Petrus Schenk (Pieter Schenck) the Elder (December 26, 1660 - 1711) was a Dutch engraver, globe maker, and map publisher active in Amsterdam and Leipzig in the latter half of the 17th century. Schenk, was born in Elberfield, Germany. He moved in Amsterdam in 1675, becoming the apprentice to Gerard Valk (Valck). In 1687, Schenk married Agatha Valk, Gerard Valk's sister and went into partnership with his brother-in-law under the imprint of 'Valk and Schenk'. Initially they focused on maps and atlases, acquiring the map plates of Jan Jansson and Jodocus Hondius in 1694. Later, in 1701 they moved into the former Hondius offices where they began producing globes. Valk and Schenk quickly became known for producing the best globes in the Netherlands, a business on which they held a near monopoly for nearly 50 years. Schenk's three sons, Pieter Schenk the Younger, Jan Schenk, and Leonard Schenk, all became engravers in their own right. Pieter Schenk the Younger inherited the business and ran his father's shop in Leipzig. His daughter, Maria Schenk, married Leonard Valk, the son of Gerard Valk, and continued to run the Valk and Schenk map engraving workshop in Amsterdam. More by this mapmaker...

Giacomo Cantelli da Vignola (February 22, 1643 - November 30, 1695) was an important Italian cartographer and engraver active in 17th century Italy. Cantelli was born in Montorsello, near Vignola, Italy to a prominent local family. After studying literature at the University of Bologna, Cantelli took a position as secretary to the Marquis Obizzi de Ferrara. Eventually Cantelli relocated to Venice where he developed an interest in cartography. He later traveled to Paris in the company of the French ambassador where became acquainted with the French cartographer Guillaume Sanson, as well as his contemporaries Jacques-Andre Duval and Michel-Antoin Baudrand. It was most likely the influence of these innovative French cartographers that inspired Cantelli's careful and meticulous approach, in which he based his cartography not just on earlier maps, but also very much in the French style upon accounts written by travelers and merchants regarding actual travel to foreign lands. Back in Italy, Cantelli took service with Count Rinieri Marescotti, with whom he traveled extensively throughout Italy, becoming in the process acquainted with the Italian publisher Giovanni Giacomo de Rossi. It is with Rossi that Cantelli began officially publishing his maps. The earliest maps to bear the Cantelli-Rossi imprint date to 1672 and detail the Holy Land, Persia, and the Ottoman Empire. Around 1680 the duo also began to publish the Mercurio Geografico, a large format atlas illustrating all parts of the world in a splendid Italian baroque detail defined by elaborate finely engraved cartouche work, high quality paper, bold Roman lettering, and dark rich inks. Some have compared his style go that of Giovanni Antonio Magini, another Italian cartographer of the previous generation. Cantelli da Vignola in fact pioneered the Italian style of fine bold engraving that would eventually be embraced and expanded upon by Vincenzo Coronelli. His work drew the attention of Pope Innocent XI and Reggio Francesco II d'Este, the Duke of Modena, both of whom offered him a position as court geographer. Cantelli chose to work with the Duke of Modena, in the service of whom he produced numerous maps and well as two large globes. He died in Modena in November 1695. Learn More...

Giovanni Antonio Magini (June 13, 1555 - February 11, 1617) was an Italian astronomer, astrologer, cartographer, and mathematician. Born in Padua, he completed his studies in philosophy in Bologna in 1579. In 1588 he was chosen over Galileo Galilei as the chair of mathematics at the University of Bologna after the death of Egnatio Danti. Magini was a prolific writer, putting forth theories of celestial motion (he was a supporter of a geocentric solar system), the use of quadrants in surveying and astronomy, and trigonometry. In 1608, Magini produced the first map of Italy to improve on that of Gastaldi: his meticulously researched and beautifully engraved 8-sheet Italia Nuova was hugely influential: upon its publication, Blaeu promptly copied it to produce his own wall map of Italy; the rest of the mapmaking establishment swiftly followed suit. Consequently, virtually every 17th century map of Italy can be identified as a derivative of Magini's monumental achievement. His atlas, Atlante geografico d’Italia, was published posthumously by his son in 1620. This work was intended to include maps of every Italian region with exact nomenclature and historical notes. He also served as court astrologer for the Duke of Mantua. Learn More...