1550 Münster View of Frankfurt an der Oder, Germany

FrankfurtOder-munster-1550
$175.00
Frankfurt an der Oder Anno Dni. 1548 RMD. - Main View
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1550 Münster View of Frankfurt an der Oder, Germany

FrankfurtOder-munster-1550

First edition of the earliest acquirable view Frankfurt an der Oder.
$175.00

Title


Frankfurt an der Oder Anno Dni. 1548 RMD.
  1550 (dated)     8 x 11.5 in (20.32 x 29.21 cm)

Description


This Sebastian Münster's lively 1550 view of Frankfurt an der Oder, in Germany near the border of Poland, one of the earliest acquirable printed images of that city. This example is of the first edition of Munster's Cosmographia in which it appeared, the much-expanded German edition of 1550.
A Beautiful Late Medieval City
The view is oriented to the west, the German city being viewed from the Polish side of the river Oder. South is labeled in both German and Latin to the left (Meridies/ Mittag). Roads leading off the view are labeled: the road to Prussia, the road to Meissen, and the road to Berlin. Frankfurt's major churches and the city hall (rathaus) are labeled on the view. A letter key identifies further structures and roads, including colleges and cloisters. The river is spanned by a covered bridge, its piles visibly battered by the stiff current; boaters struggle to keep their craft pointed upstream. Fishermen on the Polish bank build fishing weirs, some of which can be seen assembled in the river. Travelers come and go along the roads. The whole image is surmounted by a grand title banner, dating the view (if not the woodcut itself) to 1548, and signing the formschneider's work.
Adding to the Cosmographia
From its first printings in 1544, Münster's Cosmographia was notable for the number of maps and views depicting their subjects for the first time in print, often from residents of the regions shown. In subsequent editions, Münster labored to build the work by ordering the production of improved city views and additional decorative woodcuts. 1550 saw the addition of this cut, along with many other maps and views to appear in the body of the work. Münster's spur to do so was the 1548 publication of Johannes Stumpf's magnificently illustrated history of Switzerland, whose woodcut maps and views outstripped those in Cosmographia both in quality and in number. Münster knew he had to improve, and commissioned many of the woodcuts that would make his work most popular.
Publication History and Census
This woodcut was executed, between 1548 and 1550, by the Swiss artist Hans Rudolf Manuel Deutsch, who produced many of Munster's woodcuts including his famous panoply of monsters. Deutsch's 'RMD' appears in the title banner. This work first appeared in the 1550 German edition of Münster's Cosmographia. It would be included in all subsequent editions. The present example conforms typographically to its first edition the 1550 German-text edition. Eight separate examples are listed in OCLC.

CartographerS


Sebastian Münster (January 20, 1488 - May 26, 1552), was a German cartographer, cosmographer, Hebrew scholar and humanist. He was born at Ingelheim near Mainz, the son of Andreas Munster. He completed his studies at the Eberhard-Karls-Universität Tübingen in 1518, after which he was appointed to the University of Basel in 1527. As Professor of Hebrew, he edited the Hebrew Bible, accompanied by a Latin translation. In 1540 he published a Latin edition of Ptolemy's Geographia, which presented the ancient cartographer's 2nd century geographical data supplemented systematically with maps of the modern world. This was followed by what can be considered his principal work, the Cosmographia. First issued in 1544, this was the earliest German description of the modern world. It would become the go-to book for any literate layperson who wished to know about anywhere that was further than a day's journey from home. In preparation for his work on Cosmographia, Münster reached out to humanists around Europe and especially within the Holy Roman Empire, enlisting colleagues to provide him with up-to-date maps and views of their countries and cities, with the result that the book contains a disproportionate number of maps providing the first modern depictions of the areas they depict. Münster, as a religious man, was not producing a travel guide. Just as his work in ancient languages was intended to provide his students with as direct a connection as possible to scriptural revelation, his object in producing Cosmographia was to provide the reader with a description of all of creation: a further means of gaining revelation. The book, unsurprisingly, proved popular and was reissued in numerous editions and languages including Latin, French, Italian, and Czech. The last German edition was published in 1628, long after Münster's death of the plague in 1552. Cosmographia was one of the most successful and popular books of the 16th century, passing through 24 editions between 1544 and 1628. This success was due in part to its fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). Münster's work was highly influential in reviving classical geography in 16th century Europe, and providing the intellectual foundations for the production of later compilations of cartographic work, such as Ortelius' Theatrum Orbis Terrarum Münster's output includes a small format 1536 map of Europe; the 1532 Grynaeus map of the world is also attributed to him. His non-geographical output includes Dictionarium trilingue in Latin, Greek, and Hebrew, and his 1537 Hebrew Gospel of Matthew. Most of Munster's work was published by his stepson, Heinrich Petri (Henricus Petrus), and his son Sebastian Henric Petri. More by this mapmaker...


Hans Rudolf Manuel Deutsch (1525–1571) was a Swiss artist and woodcutter. His work appeared in Agricola's De re metallica and for Sebastian Münster's Cosmographia. Deutsch's father, Niklaus Manuel Deutsch (the Elder) and his brother Niklaus were also artists. Learn More...


Heinrich Petri (1508 - 1579) and his son Sebastian Henric Petri (1545 – 1627) were printers based in Basel, Switzerland. Heinrich was the son of the printer Adam Petri and Anna Selber. After Adam died in 1527, Anna married the humanist and geographer Sebastian Münster - one of Adam's collaborators. Sebastian contracted his stepson, Henricus Petri (Petrus), to print editions of his wildly popular Cosmographia. Later Petri, brought his son, Sebastian Henric Petri, into the family business. Their firm was known as the Officina Henricpetrina. In addition to the Cosmographia, they also published a number of other seminal works including the 1566 second edition of Nicolaus Copernicus's De Revolutionibus Orbium Coelestium and Georg Joachim Rheticus's Narratio. Learn More...

Source


Münster, S., Cosmographei oder beschreibung aller länder, (Basel: Petri) 1550.    

Condition


Fair. Area of loss filled at upper centerfold in letterpress title, not impacting the woodcut itself. Else very good. Measurements given for image; 10.5 x 13 inches inclusive of text.

References


OCLC 163128962.