1561 Ruscelli Map of Southern Africa

Among the earliest detailed maps of the coast of Sub-Saharan Africa.

This is Girolamo Ruscelli's 1561 map of southern Africa, an enlarged and improved version of the 1548 map of fellow Venetian Giacomo Gastaldi. It is among the earliest detailed maps of the coast of Sub-Saharan Africa; while Münster's 1540 map presented an image of the whole continent, it lacked significant coastal detail. This map, like its Gastaldi model, is among the earliest obtainable maps to include details of both the African coastline and its river systems.

A Closer Look

The map presents Africa starting from the Gulf of Guinea (including the Islands of Sao Thome, Principe, and Fernando Poo), continuing past the Cape of Good Hope up to the Horn of Africa, the Red Sea, and the Gulf of Aden. Madagascar also appears under its early Portuguese name, San Lorenzo. The sources of the River Nile are shown according to the Ptolemaic model, as passed to Gastaldi from Sebastian Münster. A note indicates that, at the confluence of those rivers, the throne of the legendary Prester John might be found. The rivers of southern Africa, however, did not appear on Münster's map, and Gastaldi's sources for these are not well understood. Gastaldi's map, both in its 1548 edition and here, is remarkably different from the relevant portions of any of Gastaldi's maps of the continent. It appears that Gastaldi was receiving frequent updates, leading him to revise his geographical model of the continent: for example, the River Infanta appears here to the west of the Cape of Good Hope; in his continental Africa maps, Gastaldi placed it to the east of the Cape. While placenames along the coast indicate Portuguese exploration and influence, no specific source emerges.

Publication History and Census

This is the first state of the map, engraved by Giulio Sanuto for inclusion in the 1561 first edition of Girolamo Ruscelli's La Geografia di Claudio Tolomeo. It was reissued in various editions of the work. The maps of this edition were engraved two-to-a-plate, and consequently, the platemark runs off the edge of the sheet at the top of the first-state examples. By the time the 1574 edition was printed, the plates had been cut in two. Thus, later examples exhibit a platemark edge all the way around. An additional 1598 edition was issued with new typeset titles, along with a sea monster. This map comes to the market from time to time and is well represented in institutional collections.

Cartographers

Girolamo Ruscelli (1500 - 1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. His work as a polygraph - a writer on many subjects, producing, editing, and copying content for the new printing industry - required erudition in a broad array of fields. Born in Viterbo, Ruscelli lived in Aquileia, Padua, Rome, and Naples before relocating to Venice, where he spent much of his life.   Cartographically, Ruscelli is best known for his important revision of Ptolemy's Geographia, which he published in 1561, with further editions as late as 1599.  Ruscelli's work represented a marked improvement on Gastaldi's 1548 Ptolemy, presenting both the ancient and modern maps in larger, more clearly-engraved examples. His edition also included maps not present in Gastaldi's Ptolemy, including the first double-hemisphere world map to appear in a Geography, the earliest mapping of the British Isles from an English source, and the notorious and influential Zeno map of the North Atlantic.  Ruscelli is also listed as the editor of such important works as Boccaccio's Decameron, Petrarch's verse, Ariosto's Orlando Furioso, and various other works. In addition to his well-known cartographic work, many scholars associate Ruscelli with Alexius Pedemontanus, author of the popular De' Secreti del R. D. Alessio Piemontese. This well-known work, or "Book of Secrets," was a compilation of scientific and quasi-scientific medical recipes, household advice, and technical commentary on a range of topics that included metallurgy, alchemy, dyeing, and perfume making.  Ruscelli, as Alexius, founded an "Academy of Secrets," a group of noblemen and humanists dedicated to unearthing "forbidden" scientific knowledge.  This was the first known experimental scientific society and was later imitated by a number of other groups throughout Europe, including the Accademia dei Secreti of Naples.   Further Details...

Giulio Sanuto (fl. 1540 – 1580) was a Venetian engraver. He was born the illegitimate son of Cavaliere Francesco di Angelo Sanuto; With his brother, the cartographer and scientific instrument maker Livio Sanuto (1520 – 1576) he produced an array of some of the most important geographical works produced in Venice during the second half of the sixteenth century. These included a 27-inch globe and the 1588 12-sheet atlas, Geografia della Africa. Giulio's career is singluar among Venice's engraves in that it appears to have been equally based on artistic, figurative work as well as his cartographic works. Giulio is more broadly known for a small but sought-after selection of decorative engravings; no more than twelve of these can be attributed confidently to him, including the monumental Apollo and Marsyas, measuring over 1.30 meters wide. Whilst Sanuto's engravings were generally based upon the designs of other artists, his work was both ambitious and grand, and he often signed these works.   Further Details...

