1606 Hondius and Mercator Map of Mexico

Important early map of Mexico.

This is a rare and often under appreciated 1606 mapping New Spain by Hondius and Mercator. Covering the viceroyalty granted to Hernan Cortez following his conquest of the Aztec Empire, this map details, roughly, from Mexico City westward to the Pacific coast and northward as far as modern day Michoacán. Cartographically Mercator's map is heavily influenced by Ortelius' 1579 map of the same region. Though we are uncertain of Ortelius' sources, this map exhibits a combination of known and speculative cartographic elements. Mexico City appears at right center surrounded by water as it appeared at the time of the conquest. By the time this map was drawn, much of the region between Mexico City and the Pacific ports along the coast, as well as the mining regions to the north and west, had been roughly mapped by the conquistadores. Lake Chapala (Chapalicum Mare) for example is accurately situated and formed. However, as the map extends further north into only tenuously explored regions, the cartography becomes more speculative. The large inland sea in the northwestern quadrant with is four numbered and named islands is clearly drawn from indigenous legends, most likely as transmitted via the Codex Mendoza. Elaborate baroque title cartouche in the upper right quadrant. Scale and key in the lower left and right quadrants, respectively

Cartographers

Gerard Mercator (March 5, 1512 - December 2, 1594) is a seminal figure in the history of cartography. Mercator was born near Antwerp as Gerard de Cremere in Rupelmonde. He studied Latin, mathematics, and religion in Rupelmonde before his Uncle, Gisbert, a priest, arranged for him to be sent to Hertogenbosch to study under the Brothers of the Common Life. There he was taught by the celebrated Dutch humanist Georgius Macropedius (Joris van Lanckvelt; April 1487 - July 1558). It was there that he changed him name, adapting the Latin term for 'Merchant', that is 'Mercator'. He went on to study at the University of Louvain. After some time, he left Louvain to travel extensively, but returned in 1534 to study mathematics under Gemma Frisius (1508 - 1555). He produced his first world map in 1538 - notable as being the first to represent North America stretching from the Arctic to the southern polar regions. This impressive work earned him the patronage of the Emperor Charles V, for whom along with Van der Heyden and Gemma Frisius, he constructed a terrestrial globe. He then produced an important 1541 globe - the first to offer rhumb lines. Despite growing fame and imperial patronage, Mercator was accused of heresy and in 1552. His accusations were partially due to his Protestant faith, and partly due to his travels, which aroused suspicion. After being released from prison with the support of the University of Louvain, he resumed his cartographic work. It was during this period that he became a close fried to English polymath John Dee (1527 - 1609), who arrived in Louvain in 1548, and with whom Mercator maintained a lifelong correspondence. In 1552, Mercator set himself up as a cartographer in Duisburg and began work on his revised edition of Ptolemy's Geographia. He also taught mathematics in Duisburg from 1559 to 1562. In 1564, he became the Court Cosmographer to Duke Wilhelm of Cleve. During this period, he began to perfect the novel projection for which he is best remembered. The 'Mercator Projection' was first used in 1569 for a massive world map on 18 sheets. On May 5, 1590 Mercator had a stroke which left him paralyzed on his left side. He slowly recovered but suffered frustration at his inability to continue making maps. By 1592, he recovered enough that he was able to work again but by that time he was losing his vision. He had a second stroke near the end of 1593, after which he briefly lost speech. He recovered some power of speech before a third stroke marked his end. Following Mercator's death his descendants, particularly his youngest son Rumold (1541 - December 31, 1599) completed many of his maps and in 1595, published his Atlas. Nonetheless, lacking their father's drive and genius, the firm but languished under heavy competition from Abraham Ortelius. It was not until Mercator's plates were purchased and republished (Mercator / Hondius) by Henricus Hondius II (1597 - 1651) and Jan Jansson (1588 - 1664) that his position as the preeminent cartographer of the age was re-established.   Further Details...

Jodocus Hondius (October, 14 1563 - February 12, 1612) was an important Dutch cartographer active in the late 16th and early 17th centuries. His common name, Jodocus Hondius, is actually a Latinized version of his Dutch name, Joost de Hondt. He is also sometimes referred to as Jodocus Hondius the Elder to distinguish him from his sons. Hondius was a Flemish artist, engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of Gerard Mercator, and for his portraits of Francis Drake. Hondius was born and raised in Ghent. In his early years, he established himself as an engraver, instrument maker, and globe maker. In 1584, he moved to London to escape religious difficulties in Flanders. During his stay in England, Hondius was instrumental in publicizing the work of Francis Drake, who had circumnavigated the world in the late 1570s. In particular, in 1589, Hondius produced a now-famous map of the cove of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journals and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which historians have not yet firmly established. Hondius is also thought to be the artist of several well-known portraits of Drake, now in the National Portrait Gallery in London. In 1593, Hondius returned to Amsterdam, where he remained until his death. In 1604, he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to Ortelius' rival atlas, Theatrum Orbis Terrarum. Hondius republished Mercator's work, adding 36 additional maps, including several he himself produced. Despite adding his own contributions, Hondius, recognizing the prestige of Mercator's name, gave Mercator full credit as the author, listing himself as the publisher. Hondius's new edition of Mercator revived the great cartographer's reputation and was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version called the Atlas Minor. The maps have since become known as the 'Mercator/Hondius series'. Between 1605 and 1610, Hondius was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Following Hondius' death in 1612, his publishing work in Amsterdam was continued by his widow and two sons, Jodocus II and Henricus. Later, his family formed a partnership with Jan Jansson, whose name appears on the Atlasas co-publisher after 1633. Starting with the 1606 Latin edition, about 50 editions of the Atlas were published in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the 'Mercator/Hondius/Jansson' series because of Jansson's later contributions. Hondius is credited with several important cartographic innovations, including the introduction of decorative map borders and contributions to the evolution of 17th-century Dutch wall maps. Hondius's work was essential to Amsterdam's establishment as the center of cartography in Europe in the 17th century.   Further Details...

Source

Hondius, J. & Mercator, G., L'Atlas ou méditations Cosmographiques de la Fabrique du Monde et Figure d'Iceluy. Commencé en Latin par le très docte Gerard Mercator, parachevé per Jodocus Hondius. Amsterdam, 1609., 1609.    

Condition

Good. Original color. Some color degradation. Small chip missing along the right center border (see image). Original centerfold. Text on verso.

References

Osher Map Library, OS-1611-3. Van der Krogt, P., Koeman's Atlantes Neerlandici, 9510:1.1.