Virginiae Item et Floridae Americae Provinciarum, nova Descriptio.
14 x 19.5 in (35.56 x 49.53 cm)
1 : 3000000
Published in 1606 by the Mercator/Hondius firm, this is the most influential map of the southeastern part of North America to emerge in the 17th century and the first map to depict Virginia and Florida. Entitled, Virginiae Item et Floridae, Hondius' map covers from the Spanish colony of St. Augustine northwards, past the Outer Banks of the Carolinas, as far north as the entrada to the Chesapeake Bay. Cartographically Hondius' map is a synthesis of the two landmark North American maps of the previous century, the 1591 Jacques Le Moyne map of Florida and the 1590 John White map of Virginia and Carolina, both of which were published by Theodore de Bry. The influence of this map, augmented by the gravity of the Mercator name, defined the cartographic perspective of the American southeast well into the 18th century, propagating in the process a number of erroneous conventions that would appear on maps well into the 1700s.
The Legacy of a 16th Century French Attempt to Colonize Florida
Despite several clear sources, Hondius' map is a unique production with several important innovations. The most notable of these deal with the lakes and rivers found in the southwestern quadrant of the map. This region was tenuously mapped by the French during their disastrous attempt to settle the Florida between 1552 and 1565, when they were finally driven out by the Spaniards of St. Augustine. Le Moyne was part of this expedition and, although the French settlers likely did very little actual mapping of the interior, good terms with the indigenous Floridians did enable them to produce an impressive and surprisingly accurate early map of the southeast. The Le Moyne - De Bry map, as it is known, identifies several major lakes in the interior of Florida, all of which are noted here, nonetheless, where Le Moyne was surprisingly accurate, Hondius' interpretation is surprisingly erroneous.
Mythical Great Lakes in the American Southeast
The most significant deviation from Le Moyne's map is Hondius' placement of the River May and Lake Apalachy, here identified as the Lacus Aquae Dulcis (Sweet Water Lake). Where Le Moyne correctly mapped the River May (St. John's River, Florida) in an inverted 'V' form, first heading north, then south to meet with a large inland lake (in all likely hood Lake George or one of the other great inland lakes of Florida), Hondius maps the course of the May heading from the northwest, thus relocating the Lacus Aquae Dulcis far to the north. This error can be understood in terms of magnetic variation, temperature issues associated with isothermal lines, and navigational errors related to the confusion of the star Asfick with Polaris. While Le Moyne correctly located the mouth of the River May at 30 degrees of latitude, Hondius maps it between 31 and 32 degrees. This led to an erroneous association of the River May with the Savannah River. Thus, while the River May dips southward, the Savannah River heads almost directly northwest into the Appellation Mountains, forming the modern southern border of South Carolina. Hondius, no doubt taking his cue from navigators who rarely trekked inland, therefore rerouted the May River to flow from the northwest. Without an accurate picture if the interior, Hondius followed Le Moyne's example and translocated the great freshwater lake to the north. Others have speculated that the Le Moyne's River May is in fact the St. John's River, and that the Lacus Aquae Dulcis is in fact the Okefenokee Swamp - but this argument does not coincide with most scholarship. The influence of the Mercator-Hondius firm was so pronounced in Europe that most subsequent cartographers followed their lead. Lacus Aquae Dulcis appeared in maps by Jansson, Laet, Janszoon, Blaeu, Allard, Ogilby, Speed, Homann and others well into the 18th century, becoming one of Hondius' most tenacious legacies.
The Mysterious Waterfall Lake
Another curious and striking element drawn directly from the Le Moyne map is the curious lake fed by an enormous waterfall. To our knowledge, there are but two maps that depict this lake, this being the second. Some believe this unusual lake may have been based on native legends of Niagara Falls. A note near the lake and falls claims the natives of this land find grains of silver in its waters. The sources for this lake are, unfortunately, as unclear in this map as they were in Le Moyne's and will most likely remain a mystery. The third mysterious lake, Sarrope, appearing the southwestern quadrant, is most likely a flawed mapping of Lake Okeechobee, as Le Moyne places it much further to the south in roughly the correct position. To our knowledge, only 4 maps illustrate this lake and waterfall as here.
