1888 Yoshimura Sentarō Japanese Map of the World

Meiji Era map with interesting anomalies.

This is a rare and peculiar 1888 Yoshimura Sentarō world map produced during the Meiji Period when the literate Japanese public was eager to learn about the world.

A Closer Look at the Map

This map places Japan at the center and uses Tokyo as the Prime Meridian. Coastal cities, islands, and major railways are meticulously noted. The map is quite up-to-date for its time, with place names included even in the little-known African interior. The flags of different countries and naval fleets line the top. Flags referring to the United States or its navy are absent, but there are several for Great Britain, its navy, and its colonies. Notably, Svalbard (斯必巴然) and Nordaustlandet (東北蘭) appear outside the map's borders. At the bottom are a series of illustrations of major cities and landmarks around the world, including Beijing, the Ganges River, Isfahan, Paris, London, and Washington D.C.

Odd Inaccuracies

There are several strange inaccuracies on the map, perhaps the result of the mapmakers having previously focused on maps and books about Kyoto or other parts of Japan. Only the publisher, Nakamaura Asakichi, had been involved with producing a world map before, two years earlier (萬國精圖 Bankoku seizu, by Gotō Shichirōuemon).

Among the inaccuracies are the islands east and northeast of Madagascar (Réunion, Mauritius, Seychelles) being far too large with names that differ from their names in modern Japanese. In the Pacific, despite noting the Aleutians and other island chains in great detail, the Hawaiian Islands are absent.

There are even inaccuracies close to Japan. Among these are the naming of Jeju Island as Kitaelle (キタエール島) and Iki Island as Etebacht (エテバハト島); these may be transliterations of Dutch or Portuguese names. The map's title is the same as that of a 1620 map produced by the Italian Jesuit Giulio Aleni, which became widely disseminated in Tokugawa Japan. Aleni's map was adapted with katakana and published as Konyo Bankoku Zenzu. Thus, these odd, incomprehensible place names may be the end result of two or three levels of transliteration.

The Height of Meiji Cartographic Art

Stylistically, this map represents the height of the Meiji-era (1868 - 1912) cartographic tradition - wherein western style cartographic standards, lithographic printing, and imported inks, were combined with emergingUkiyo-e color models and aesthetic values. It is part of a cartographic lineage that began with the Meiji Restoration in 1868 and continued until approximately 1895. Here, the boldly bright palette likely associates this map with aka-e (赤絵; 'red pictures'), illustrations in vivid color achieved through imported German-made inks. Such maps began to fall out of fashion near the turn of the century when they were supplanted by more reserved printed color.

Publication History and Census

This map was made by Yoshimura Sentarō (吉村千太郎), based in Wakayama, and was printed and distributed by Kyoto-based Nakamaura Asakichi (中村淺吉). It was sold by Fūgetsudō (風月堂), also in Kyoto. It was printed on July 1, 1888, published on July 5, and distributed in August of the same year (no exact date given). This map is held by the University of California Berkeley and the Japanese National Institutes for the Humanities. It is scarce to the market.

Cartographers

Yoshimura Sentarō (吉村千太郎; fl. c. 1886 - 1888) was a Japanese publisher and cartographer based in Kyoto.   Further Details...

Nakamaura Asakichi (中村淺吉; fl. c. 1886 - 1926) was a Kyoto-based publisher of books and maps in the Meiji and Taisho periods.   Further Details...

Fūgetsudō (風月堂, 風月庄左衛門; fl. c. 1635 - 1915), not to be confused with the storied candy shop chain of the same name, was a Kyoto based publisher of maps and books active in the Edo and Meiji periods. The firm's more common name is an abbreviation of Fugetsu Shōzaemon (風月庄左衛門). Established during the Kan'ei era (1624–1644) in the early Edo period as Fugetsu Sōchi, Fugetsudō was one of Kyoto's oldest and most influential publishing houses and booksellers, and one of the premier members of Kyoto's elite booksellers guild (Shorin Jissatsu). Fugetsudō built its reputation on scholarly and intellectual publications, specializing in Confucian treatises, Chinese imports (tangon), medical texts, dictionaries, and Buddhist literature. Beyond producing original woodblock prints, the house operated an extensive book trading network, supplying rare manuscripts to major feudal domains such as Owari and Saeki through regional branches like Fugetsu Magosuke in Nagoya. The house's surviving 18th-century business diary, the Nichireki (日暦), remains one of the single most important primary historical sources for understanding Edo-period publishing economics, copyright pools (itakabu), and book distribution. As Japan modernized during the late 19th century, Fugetsudō successfully adapted its business from traditional woodblock printing to modern production methods, remaining active well into the Meiji period. The firm embraced Western copperplate etching (dōban-ga), collaborating with prominent local engravers and editors like Hashimoto Chōgetsu to publish highly accurate district maps, pocket travel guides (such as the 1880 Kyōto Meisho Ichiran Zue), and landscape prints documenting Meiji-era infrastructure developments like the Lake Biwa Canal. Spanning nearly three centuries of continuous operation, Fugetsu Shōzaemon played a vital role in establishing Kyoto as Japan's historical center of print culture and capturing its transition into the modern age.   Further Details...

Condition

Good. Slight loss along fold lines and at fold intersections. Even toning.

References

OCLC 21788742.