Giacomo Gastaldi (c. 1500 - October, 1566) was an Italian astronomer, cartographer, and engineer active in the second half of the 16th century. Gastaldi (sometimes referred to as Jacopo or Iacobo) began his career as an engineer, serving the Venetian Republic in that capacity until the fourth decade of the sixteenth century. During this time he traveled extensively, building a large library relating to voyages and exploration. From about 1544 he turned his attention to mapmaking, working extensively with Gextantiovanni Battista Ramusio, Nicolo Bascarini, and Giovanbattista Pedrezano, as well as taking private commissions for, among others, Venice's Council of Ten. He is credited with the fresco maps of Asia and Africa still extant in the map room of the Doge's Palace. Gastaldi was also one of the first cartographers to embrace copper plate over woodblock engraving, marking an important development in the history of cartography. His 1548 edition of Ptolemy's Geographia was the first to be printed in a vernacular; it was the first to be printed in copperplate. As with his Swiss/German contemporary Münster, Gastaldi's work contained many maps depicting newly discovered regions for the first time, including the first map to focus on the East Coast of North America, and the first modern map of the Indian Peninsula. His works provided the source for the vast majority of the Venetian and Roman map publishers of the 1560s and 70s, and would continue to provide an outsize influence on the early maps of Ortelius, De Jode, and Mercator.   Further Details...

Source

Ruscelli, G., La Geografia di Claudio Tolomeo Alessandrino…, (Venice: Valgrisi) 1561.    

Beginning in 1561, Girolamo Ruscelli published this important, expanded edition of Giacomo Gastaldi's 1548 Ptolemy. Its maps, engraved in Venice by Giulio Sanuto, were in the main based directly upon those in Gastaldi's 1548 work. The maps were larger format than Gastaldi's, however, and Sanuto's engraving was far clearer and more legible than those appearing in the 1548 work. There are some important additions that distinguish Ruscell's Ptolemy from Gastaldi's. Ruscelli's work contained a map of the habitable world according to Ptolemy, which the Gastaldi lacked; also, the double-hemisphere map appearing in the Ruscelli was new and did not appear in the Gastaldi. Ruscelli's modern map of England was based on the work of George Lily, rather than on the Waldseemüller-derived map appearing in the Gastaldi; the Ruscelli map is the earliest generally available map of England based on firsthand knowledge. In a fateful innovation, Ruscelli's work included Septentrionalium partium nova tabula,the first copy of Nicolo Zeno's 1558 fraud Carta da Navegar, which introduced a novel mapping of the northern parts of the world, including the phantom islands of Frisland, Icaria, Drogeo, and Estotiland. Had Ruscelli not copied the Zeno, which had a narrow, brief publication, this preposterous geography would have probably not taken hold. Its inclusion in Ruscelli's beautiful, authoritative, and popular work would lead to the adoption of the Zeno map by Mercator, Ortelius, Plancius, and their successors, baffling scholars for centuries. Ruscelli's Ptolemy had a long publication history, cementing the influence of the work. It appeared both in Italian and Latin editions, all printed in Venice, throughout the latter 16th century:

• 1561 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Vincenzo Valgrisi.
• 1562 Geographia Cl. Ptolemaei Alexandrini, Latin. Venice, Vincenzo Valgrisi.
• 1564 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Giordano Ziletti.
• 1564 Geographia Cl. Ptolemaei Alexandrini, Latin. Venice, Giordano Ziletti.

Maps from the above four editions are distinguishable from later issues by their platemarks, which run off the top of the sheet. (The maps were engraved two-to-a-plate head-to-head, and printed simultaneously. Some examples of the uncut sheets have survived.) There is some evidence that, during the course of the publication of the 1564 Latin edition, Ziletti had begun to divide the plates. The map of the ancient world in the editions above was based on Ptolemy's second, curvilinear projection; the Zeno map appears on its first plate.

• 1574 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Giordano Ziletti.
• 1598 Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, heirs of Melchoir Sessa.
• 1599 Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, heirs of Melchoir Sessa.

By 1574, all of the paired plates had been divided. The Ptolemaic world map is newly engraved, utilizing Ptolemy's first, trapezoidal projection. The Zeno map has also been replaced with a new copperplate engraving. Both the 1598 and 1599 Sessa editions can be distinguished from earlier editions by the presence of letterpress text in the upper border of the map sheets and the addition of decorative engraving on many of the maps. We thank Eliane Dotson for accompanying us on this particular rabbit hole.

Condition

Very good. Gentle toning along centerfold, else excellent.

References

Norwich, O., Maps of Africa, #151. OCLC 500417585. Rumsey 11311.107.