Hall Jr., Henry Bryan (sold)
Henry Bryan Hall Jr. (1839 - 1913) was an English-American engraver active in the middle to late 19th century. Hall Jr. was born in Camden Town, London, England, the son of British stipple engraver and portraitist of the same name, Henry Hall Sr. (May 11, 1808 - April 25, 1884). He moved to the United States around 1850 and declared his intention to become an U.S. Citizen on July 16, 1853. He severed in the American Civil War (1861 - 1865) and afterwards engraved extensively for Battle of Gettysburg historian John B. Bachelder (1825 - 1894). Hall died in New York in 1813.
'High water mark' of the Confederacy and turning point of the Battle of Gettysburg.
Gettysburg. Repulse of Longstreet's Assault.
sold
- Digital Map Information
- Suitable for large format printing
- File Size: 83 MB
- File Type: ZIP / TIFF
- ICC color profile embedded
- Delivered instantly via download link
A stunning 'India Proof' first edition example of John Badger Bachelder and James Walker's 1876 steel-engraved view of the American Civil War Battle of Gettysburg. The view is derived from James Walker's incredible 20-foot-wide painting of Pickett's Charge, identified here as Longstreet's Assault, considered the 'high water mark' of the Confederacy and the turning point not only of the battle, but of the American Civil War (1861 - 1865). The term 'India Proof' does not denote a pre-publication test sheet, rather it is a special, higher-end, issue of what is, in this case, also the first edition. (more details)
The 'high water mark' of the Confederacy and turning point of the Battle of Gettysburg.
Gettysburg. Repulse of Longstreet's Assault.
sold
- Digital Map Information
- Suitable for large format printing
- File Size: 55.2 MB
- File Type: ZIP / TIFF
- ICC color profile embedded
- Delivered instantly via download link
A fine example of John Badger Bachelder and James Walker's 1876 steel-engraved view of the American Civil War Battle of Gettysburg, here in the rare 1905 edition issued by Bachelder's widow, Lizzie B. Bachelder. The view is derived from James Walker's incredible 20-foot-wide painting of Pickett's Charge, identified here as Longstreet's Assault, considered the 'high water mark' of the Confederacy and the turning point not only of the battle, but of the American Civil War (1861 - 1865). (more details)