This is Willem Blaeu's map of Picardy, easily the most entertaining map ever produced of this region of northern France. The map focuses on the Somme River valley. Amiens, chief city of the region, St. Quentin and La Fere are given particular emphasis. Putti bear a superb coat of arms with Fleurs-de-lis aloft in the upper right, and the scales are presented in a strapwork frame. The beautifully engraved title cartouche deserves a description unto itself.
The Farmer and His WifeThe map's title cartouche is graced with an astonishingly homely and evocative scene. It is flanked by a farmer and a woman who, by her expression of pointed anger, can only be his wife. Sickle in hand, she glares at him while he peers at the reader under furrowed brows. This writer's spouse was alarmingly quick to assess the scene: 'He didn't do what he was supposed to do with the wheat, and she's annoyed because now she has to do it.'
While the story told in this vignette appears to be plain enough, its context here is obscure. Why are this woebegone husband and his infuriated wife being associated with Picardy? There are many folk tales playing variations on the theme of The Farmer and His Wife - is there a specific one being alluded to? It would not be the only time a sly allusion to the politics of a region would be slipped into the decorations of a map. It may be a simple jibe by sophisticated Amsterdammers at the expense of the rustic denizens of a contested borderland.
The SourceThe cartography itself is not innovative: Blaeu's map is a faithful reproduction of Jean de Surhon's 1557 map, as presented in Abraham Ortelius' 1579 Theatrum Orbis Terrarum. Both great atlas makers were keener surveyors of cartographic sources, than of the lands themselves.
Belgica not GalliaJean de Surhon produced his map in 1557, the year in which Picardy was invaded by Habsburg forces under the command of Emmanuel Philibert, Duke of Savoy during the so-called Italian War between France and the Holy Roman Empire. The campaigns in Picardy would be marked by pronounced Habsburg victories, in particular that of the The Battle of Saint-Quentin of 1557. Therefore at the time Surhon's map was produced, Picardy was not so much part of France (Gallia) as it was part of The Habsburg Netherlands (Belgica.) The 1559 Treaty of Cateau-Cambrésis, however, would return St. Quentin and the lands of the Somme to the French - hence the French coat of arms decorating the map.
Publication History and CensusThis map first appeared in Blaeu’s Atlas Novusin 1635, continuing to appear in that work until it was replaced by Joan Blaeu's updated - yet relatively charmless - map for his Atlas Maior. This example appeared in one of the Latin editions of Atlas Novus, between 1644 and 1655. There are about fifteen examples of the separate map cataloged in institutional collections.
Willem Janszoon Blaeu (1571 - October 18, 1638), also known as Guillaume Blaeu and Guiljelmus Janssonius Caesius, was a Dutch cartographer, globemaker, and astronomer active in Amsterdam during the late 16th and early 17th centuries. Blaeu was born 'Willem Janszoon' in Alkmaar, North Holland to a prosperous herring packing and trading family of Dutch Reformist faith. As a young man, he was sent to Amsterdam to apprentice in the family business, but he found the herring trade dull and instead worked for his cousin 'Hooft' as a carpenter and clerk. In 1595, he traveled to the small Swedish island of Hven to study astronomy under the Danish Enlightenment polymath Tycho Brahe. For six months he studied astronomy, cartography, instrument making, globe making, and geodesy. He returned to Alkmaar in 1596 to marry and for the birth of his first son, Johannes (Joan) Blaeu (1596 – 1673). Shortly thereafter, in 1598 or 1599, he relocated his family to Amsterdam where he founded the a firm as globe and instrument makers. Many of his earliest imprints, from roughly form 1599 - 1633, bear the imprint 'Guiljelmus Janssonius Caesius' or simply 'G: Jansonius'. In 1613, Johannes Janssonius, also a mapmaker, married Elizabeth Hondius, the daughter of Willem's primary competitor Jodocus Hondius the Elder, and moved to the same neighborhood. This led to considerable confusion and may have spurred Willam Janszoon to adopt the 'Blaeu' patronym. All maps after 1633 bear the Guiljelmus Blaeu imprint. Around this time, he also began issuing separate issue nautical charts and wall maps – which as we see from Vermeer's paintings were popular with Dutch merchants as decorative items – and invented the Dutch Printing Press. As a non-Calvinist Blaeu was a persona non grata to the ruling elite and so he partnered with Hessel Gerritsz to develop his business. In 1619, Blaeu arranged for Gerritsz to be appointed official cartographer to the VOC, an extremely lucrative position that that, in the slightly more liberal environment of the 1630s, he managed to see passed to his eldest son, Johannes. In 1633, he was also appointed official cartographer of the Dutch Republic. Blaeu's most significant work is his 1635 publication of the Theatrum orbis terrarum, sive, Atlas Novus, one of the greatest atlases of all time. He died three years later, in 1638, passing the Blaeu firm on to his two sons, Cornelius (1616 - 1648) and Johannes Blaeu (September 23, 1596 - December 21, 1673). Under his sons, the firm continued to prosper until the 1672 Great Fire of Amsterdam destroyed their offices and most of their printing plates. Willem's most enduring legacy was most likely the VOC contract, which ultimately passed to Johannes' son, Johannes II, who held the position until 1617. As a hobbyist astronomer, Blaeu discovered the star now known as P. Cygni. Learn More...
