Jeannin, Henri Jules (sold)
Henri Jules Jeannin (fl. 1829 - 1854) was a French print publisher active in Paris in the mid 19th century. Jeannin maintained offices at No. 20, Rue du Croissant in Paris from 1829 - 1835 and then move is office to No. 20, Place du Louvre in Paris. Little else is known about Jeannin.
The oldest bridge in Paris.
Vue du Pont Neuf.
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This is an 1844 Jules Arnout view of the Pont Neuf in Paris, France. Pont Neuf, the oldest bridge in Paris, connects the left and right banks of the Seine with the Ile de la Cité. Parisians are illustrated crossing the bridge on foot and in carriages, while barges transport goods along the Seine. The buildings of the Ile de la Cité occupy the center of the view, with the square towers of Notre Dame appearing at center and the round towers of the Conciergerie (originally part of the Palais de la Cité) identifiable along the left. (more details)
A beautiful view of the old Hotel de Ville in Paris, before it was burned down at the end of the Paris Commune in 1871.
Vue de l'Hôtel de Ville Prise du Quai Pelletier.
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This is an 1844 Jules Arnout view of the Hôtel de Ville (City Hall) in Paris, France. The view, drawn by Arnout from the quai Pelletier (today's quai de Gesvres), illustrates the hôtel de ville as it would have been seen from the Seine. The view details the building's beautiful Renaissance-style façade with Parisians milling about in the square in front going about their daily lives. (more details)
A fine place for an evening stroll...
Vue de la Place de la Concorde. Prise du Pont Louis XV.
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This is an 1844 Jules Arnout view of the Place de la Concorde in Paris, France. With the Luxor Obelisk at its center, Parisians are illustrated wandering about the square, which stretches from the Avenue des Champs-Elysées to the Jardin des Tuileries. Ladies are dressed in fine dresses, while most of the men sport coats and top hats. The fountains surrounding the obelisk are illustrated in their finest, while carriages with drivers and footmen try to avoid those walking. The Hôtel de la Marine and its twin, which today houses the Hôtel de Crillon, are depicted in the background, with the Église de la Madeleine visible down the Rue Royale. (more details)
One of the first views of the Madeleine after it was consecrated as a church in 1845.
Église de la Madeleine.
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This is a c. 1845 Jean-Baptiste Arnout view of the église de la Madeleine in Paris, France. A beautiful piece, the Madeleine, situated on the Place de la Madeleine in Paris's 8th arrondissement, is illustrated from a slightly off-center perspective, allowing for a lovely illustration of Corinthian columns along the side. Parisians in carriages, on horseback, and on foot traverse the Place de la Madeleine and numerous individuals climb the steps into the church. The history of the Madeleine is one that encapsulates the many political changes in France during the late 18th and early 19th centuries. (more details)
A beautiful view of Les Invalides in Paris, a complex of military buildings in the center of the city with an iconic dome.
Hôtel et Esplanade des Invalides.
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This is a c. 1845 Jules Arnout view of Les Invalides in Paris, France. Looking south across the Esplanade des Invalides, the view depicts the north façade of the Hôtel des Invalides, with Bruant's door and arched pediment easily recognizable below Hardouin-Mansart's chapel dome. Drawn after a snowfall in Paris, snow blankets the esplanade and the façade and dome of Les Invalides. A horse drawn cart moves slowly up the esplanade in the foreground, with several carriages evident further in the background. Wheel tracks weave their way through the slushy street, which are apparently well traveled since the sidewalks are still blanketed in a fresh snow. Also, pairs and small groups of people are illustrated wandering their way through the neighborhood. (more details)
A view of Notre Dame before its 19th century restoration project undertaken by French architect Eugène Emmanuel Viollet-le-Duc and the construction of its iconic spire.
Vue de l'Abside de Notre-Dame et de nouvelle fontaine.
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This is a c. 1845 Jules Arnout view of the apse and east end of Notre Dame Cathedral in Paris, France. Notre Dame dominates the view, with its flying buttresses and the beautiful stained-glass windows of the apse, notably without its iconic spire (which had not yet been built). The Square Jean XXIII and the brand-new Fontaine de la Vierge (Fountain of the Virgin) are situated in the foreground, with several groups of children playing the park (the first of its kind in the neighborhood) and gentlemen in top hats wandering the streets and through the garden. Notre Dame's transept is illustrated, and the tops of its iconic towers are visible just over the transept's roof. (more details)
Striking view of an iconic symbol of France.
Arc de Triomphe de l'Étoile. Côté de Paris.
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This is a c. 1845 Jules Arnout view of the Arc de Triomphe in Paris, France. Illustrating Arc facing the Champs-Élysées slightly from the left, one can almost discern the left side of the Arc, along with part of the interior. La Départ de 1792 and Le Triomphe de 1810 are the two sculptural groups on the Arc's pillars seen here, along with the three of the six reliefs engraved on this side. (more details)
A beautiful 19th century view of Notre Dame Cathedral in Paris, a world-renowned heritage site.
Façade de Notre-Dame et Hôtel-Dieu
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This is a c. 1845 Jules Arnout view of the façade of Notre Dame Cathedral in Paris. The view depicts the front of Notre Dame from the left, with the entire left side of the cathedral illustrated along the street that ran parallel it. A large group of people are illustrated entering the cathedral through the door on the left and others are shown milling about in the square in front of Notre Dame, going about their daily lives. Two carriages are parked in front of the cathedral. The cathedral's two stunning towers rise high above the square, surveying the goings-on much as they had for centuries. The iconic rose window is beautifully drawn in as much detail as was possible, as is the entire façade. The Hôtel-Dieu hospital, the oldest hospital in Paris, is depicted on the right side of the view, with a large crowd of people climbing its steps. (more details)
A beautiful color view of a Parisian palace that was burned during the French Commune.
Vue du Palais des Tuileries prise du bas de al terrasse du bord de l'eau.
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This is a c. 1845 Jules Arnout view of the Palais des Tuileries in Paris, France. The Palais des Tuileries was a French royal palace located in Paris located between the Jardin des Tuileries (Tuileries Gardens) and the Jardin du Carrousel along today's Avenue du Général Lemonnier and was attached to the Louvre. The view, drawn from the Jardin des Tuileries, illustrates Parisians going about their day and enjoying the beauty of the gardens. Marble statuary are placed throughout the garden, and numerous flowers are in bloom. (more details)
A beautiful Paris palace burned during the Paris Commune.
Palais du Quai d'Orsay.
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Completed only five years before this view was published, this is an 1845 Jules Arnout view of the Palais du Quai d'Orsay in Paris, France. The Palais du Quai d'Orsay occupies the center, with the Palais de la Légion d'Honneur to its right. The Quai runs along the river and workers appear along the banks of the Seine. Riverboats and canoes ply the waters of the Seine and a group of male revelers swim in the river and drink in their rowboat in the foreground. (more details)
The Vendôme Column before it was toppled during the Paris Commune.
Colonne de la Place Vendôme.
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This is a c. 1845 Jules Arnout view of the Vendôme Column (Colonne Vendôme) in the Place Vendôme in Paris, France. From the front, the statue of Napoleon in a military officer's coat adorning the top of the column is clearly visible. While not legible, the detailed relief work on the column is evident. Parisians promenade through the square on foot and in horse-drawn carriages. The buildings surrounding the north side of the square appear in the background. (more details)