One of the Earliest Maps to depict and name the Appalachian Mountains
Like the Le Moyne map, this map is also one of the earliest maps to depict and name the Appalachian Mountains, here identified as Apalatcy Montes. A note suggests that ' Apalatcy,' a term presumably derived from a once populous American Indian nation inhabiting the Pensacola region, are rich in gold and silver. Later 19th century discoveries in the Carolinas indeed lead to a minor gold rush.
To the east and north of Port Royal, the former site of the failed 1552 French colony, Hondius draws most of his cartography from John White's map of 1590. This map, which is the first to accurately detail the Grand Banks, was drawn by White following Sir Walter Raleigh's mysterious and ill-fated 1585 attempt to colonize Roanoke Island. Hondius' takes far fewer liberties with White's work than he did with Le Moyne's, following closely on the cartography of the older map, although he has included a few Spanish names including C. S. Romano Hispanis, Medano, and Hispanis. These names most are most likely derived from early Spanish forays up the North American coast from St. Augustine, despite the fact that few of these expeditions yielded discoveries of any note.
A Persistent Distortion of the American Coastline
Another noteworthy error is the jutting distorted horizontal projection of Virginia-Carolina, which erroneously places Carolina and the Outer Banks too far to the east. This error follows on earlier maps and relates to difficulties 16th century mariners experienced in calculating longitude and accounting for magnetic variance. It was not until the invention of the marine chronometer in 1714 that longitude cold be accurately measured at sea. Nonetheless, one can image the misrepresentation being problematic for earlier sailors short on supplies after a lengthy trans-Atlantic crossing. Fortunately, most ships navigating to this region would have stopped first in the West Indies then followed the coast northward rather than make directly for the colonies along the Grand Banks. This approach no doubt influenced the longevity of this cartographic apocrypha.
This map is further profusely illustrated with various decorative illustrative elements drawn from early encounters with American Indians nations. These include a Floridian King and Queen, sea monsters, and an American Indian fishing canoe taken from De Bry. To the right and left of the title cartouche, upper left quadrant, are views of American Indian villages, illustrating the construction differences between Florida and Virginia villages.
The Mercator/Hondius Virginiae Item et Floridiae map remained the most important map of the North American southeast for nearly 70 years, until superseded by the 1672 publication of Ogilby-Moxon's Description of Carolina. It was published in numerous editions in various languages, but there is only one state as the map remained unaltered in all subsequent publications. From the verso text, we can identify this example as being drawn from the 1609 French edition of Gerard Mercator and Jodocus Hondius' Atlas. Mercator died in 1594 and though the maps and atlas bear his name, most of the individual maps were edited and updated by Hondius prior to the 1606 Atlas publication.
Jodocus Hondius (October, 14 1563 - February 12, 1612) was an important Dutch cartographer active in the late 16th and early 17th centuries. His common name, Jodocus Hondius is actually a Latinized version of his Dutch name, Joost de Hondt. He is also sometimes referred to as Jodocus Hondius the Elder to distinguish him from his sons. Hondius was a Flemish artist, engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. Hondius was born and raised in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. During his stay in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the cove of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593, Hondius returned to Amsterdam, where he remained until the end of his life. In 1604, he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival atlas, Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself produced. Despite the addition of his own contributions, Hondius recognizing the prestige of Mercator's name, gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator revived the great cartographer's reputation and was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version called the Atlas Minor. The maps have since become known as the "Mercator/Hondius series". Between 1605 and 1610 Hondius was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Following Hondius' death in 1612, his publishing work in Amsterdam was continued by his widow and two sons, Jodocus II and Henricus. Later his family formed a partnership with Jan Jansson, whose name appears on the Atlasas co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the 'Mercator/Hondius/Jansson' series because of Jansson's later contributions. Hondius' is also credited with a number of important cartographic innovations including the introduction of decorative map borders and contributions to the evolution of 17th century Dutch wall maps. The work of Hondius was essential to the establishment Amsterdam as the center of cartography in Europe in the 17th century. Learn More...