Joan (Johannes) Blaeu (September 23, 1596 - December 21, 1673) was a Dutch cartographer active in the 17th century. Joan was the son of Willem Janszoon Blaeu, founder of the Blaeu firm. Like his father Willem, Johannes was born in Alkmaar, North Holland. He studied Law, attaining a doctorate, before moving to Amsterdam to join the family mapmaking business. In 1633, Willem arranged for Johannes to take over Hessel Gerritsz's position as the official chartmaker of the Dutch East India Company, although little is known of his work for that organization, which was by contract and oath secretive. What is known is his work supplying the fabulously wealthy VOC with charts was exceedingly profitable. Where other cartographers often fell into financial ruin, the Blaeu firm thrived. It was most likely those profits that allowed the firm to publish the Theatrum Orbis Terrarum, sive, Atlas Novus, their most significant and best-known publication. When Willem Blaeu died in 1638, Johannes, along with his brother Cornelius Blaeu (1616 - 1648) took over the management of the Blaeu firm. In 1662, Joan and Cornelius produced a vastly expanded and updated work, the Atlas Maior, whose handful of editions ranged from 9 to an astonishing 12 volumes. Under the brothers' capable management, the firm continued to prosper until the 1672 Great Amsterdam Fire destroyed their offices and most of their printing plates. Johannes Blaeu, witnessing the destruction of his life's work, died in despondence the following year. He is buried in the Dutch Reformist cemetery of Westerkerk. Johannes Blaeu was survived by his son, also Johannes but commonly called Joan II, who inherited the family's VOC contract, for whom he compiled maps until 1712. Learn More...
Abraham Ortelius (1527 - 1598) was one of the most important figures in the history of cartography and is most famously credited with the compilation of the seminal 1570 atlas Theatrum Orbis Terrarum, generally considered to be the world's first modern atlas. Ortelius was born in Antwerp and began his cartographic career in 1547 as a typesetter for the Antwerp Guild of St. Luke. In this role Ortelius traveled extensively through Europe where he came into contact with Mercator, under whose influence, he marketed himself as a "scientific geographer". In this course of his long career he published numerous important maps as well as issued several updated editions of his cardinal work, the Theatrum Orbis Terrarum. Late in his career Ortelius was appointed Royal Cartographer to King Phillip II of Spain. On his death in July fourth, 1598, Ortelius' body was buried in St Michael's Præmonstratensian Abbey , Antwerp, where his tombstone reads, Quietis cultor sine lite, uxore, prole. Learn More...
Jean de Surhon (fl. 1550-1600) was a Franco-Flemish engraver and cartographer. His father and brother, both named Jacques, were engravers and cartographers as well: his father was also a silversmith. He is remembered for those of his maps which were incorporated in Ortelius' Theatrum Orbis Terrarum: those of Namur (1553), Vermandois (1557) and Picardy (1557). The original maps do not appear to have survived, and thus Ortelius' versions are the earliest acquirable to the collector. The first, 1570 edition of the Theatrum contained the map of Vermandois: Namur and Picardy first appeared in the 1579 edition. It is a testament to Surhon's maps that no improvement was made to them until the second half of the seventeenth century: Willem Blaeu's atlas would reprise Surhon's work in a faithful, though more beautiful copy of the Ortelius. Learn More...
Blaeu, W., Atlas Novus, (Amsterdam, 1644-55).
The classic Dutch atlas, whose publication ushered in the Dutch golden age of cartography. Willem Jansz Blaeu had been, since 1604, producing engraved maps for sale; these were separate issues (and all consequently extremely rare) until the publishing of Blaeu's Appendix in 1630 and 1631, which also included a number of maps purchased from the widow of Jodocus Hondius, (for example his famous iteration of John Smith's map of Virginia.) In 1634, he announced his intention to produce a new world atlas in two volumes, entitled Theatrum Orbis Terrarum, sive Atlas Novus (in an effort to invoke the successful work of the same title produced by Ortelius the previous century, while reinforcing the notion of it being a new work.) This work was published first in German in 1634, followed by Latin, Dutch and French editions in 1635. Blaeu's maps have always been noted for the quality of their paper, engraving and fine coloring, and this was the intent from the very start. The 1634 announcement of the upcoming work described it: 'All editions on very fine paper, completely renewed with newly engraved copperplates and new, comprehensive descriptions.' (van der Krogt, p,43) Many of the most beautiful and desirable maps available to the modern collector were printed and bound in Blaeu's atlases. Willem's son, Joan, would go on to add further volumes to the Atlas Novus, concurrently printing new editions of the first two volumes with additional maps, in effect making these new editions an entirely new book. Under Joan there would be nine Latin editions, twelve French, at least seven Dutch, and two German. This exceedingly successful work would be the mainstay of the Blaeu firm until 1661, at which point the work was supplanted by Joan Blaeu's masterwork Atlas Maior in 1662.
Very good condition. Lightly but evenly toned. Sharp, even strike and rich original color.
OCLC 776398551. van der Krogt 4100 2A.