishing industry as a whole, has faced financial difficulties in recent years. Learn More...
Yokota Shūji (横田秀治; fl. c. 1935 - 1939) was a Japanese printer with the Dai Nippon Printing Co. (大日本印刷株式會社) who worked on at least two maps that appeared in King (キング) magazine, published by Dai Nippon Yūbenkai Kōdansha (大日本雄辯會講談社). Learn More...
Very good. Wear along original intersecting fold lines. Fold line visible on the verso.