Gerard Mercator (March 5, 1512 - December 2, 1594) is a seminal figure in the history of cartography. Mercator was born near Antwerp as Gerard de Cremere in Rupelmonde. He studied Latin, mathematics, and religion in Rupelmonde before his Uncle, Gisbert, a priest, arranged for him to be sent to Hertogenbosch to study under the Brothers of the Common Life. There he was taught by the celebrated Dutch humanist Georgius Macropedius (Joris van Lanckvelt; April 1487 - July 1558). It was there that he changed him name, adapting the Latin term for 'Merchant', that is 'Mercator'. He went on to study at the University of Louvain. After some time, he left Louvain to travel extensively, but returned in 1534 to study mathematics under Gemma Frisius (1508 - 1555). He produced his first world map in 1538 - notable as being the first to represent North America stretching from the Arctic to the southern polar regions. This impressive work earned him the patronage of the Emperor Charles V, for whom along with Van der Heyden and Gemma Frisius, he constructed a terrestrial globe. He then produced an important 1541 globe - the first to offer rhumb lines. Despite growing fame and imperial patronage, Mercator was accused of heresy and in 1552. His accusations were partially due to his Protestant faith, and partly due to his travels, which aroused suspicion. After being released from prison with the support of the University of Louvain, he resumed his cartographic work. It was during this period that he became a close fried to English polymath John Dee (1527 - 1609), who arrived in Louvain in 1548, and with whom Mercator maintained a lifelong correspondence. In 1552, Mercator set himself up as a cartographer in Duisburg and began work on his revised edition of Ptolemy's Geographia. He also taught mathematics in Duisburg from 1559 to 1562. In 1564, he became the Court Cosmographer to Duke Wilhelm of Cleve. During this period, he began to perfect the novel projection for which he is best remembered. The 'Mercator Projection' was first used in 1569 for a massive world map on 18 sheets. On May 5, 1590 Mercator had a stroke which left him paralyzed on his left side. He slowly recovered but suffered frustration at his inability to continue making maps. By 1592, he recovered enough that he was able to work again but by that time he was loosing his vision. He had a second stroke near the end of 1593, after which he briefly lost speech. He recovered some power of speech before a third stroke marked his end. Following Mercator's death his descendants, particularly his youngest son Rumold (1541 - December 31, 1599) completed many of his maps and in 1595, published his Atlas. Nonetheless, lacking their father's drive and genius, the firm but languished under heavy competition from Abraham Ortelius. It was not until Mercator's plates were purchased and republished (Mercator / Hondius) by Henricus Hondius II (1597 - 1651) and Jan Jansson (1588 - 1664) that his position as the preeminent cartographer of the age was re-established. Learn More...
Mercator, G. and Hondius, J., Atlas, (Amsterdam) 1606.
Mercator's Atlas is one of the most important works in the history of cartography. Although in fact Ortelius was the first to publish a proper atlas, the Teatrum Orbis Terrarum, Mercator's Atlas the first book to employ the term Atlas for a collection of maps. The term is derived both from the mythical titan, Atlas, who was forced to bear the world upon his shoulders, and the Libyan king, philosopher, and astronomer of the same name that, so the legend goes, constructed the first globe. Mercator dedicated the final 25 years of his life to compile the Atlas. He published two parts during his lifetime in 1585 and 1589, but the final part published posthumously by his son Rumold Mercator, in 1595. The map plates for the Atlas were later acquired by Jodocus Hondius who published the most complete and well known edition in 1606. It was Jodocus who popularized the Atlas and who did the most to elevate Gerard Mercator's work.
Pristine or near pristine condition. Crisp early impression. Original platemark visible. French text on verso.
OCLC 45464553. Cumming, W., The Southeast in Early Maps, no. 26 and plate no. 2. Boston Public Library, Leventhal Collection, G3870 1633 .H66. Williams & Johnson #3. Burden, P., The Mapping of North America, #151. Koeman, C., Atlantes Neerlandici. Bibliography of Terrestrial, Maritime and Celestial Atlases and Pilot Books, Published in the Netherlands up to 1880, vol. 2, p. 282 no. 141. Van der Krogt, P., Koeman's Atlantes Neerlandici, 9400:1A. Goss, J., The Mapping of North America: Three Centuries of Map-Making 1500-1860, no. 23. Lowery, W., The Lowery Collection, 100.