Nakamura Shingo (sold) (中村進午, なかむら しんご)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)

A wonderful example of the rare 1904 Kisaburō Ohara / Shingo Nakamura satirical 'Octopus Map' of Europe. Composed at the outbreak of the Russo-Japanese War (1904 - 1905), Ohara here follows the conventions established by J. J. van Brederode ( Humoristische-Oorlogskaart, 1870) and Fred Rose (Serio-Comic War Map, 1877). These two maps established the convention of satirizing Russian expansionism as a menacing Kraken-like 'Black Octopus.' Whereas Brederode and Rose confine their images to Russia, Ohara has here expanded the idea to encompass all of Eurasia. Russia's eight grasping tentacles extend across Europe and Asia; on many countries they already have a firm grip. Finland, Poland, Crimea, and the Balkan nations are represented as skulls, while tentacles grasp Turkey around the foot and waist, Persia about the neck, and Tibet by the arm. The Trans-Siberian Railway and the South Manchuria Railway, represented by the rightmost tentacle, had by this time extended Russian influence into Manchuria as far as the valuable ice-free Russian stronghold of Port Arthur. As this map was issued in March of 1904, the struggle between Russian and Japan over control of Port Arthur was ongoing. Port Arthur was surrendered to the Japanese, who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left,

Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait and see! The ugly Black Octopus! Hurrah! Hurrah! for Japan.

Certainly the map had a strong message, but who saw it? (more details)